Libereya. Ohotniki za sokrovischami

2022
1h 45m

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YOUR RATING

Libereya. Ohotniki za sokrovischami (2022)

During the construction of the metropolitan metro, workers discover a precious salary, which proves that the legendary Library of Ivan the Terrible exists. But the find turns out to be forgo... Read allDuring the construction of the metropolitan metro, workers discover a precious salary, which proves that the legendary Library of Ivan the Terrible exists. But the find turns out to be forgotten for many years, and already in our time it falls into the hands of the unsuspecting I... Read allDuring the construction of the metropolitan metro, workers discover a precious salary, which proves that the legendary Library of Ivan the Terrible exists. But the find turns out to be forgotten for many years, and already in our time it falls into the hands of the unsuspecting Ilya. Now his life is in danger, because powerful forces are hunting for an ancient artifac... Read all

See production info at IMDbPro

IMDb RATING

5.7/10

466

YOUR RATING

See production info at IMDbPro

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5.7466

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5noshouse

The so-called treasure hunt must follow the ancient mindset; otherwise, it's just discovering historical relics.

If we talk about treasure hunting or exploring ancient sites, we can't ignore everyone's memories of the 'Tomb Raider' series, the timeless 'Indiana Jones' series, and personally, my super favorite 'National Treasure' series. The renowned performances of Angelina Jolie, Harrison Ford, and Nicolas Cage added a lot of color to the entire adventure and treasure hunting stories. However, this Russian-related treasure hunting film can only be described as pale in comparison. The overall performance of the protagonist, Tikhon Zhiznevskiy, tends to be a bit lackluster and fails to highlight the on-the-spot reactions and decisive control needed for a treasure hunt story. Surprisingly, it's the protagonist's dad who, while discussing history, manages to provide swift reasoning when faced with puzzles. This lack of deliberation takes away from the sense of engagement in the audience, making it feel more like storytelling than participating in deduction.