The Starling Girl

I grew up in a Christian home so I can relate to these characters here. Feelings wandering, conflicting when it comes to what's right and wrong. I have no doubts there will be Christians seeking everyone to avoid this near masterpiece of film. It struck all the right cords. It's a very impressive debut for this new director. I wish more first time filmmakers made films this great but they come few and far between. I can see this one becoming an awards contender perhaps if it doesn't stir up too much controversy but I doubt that will happen. This one is likely to remain a hidden gem but it deserves a watch at least once especially for the incredible performances all around, the music, the atmosphere and cinematography are all on point here. Not sure entirely what kept this from being a perfect film but it almost reaches that. All in all though this is definitely one of the years best so far and is worth seeking out for film lovers and those who struggle with beliefs in religion.

The plot in and of itself is very simple and has been done many times. Young girl, oppressed - finds her identity through trials and tribulations. It's really a story as old as time itself, so that's not the real focus of this film. The acting and character development is what to focus on while watching.

The setting is mostly outdoor rural Kentucky, within a very strict Christian fundamentalist community, which I found unique and interesting. The focus of the film is the subtle changes in the young girl main protagonist. It's almost like watching a slow motion train wreck, for her and the immature pastor.

Overall it's a slow burn, hard to really review. I just enjoyed the overall ambience and acting. Everything else for me I could take or leave it, but it was entertaining. 5.9/10.

Saw this at the 2023 Sundance Film Festival

"The Starling Girl" is a movie about 17-year-old Jem Starling struggles with her place within her Christian fundamentalist community. But everything changes when her magnetic youth pastor Owen returns to their church. It clears the director is trying her best to capture the struggles and dark sides of the Christian fundamentalist community but the film doesn't really have a strong impact as it thinks it does due to the storyline being predictable and characters that weren't fully investable.

Throughout, the production and camerawork is pretty good as it helps to bring the settling of isolation and control throughout the main characters environment. The performance from Eliza Scanlen is pretty great and there are some narrative aspects that were pretty interesting. Unfortunately, the positive aspects were overshadowed with a story that has a very predictable setting and characters that aren't interesting to care for.

The characters felt wooden to the point it was difficult to really care much about them. The pacing struggles, some of the other performances were really bad and the dialogue moments felt like they were written from a poor student project at times.

There is a lot of potential that is missed and I really do feel like this movie would have been an pretty good and be considered a hidden gem. But it didn't work as well.

Rating: C.

This coming-of-age drama follows Jem Starling as she becomes an adult--or at least starts to become an adult. It explores the conflict between Jem's growing awareness of her body and its needs and the beliefs of the fundamentalist church that plays a large part in her life and her family's life. Her family is also a source of conflict: before his conversion, her father had been a musician with a steady gig at a bar in Memphis, and the temptations of sex, drugs, and rock 'n' roll return after the suicide of one of his former band members. What music is for her father, dance is for Jem and she contrives to lead the church's dance troupe by charming Owen, the church's youth pastor who has just returned from Puerto Rico. Eventually, Owen and Jem begin an affair that is transgressive in almost every possible way: Owen is married, he is the brother of Ben, who is officially courting Jem, and both Owen and Ben are the sons of the church's pastor. The ending is pleasantly ambiguous: we see that Jem follows her powerful need to know about the world and what her place in it ought to be, but not exactly where that takes her.

The cast is very good and Eliza Scanlen, who is in almost every scene, makes a good Jem. Wrenn Schmidt is also excellent as Heidi, Jem's mother who is trying to hold a large family together while her husband and her eldest daughter lose their minds. For many viewers, a fundamentalist church in Kentucky might seem an 'exotic' milieu, but the film doesn't treat its characters like the subjects of an ethnographic expedition. The first half of the film sets the scene at a leisurely pace, but tensions build in the second half as we wonder when the lovers will be discovered and what the consequences will be.

What's required to attain acceptance from others? That's a tricky question, especially for those who are going through the coming of age process. It can be even more confounding for those who are part of a community that demands rigid conformity on an array of fronts. So it is for 17-year-old Jem Starling (Eliza Scanlen), a questioning young woman from a small Kentucky fundamentalist community. She wants to fit in, but she also endeavors to know herself, a quest that carries with it some puzzling yet innate contradictions, many of which are brought front and center when she begins to develop feelings for her married youth pastor (Lewis Pullman), a connection based on emotions that turn out to be mutual. But what is Jem to do - follow her heart or squelch the burgeoning passions surfacing within her, both romantically and in her other secular interests? That's the story that plays out as she attempts to get in touch with her inner being. However, is she seeking to let her true self emerge, or is she succumbing to the wicked manipulations of Satan, as her family and fellow parishioners try to convince her? Independent Spirit Award-nominated writer-director Laurel Parmet's debut feature deftly handles these themes, even if they seem a little predictable, familiar and stretched out at times. The picture's surprisingly inconsistent cinematography sometimes hampers the flow of the narrative, too, with some scenes that are beautifully shot and others that are needlessly and almost indecipherably dark (atmosphere is one thing, but the patent mishandling of this element is something else entirely). Nevertheless, these shortcomings are aptly covered by the fine performances of the film's stellar cast, especially Scanlan, Pullman, and Jimmi Simpson and Wrenn Schmidt as Jem's dysfunctional parents. "The Starling Girl" may not be groundbreakingly original, but it reminds us of the importance of being ourselves, no matter what that might entail - and the cost that can come from failing to follow our hearts.