Bodkin

The beginning of the show was very promising, the first 4 to 5 episodes were very dark and moody with a touch of humour and good acting. The start of what seemed to be a solid story. Maybe a tad too much storylines but overall enjoyable to watch.

Some of the many characters were irrelevant to the core of the story and disappeared into thin air, a lot of loose ends. Others weren't looked into enough.

Then came episodes 6 and 7... honestly, I haven't seen such a bad ending of a show since Game of Thrones. It was a bit laughable really. Like many reviewers here I was really disappointed.

Such a shame.

For the majority of its 7 episode runtime, really except the last two episodes the show is really well done. Gilbert's unnaturally chipper attitude and Emmy's seeming ditziness paired with Dove and the towns somber attitude works really well.

It's atmospheric and feels somber but moves with a quick pace and the humor that is there is really well done and the trio follow a whole lot of leads and find out more information and secrets with every passing episode.

The settings and scenarios all seem real and the actors do a great job in bringing their characters to life, especially the guy who plays Seamus.

But the last two episodes needed to be three. There's a wildly rushed ending to an Emmy plotline, major information introduced too late to work as well as it should, conflicting/muddled information with regards to one of the father son duo's and Gilbert acts like a twit well past when he's proven himself not to be.

That said, the climax is what the show wanted to build to and it is well done, tying basically everything up neatly and doing a lot to salvage its two sloppiest episodes in an effective way.

Good show, worth a watch, given another episode or two it could've been great.

I feel compelled to review some of the reviewers of this quirky, well written and acted caper in order to set the record straight.

Anyone who attempts to compare it to 'Broadchurch, 'Unforgotten' or 'CSI' has truly missed the point. It's more in the genre of 'Dead Like Me' and 'Hot Fuzz' or even 'Only Murders in the Building' only darker and with less deadpan and slapstick humor.

One who gave it a 1 rating because a dog was shot begs belief. Plus they argued it was seen writhing in blood and was purely gratuitous without contributing anything to the story. This couldn't be further from the truth. It was basically killed 'off camera' and exposed exactly what that violent family was all about. It also confirmed that they would have killed Seamus' brother and Fiona had they found them years earlier. It was a shocking and senseless act on their part which proved they meant business in their hunt for Seamus. I, for one, totally expected it. It also gave us another opportunity to witness the softer side of Seamus.

This, plus all the other low scores, don't affect it's well-deserved 7 as a show worthy of at least checking out. It's compact so it's a great binge-watch. It's either your cup of tea or it isn't.

This original series takes the viewer through many plot twists and turns with lots of red herrings and cliff hangers at the end of each episode that leave the viewer wanting more. Towards the end of episode 5, which revealed a lot of answers, I was hoping there would be more and was very happy to see the Netflix info that there were two more episodes to go.

The basic premise has been well documented by other reviewers. A positive, upbeat one-hit-wonder American podcaster (David Wilmot) who, in spite of a flagging career and financial and marital problems comes to the ficticuous west coast Irish town of Bodkin to document a 25yr old missing persons mystery.

Three people went missing during their annual pagan festival and he hopes a closer investigation of the facts for his podcast will renew his fame. He never anticipates solving the mystery but with the aid of his young, wide-eyed novice researcher (Robyn Cara) and the addition of a disgraced investigative journalist from the 'Guardian' (Siobhan Cullen), they begin to dig deeper into the mystery. She smells a real story and although her boss just wanted her to lay low with these guys to avoid censure for her part in the suicide of a whistleblower she was working with, she can't help herself getting them deeply involved and taking the podcast to a whole new level.

There are as many real life elements as stereo-typical and ludicrous ones which keep this show darting between mysterious drama and dark humor. I, personally, would have liked it to have been a bit more obviously humorous but the mystery unfolds in such surprising ways I was still hooked.

I disagree with others who felt the reveals were anti-climatic ... I think they worked well with the pacing and tone...but I have to admit I was disappointed with the ending. I wanted different outcomes for the three musketeers but that's colored by my set of values and by the fact I may have begun to take it all a bit too seriously.

It's been difficult to try to describe this inventive series without giving away any spoilers.

The acting was great from the whole ensemble, the writing clever and inventive, the pacing was a bit chaotic and the scenes a bit choppy at times but not nearly as much as in 'Hot Fuzz' which I really loved but felt it was often like different movies cobbled together in the way they switched from slick 'The Borne Identity' scenes to 'Midsomer Murders' at it's best. This was not the case here but the introduction of the incompetent and OTT Interpol agents certainly are a case in point. The show would slow down and speed up awkwardly at times and often the humor following a serious or personally revealing scene just didn't quite work for me. I wonder if the lack of fluidity was somewhat related to the switch in directors during the series. This is normal in episode fiction but perhaps a few of these directors were not as capable of keeping the delicate balance and continuity of this specific style of show as well as others. I think you have to be aware this is not going to be your typical true crime mystery series and stick with it past episodes one and two. You're in for a treat... or at least a very different viewing experience.

The dark-comedy-Irish setting works pretty well in this series. 'Ah, must be an Irish thing'-moments are mixed with comedic WTF-moments but not to the point where you lose focus.

I especially liked the performance of David Wilmot as a grunty Irish old man and Siobhán Cullen as the annoyed journalist. I hope she has the chance to star in bigger productions after this. The acting of Will Forte was a bit unfitting in the beginning but it gets better soon.

They story itself is pretty good but not masterclass. Classical thriller story where more and more is revealed during the series. Some minor plot holes in the end and unclarified things but I guess they have left them in for a possible second season.

Solid fun watch for a free weekend.

PS: Have absolutely no clue where people come from when they mention violence to animals. Not a single animal in distress is shown.

Bodkin focuses on a trio of clashing personalities who are investigating disappearances in rural Ireland for a podcast. The early episodes are engrossing and dryly funny, particularly in the contrast between reality and the stereotypical American perception of Ireland as an idyllic ancestral utopia. As the series progresses the tone becomes darker and the narrative fragments. It gets progressively less funny but it remains engrossing. And then there's the seventh and final episode, an unsatisfying disappointment that wraps everything up with a goofy setpiece, fails to provide closure on the fate of the most interesting character, and steals its denoument directly from B. J. Novak's Vengeance.