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A Korean diplomat is dispatched to Afghanistan when a group of South Korean tourists is taken hostage by the Taliban. When all measures fail and one hostage is killed, he is forced to team u... Read allA Korean diplomat is dispatched to Afghanistan when a group of South Korean tourists is taken hostage by the Taliban. When all measures fail and one hostage is killed, he is forced to team up with a special agent to rescue the survivors.A Korean diplomat is dispatched to Afghanistan when a group of South Korean tourists is taken hostage by the Taliban. When all measures fail and one hostage is killed, he is forced to team up with a special agent to rescue the survivors.
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"The Point Men" unfolds as a riveting and expertly crafted hostage drama, casting an unflinching spotlight on the harrowing realities of a South Korean hostage crisis. In the grand tradition of South Korean cinema, renowned for its adeptness at translating real-life incidents into compelling, no-nonsense narratives, this film stands as a testament to the nation's prowess in storytelling. In a narrative parallel to its predecessor, "Escape from Mogadishu," the film seamlessly weaves urgency into its fabric, ensuring that the audience is gripped by the relentless pace of unfolding events.
A noteworthy strength of "The Point Men" lies in its screenplay, a captivating and realistic tapestry that avoids the pitfalls of forced storytelling. The film navigates the treacherous terrain of a hostage crisis with finesse, never succumbing to contrived plot devices. The infusion of humor, skillfully executed by Kang Ki-young, serves as an additional layer of authenticity, seamlessly integrating moments of levity amidst the gravity of the situation. While the absence of elaborate action set pieces may be perceived as a drawback by some, it is a conscious choice that bolsters the plausibility of the narrative. The filmmakers prioritize the integrity of the premise over gratuitous spectacle, a commendable decision that enhances the film's credibility.
In the realm of performances, "The Point Men" benefits immensely from the formidable talents of Hyun Bin and Hwang Jung-min. Although newcomers to my cinematic purview, their prowess as actors is immediately evident. Their portrayals are marked by authenticity and naturalism, adding a layer of gravitas to the unfolding drama. The chemistry between the leads enhances the film's emotional resonance, making their characters' struggles palpable to the audience. This synergy between compelling performances and a well-crafted narrative elevates the film beyond the trappings of a conventional hostage drama.
As a thrilling exploration of a genuine hostage crisis, "The Point Men" captivates audiences with its honesty and unwavering commitment to true storytelling. Those anticipating elaborate action sequences may find themselves disappointed, as the film deliberately eschews such embellishments in favor of a more grounded depiction of events. However, for aficionados of sincere and gripping narratives, this film emerges as a compelling addition to the genre. It's a testament to South Korean cinema's ability to delve into complex, real-world scenarios, presenting them with authenticity and an engrossing narrative that resonates long after the credits roll.
A noteworthy strength of "The Point Men" lies in its screenplay, a captivating and realistic tapestry that avoids the pitfalls of forced storytelling. The film navigates the treacherous terrain of a hostage crisis with finesse, never succumbing to contrived plot devices. The infusion of humor, skillfully executed by Kang Ki-young, serves as an additional layer of authenticity, seamlessly integrating moments of levity amidst the gravity of the situation. While the absence of elaborate action set pieces may be perceived as a drawback by some, it is a conscious choice that bolsters the plausibility of the narrative. The filmmakers prioritize the integrity of the premise over gratuitous spectacle, a commendable decision that enhances the film's credibility.
In the realm of performances, "The Point Men" benefits immensely from the formidable talents of Hyun Bin and Hwang Jung-min. Although newcomers to my cinematic purview, their prowess as actors is immediately evident. Their portrayals are marked by authenticity and naturalism, adding a layer of gravitas to the unfolding drama. The chemistry between the leads enhances the film's emotional resonance, making their characters' struggles palpable to the audience. This synergy between compelling performances and a well-crafted narrative elevates the film beyond the trappings of a conventional hostage drama.
As a thrilling exploration of a genuine hostage crisis, "The Point Men" captivates audiences with its honesty and unwavering commitment to true storytelling. Those anticipating elaborate action sequences may find themselves disappointed, as the film deliberately eschews such embellishments in favor of a more grounded depiction of events. However, for aficionados of sincere and gripping narratives, this film emerges as a compelling addition to the genre. It's a testament to South Korean cinema's ability to delve into complex, real-world scenarios, presenting them with authenticity and an engrossing narrative that resonates long after the credits roll.
In 2006 a group of South Korean missionaries was taken hostage by the Taliban in Afghanistan. The very conservative moslim Taliban are no friends of anything other than their own belief, and as soon as they find out that the hostages are not volunteers, as they make them believe, they give the other side a hard time to get them released. It results in a complicated poker game of exchanges of hostages, prisoners and money. Hyun Bin is almost like a Korean James Bond involved in this action drama that contains a few very gripping scenes. Especially one pursuit is very well made. The whole story is well told down to every detail.
...before giving up. I'm a big fan of Hyun Bin, but this script was tedious. And who were the idiot missionaries who thought it was a good idea to go into Afghanistan? I mean seriously. I get that the movie is based on a real-life incident, but all that effort to rescue people who should have known better. This is what I call a man movie. There are no female leads. It's men talking and fighting. If you are a man, you might like it. If you are a woman, maybe not.
Um, since when is there a word minimum for reviews? I'm just going to type here until I fill up the required characters. Almost done. Whew.
Um, since when is there a word minimum for reviews? I'm just going to type here until I fill up the required characters. Almost done. Whew.
This is a must watch for all to understand how the Convertion game is played upon Asians. From China to India converts are spreading the virus to infect other Asians.
The real players like America Europe Arab already inflected few Asians with religion and now these infected people are reaching out to others with greater risk The start is simple a group mission to convert Afgans to church gone wrong and missionary got trapped in a setup which is already converted long back and the price is to bring these missionary people back.
Long and short sequence how afgans wants to live life happily with or without America and how Koreans missionary are behaving American agents to convert people and got caught Well plan and played.
The real players like America Europe Arab already inflected few Asians with religion and now these infected people are reaching out to others with greater risk The start is simple a group mission to convert Afgans to church gone wrong and missionary got trapped in a setup which is already converted long back and the price is to bring these missionary people back.
Long and short sequence how afgans wants to live life happily with or without America and how Koreans missionary are behaving American agents to convert people and got caught Well plan and played.
It's not necessary to have lots of action to make a movie a thriller, even though the genre is action-thriller. Before watching, expected lots of action. Even though not many action or fight scene was not involved, the movie made enormous tension throughout. The plot showed, the diplomatic, humanistic points and its clashes. How much trauma can make someone stuck in past is well depicted here. How a small personal debate and reporting can provoke someone or something or some group and what outcome it can bring, is also well depicted. How much courage it takes to go through a negotiation table and how to manage the tension throughout the negotiation is portrayed very cleverly.
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Sauvetage à haut risque
- Filming locations
- Jordan(location)
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $13,433,834
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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