Full River Red

Right, just watched it so it's fresh in my mind.

The sound design is probably the first thing the audience would notice. Every action, every scene is accompanied by a unique noise such as having gongs beaten on the slap of a fan, that, I wouldn't go as far as to say it is innovative but it is certainly rare to hear in most modern films. It essentially takes traditional Chinese theatre music and integrates them into the movie.

You've probably seen this film being listed as a comedy but by no means is this a comedy so don't be misled into thinking it'll be a Stephen Chow type thing. Sure there are some comedic elements to break the steam a bit once and a while but the seriousness of the movie is very well reflected throughout. Also, don't expect much action, this is not an action film. It works in the same way as a detective movie would go about.

And that leads me into the penultimate point. The unpredictability of every corner. Sure sometimes, going overboard with avoiding cliches can be detrimental at times but this is an instance where it remains impressively well thought out. There's a very clear crescendo that hits its climax at the very end so just know the tension will only keep rising whilst maintaining a good storytelling pace.

Mind you, you really need to keep track of what's going on or you are for certain going to lose grip on the story.

However, if there are a couple of critiscms to be made. The ending had room to be even more fleshed out, since at that point, everything happens really quickly and there's a weird unexplained twist that gets shoved in there without too much explanation. Furthermore, as good as the non-cliches are, it creates a pattern that you pick up pretty easily if you're focused enough.

My personal verdict on this movie comes as a 9/10. Highly unexpected for this year. I had not even heard of it before today in fact except reading on the background history of the time period of which this film is set in. There are few films in the past few years which has actually attracted my attention to write a review on it, and I'm glad that I've watched it and have been able to give my review.

Thank you.

I can see that Yimou Zhang tries really hard to have multiple twists in the movie in order to surprise the audience as much as he could, and the movie has some fun moments for sure, but I am not convinced by the final twist - the purposes of the gang, which is to pass on the poem written by Yue Fei before he was executed. This just seems too nationalistic, political, twisted and pointless, and literally makes this movie more like a propaganda movie than a piece of art, as the core value is so twisted!

People's lives are more precious than anything. It's a great deed that people sacrifice themselves to save another's life, but it's just a brain wash that people are willing die to pass on the love to their ruler.

It's really sad to see the twisted value in so many Chinese movies nowadays, and Yimou Zhang just contributed another.

Zhang Yimou is the most famous Chinese director of all time, but even he cannot be sure to get away with social criticism after the clampdowns against Jack Ma, Hong Kong activists and CoVid critics. So what does a film maker do when he wants to address the frustration many of his compatriots feel? He resorts to satire, and sets the action comfortably far away in the past.

What starts out as a mystery concerning a missing letter no one must know quickly turns into slapstick comedy, and many viewers familiar with Zhang's epics feel let down by this because there isn't really any suspense. There are numerous twists and turns which seem haphazard and do not dive the plot forward. All the while the action is confined to the same palace grounds. It's totally understandable if this seems rather pointless and dull. And the Hamlet-like ending seems out of sync with the previous irony.

And yet, there is something beneath which only people familiar with authoritarian regimes will catch on to - the zeal of government officials to save their own skin with complete disregard to the task at hand. The characters constantly plot against each other and/or form allegiances to somehow emerge from the whole dilemma unscathed. It's mostly in vain because they are puppets of an invisible power - like in contemporary China, where no one can figure out the meaning behind the latest regulations, and where even the powerful thrive at the mercy of appearances. Even the title-giving poem, which could be seen as an allusion to Taiwan, is actually just another smokescreen for personal ambition.

If Zhang had made this into a straightforward mystery or wuxia, it could have been interpreted as subversive by the censors, but because it's farcical, it's all a joke so they can't. So even if the story is too convoluted and the black humor doesn't stick, it's probably still a breath of fresh air for many Chinese spectators and deserves its commercial success.

What saves this story is the performance of the main cast. All actors play their roles passionately, and they are the only real strenght this movie has. The sets are limited but not holding back the movie.

The story is decently captivating. It starts as a whodunnit, that turns into a case of national security. Various factions are in the game, that don't know who to trust. Overall a gripping story, but it does get more nonsensical as it goes on.

The absolute worst part is the music, especially it's volume. Without exaggeration, the music is 10x as loud as the audio. I spent two hours holding the remote, ready to press mute. The music also fits the scenes it's played in poorly, but that would be forgiven if it was not 10x too loud.

This is a tough movie to get a hold of. The producers apparently described it as a suspense movie with comedic elements, but it is rarely either funny or suspenseful. I'd say it's in part a drama of intrigue, part a mystery, but mainly I'd call it a horror movie because it's got a brutal body count and many deaths are horrifically cruel.

In fact, for me what's most interesting about the movie is how well it portrays a world where the pecking order involves who can kill who, making life cheap as people use murder to impress or jockey for position. It's actually a good example of a systemic issue - it's a kill or be killed world and there's really no way out.

The story involves a murder investigation, at least at first, but there are all sorts of twists and turns along the way. It's convoluted and at times I got lost.

But finally at the end the central driving force of everything is revealed, and it made ZERO sense to me. I had to do a bunch of research to figure out the meaning. Full River Red is apparently a poem schoolchildren learn in China but if you don't know the poem or Chinese history then the denouement is incomprehensible.

I'm not saying this as a criticism - it's perfectly fine to make a movie that only makes sense to the people of the country it's made in. I'm just offering a warning that the ending may not resonate as well if you didn't grow up in China.

Overall, I liked Full River Red but didn't love it. It's genuinely engrossing. The cast is good, particularly Teng Shen and Wang Jiayi. The score by Hong Han is amazing, with all these crazy punk songs that I've read are rocked-out Chinese folk songs. But the weird genre stew, the unpleasant brutality, and the puzzling-until-you-research-it ending made it less enthralling than the best of director Yimou Zhang's films.