Final Girl : La Dernière Proie

24 March 2016. It wasn't Abigail Breslin's fault I assume, but the script just didn't allow her to really shine in this movie. Her martial arts, well her kick-boxing skills or taking apart and putting together a weapon just weren't on par for as long as she trained for example as La Femme Nikita (1990), Elektra (2005), Hannah (2011) Daisy and Violet (2011), or Miss Meadows (2014). There was too much light in the darkened forest which was too unrealistic. As for the hallucination horror scenes, they weren't on par with such classics as The Blair Witch Project (1999), The Cell (2000), Silent Hill (2006), Black Death (2010). As a thriller, the movie did have a consistently and understandable plot, with some wry humor, and decent acting, and an atmosphere in this nevertheless predicable movie. But it could have been better.

There's no real set up, the trailer basically summed up the movie. You understand the relationship between the characters but beyond that you don't know much about them. It's nicely executed and overall the movie is watchable but it feels more like a student project with an interesting cast than anything else.

Final Girl is not thrilling or frightening, particularly if you've seen the trailer. The good thing about it is the pace, it has a nice pace but not a very exciting one. So if you have 90 minutes to kill why not watch this movie.

@wornoutspines

Final Girl is basically putting the Hit-Girl trope to the slasher genre, which can be a pretty cool concept. The film's style is some sort of a fancy old-school mystery film, highlighting shadows and silhouettes through creaking walls, cafeterias and streets. Visually appealing stuff, rather enjoyed for being effectively overly campy for its low budget. But the story itself is just downright silly and even worse, meaningless. The movie sets up a little girl training to beat up dangerous men, but it instead lead us to a number of strange events, which results to such polarizing schlock.

Even for its shoddiness, the weird style could still be admired for being way too campy. The story centers on a secret organization that hires vigilantes, and everything else about them is a huge mystery. We only see two characters in their dark shadowy headquarters; it's either for the sake of being extremely minimal, or just really underdeveloped. But the important thing is, they're hiring a young girl to fight off their targets. In spite of training and even raising her in this cold- blooded environment, the main character, Veronica, still doesn't seem like she's as strong or as unfeeling as she is supposed to be. It makes everyone wonder what exactly did she train throughout her childhood. She's not given much of an arc either. The film just presumes that she is not competent enough at some points. It can be a useful good to bring some suspense, but instead, she is given an incredible dose of deus ex machina in this "daring mission" that would easily take down her targets.

While it makes the whole mission a lot weirder, all we see is just some amateurish looking acid trip that is supposed to represent their fear, but looks more totally random than disturbing. The fighting is hidden behind the vague shadows and the on screen blood is very reserved. All the slasher/gory fun is replaced with artsy pretentiousness. And for some reason, that can also be one of the benefits of the film. In a typical mindset, the experience may just be some terribly shot mindless violence on screen. Not saying that this approach is anything fresh or superior at all, it's just pretty rare that it manages to do something a little different. It brings some tongue-in-cheek characters, blanketing their shadows into some exteriors with lighting fetishes (the headlights of the gang's car is super strong enough to shine the entire forest). The movie brings some flavor, but it didn't gloss over enough about the fact how pointless this story all was. The acting is fine, they're basically as campy as the cinematography.

Final Girl is a cool looking film with a pretty ridiculous story that lacks severe subtext. The movie may have painted a lot of interesting shadows through its darkness which makes it effectively campy as hell, add some symmetry that somewhat turn buildings into dollhouses, make headlights spotlighting every hallucination, and characters chew the scenery because it's more intimidating that way, but then it's all just pretty images. It all lacks grotesque and gore, or even more important: meaning. While it's reasonably to get fascinated by a typical B-movie's decision have such obsession with silhouettes and lights, the story just doesn't make any sense in the end.

The final girl. All can be sum up to that title. And I find it remarkable. For a movie to be summarized in a three word sentence. If you've seen the trailer, and know the title, then it is all of it. You haven't really miss much. And so without further ado, I dub thee, this movie a wasted bit on the net. You can continue to read and give chance to justify my case. Some might have been impressed by the trailer, for I am one of them, the music and the cut of scene to scene surely seems impressive. The chase and the fight screens shown on the trailer was quite misleading to the quality of the movie, but I'm sure of my judgement in this.

20 seconds walking, 3 minutes talking of small talking, and a variety of pauses, and breathing. It was dragging, in a non exciting sort of way. Taking time for the predictable, the girl and killers in a chase. There was really no weaving, no curving, just straight to the end. Predictable.

The girl I believe is an orphan. Taken and trained for a purpose of defeating the evil. Then after an hour and fourteen minutes, wow. I thought I could get more about the story but there really is nothing else. I can't tell the ending of this movie but I have a feeling 99.99% population can already guess what it would be.

Maybe I can add a bit of the story... Nope. Can't find it if it isn't really there.

During the races to the death, the hiding from killers, the soundtrack, I'll admit, is good. Boom, Baam. Sure, the music is good, but really, if the scenes does not complement the music, then I'm afraid, even Mozart or Beethoven can't help this movie be better.

There were stylish though. In tuxedos and dresses no matter where they go. I mean all of them. All. Unrealistically everyone. Well, not the background people for it would be a fantasy of some kind but just those involved in the story. I had the impression they were dressed from some prom but after nights, nope, not at at all. The scenery and background was dull but kind of beautiful. Certainly, it would be so if the shots were great mountain and forest, and lake scenery.

I was bored. No surprise there. It would be a sin to tell you otherwise. Some may find this movie enjoyable? Though I doubt many would. The actors and actresses do have some name to show for.

This movie had quite a lot of familiar names for me and with all those names should have been better. It gets let down by the script and the casting of the lead Abigail Breslin.

The rest of the actors do on the whole a pretty good job and overlooking Abigail Breslin's obvious miscasting this was an entertaining movie to watch. Just don't expect too much going in.

Wes Bentley, Cameron Bright, Alexander Ludwig and Francesca Eastwood are all actors I have seen before and their performances while good are let down by the unpolished script dialogue.

The movie is quite short at 78 minutes before the credits and the story is quite good, but for one glaring plot hole.

I gave this a 5.5 rounded up to a 6/10, which is better than the current average on here, it could have easily been an 8 with some work on the script and a more appropriate lead actress.