The Speedway Murders

The filmmakers' approach to telling this story is unique, compassionate, and effective as they put forth multiple competing theories, from the perspective of detectives, witnesses, families, and the victims themselves.

We attended a premiere screening in Indianapolis, followed by a Q&A with the (Australian!) filmmakers and several of the key players featured in the production. The "Burger Chef murders," the name by which locals know the tragic crime, has haunted locals for more than 40 years. Even though we have never forgotten about it, the film presented a great deal of information and insight that had not previously come to light.

One of the best true crime films I've seen. Cannot recommend highly enough.

I don't know why, but the producers of these documentaries often see the need to insert creepy, scary, jarring sounds on a continual basis.

It cheapens the whole thing. Makes any true crime program into a low brow 'B' movie type of thing.

The rest of it is not too bad. Having the kids involved int he story telling is unique. I don't really like it, but it's interesting.

There's no answers of course. Which is fine, you know that at the start. But half way through, I was debating whether to continue this.

I think there are many better true crime documentaries out there other than this. Watch one of them.

I was initially unsure about the narrative style in which the actors who portray the victims walk through and discuss the various theories themselves, however by the end I knew the directors had nailed it in a truly humanizing way.

This true crime docu-drama is unique not only in its narrative structure, but also in the quality of the production design, soundtrack, cinematography, use of colour, and tasteful, high quality reenactment scenes and dialogue.

The filmmakers clearly earned the trust of the various witnesses, police officers and family and friends of the victims as evidenced by the degree of openness and emotion demonstrated by them in the film.

By the end, I was in tears.

How can this have an 8.2 rating when all they're doing is showing a different scenario of the same scenes over and over and over again? The only reason I paid to watch it was because of the 8.2 rating. I am halfway through and giving this review because it's so frustrating. I want to stop watching it. They've given me virtually no information and just keep showing the same scenes with different dialogue over and over. Now to make this review I have another 150 characters to put in so, I'm just going to blather different words that don't make any sense and doesn't have anything to do with the review.

Adam Kamien and Luke Rynderman take a lot of risks with "The Speedway Murders", a true crime doc that posits five diverse theories on a cold case that's baffled authorities for over 45 years.

On an evening in November 1978, four Indiana teenagers were abducted at gunpoint from closing a robbed Burger Chef only to be found in a nearby county, days later, apparently shot and stabbed in an almost execution-style manner.

Nothing about this case is clear cut. The motives are murky, the suspects are myriad, theories extending into drugs and massive debts are tossed out and debated hotly by cops, ex-cons, and family and friends of the victims. It's a lot to digest, but fortunately Kamien and Rynderman manage to laser in and lay bare the emotionalism and attendant PTSD of the tragedy without inordinate exploitation.

This is a documentary that makes no bones that its focus is on the four young employees of the restaurant rather than on the possible suspects, living or dead, maybe even more than the actual crime itself --- an approach likely to annoy many hard true crime addicts. It's a wise choice, though, because without that accent on humanism the film would never keep one's attention due to its many contradictory theories and suppositions. It's a unique, gripping experience because unlike a lot of crime docs, you're almost thrust into the position of actively solving the case as you watch the film. It's not a reductive set of flashbacks.

The structure is unique yet somewhat repetitive, but I actually found that to be more stabilizing than distracting. You really get a feel for the "Burger Chef Four's" individual personalities and their connections with each other, even though much of their interrelations are speculative. In perhaps the most unique facet of the film, instead of relying on strict, vague reenactments, the kids often recount the events of the night, debate the clues, examine the suspects in longer-than average takes, almost but never completely breaking the fourth wall (which might have been more interesting, actually).

The actors who play the teens aren't striving for drama as much as authenticity, and if there's any shortcomings to this approach it's more in the clinical nature of their lines than in the line-readings themselves. This borderline Verite approach is not going to fly with many conventional doc audiences, I don't think, but if you're in the mood for something a little more unconventional, I think you'll enjoy it.

This isn't a case with a scope or sensationalism on par with the Manson murders or the Zodiac, but in its own way it's as immediate and disturbing, if only for the length of time it has taken for it to come to a plausible resolution and how many lives it touched and fractured in the process.