Lust for Love

Lets start with the bad things. The story is recycled to the point of not even being funny. Not going to get into details not to be spoiler-y, but I can think of at least a dozen movies since the 80s (including one from John Hughes), which tell pretty much the same story. Oh, did I say bad thingS? I meant mediocre thing. Singular.

The casting is first class. I mean, not only we are filled with Joss Weadon alumni, as a bonus we get Caitlin Stasey. The production is simple but effective. Directing is one of the finest. Acting, also first class.

Lust for Love is a recycled love story, which would ordinarily make is a B movie even for an indie. However, the overall qualify of the movie; and yes, even the take on the story, recycled or not, make it something you definitely should watch.

I had been waiting for quite some time for this movie to become available. As a hug fan of most all the cast members I was hoping the film would deliver. I am happy to report that is does indeed. I found the film to reflect all the hard work and love that it is obvious was poured in it by Anton King the director and the cast. The chemistry between Dichen Lachman and Fran Kranz is wonderful. Fans of "Dollhouse" will of course be thrilled to see former cast members reunited for this project. Miracle Laurie gives a wonderful performance as does Enver Gjokaj. Add in a dash of Felicia Day and how can you go wrong right? I have already watched Lust for Love twice now and I enjoyed it even more the second viewing. I recommend seeking this film out. Its perfect timing for a watch over Valentines Day single or otherwise!

"Disappointed" is the word that springs to mind after finishing this film for the first time. After watching the trailer I was sure this would be a hit - what could go wrong with throwing together a load of Dollhouse alum in front of the camera? Apparently, almost everything. Fran Kranz, as always, plays his role brilliantly considering what he had to work with and is, in my opinion, the film's only saving grace. The acting in general is largely wooden, the directing is flat and uninteresting, the plot is cliché and predictable, but most of all - the script is horrendous. The writer seems to opt for a snappy Whedon-esque form of dialogue that falls so flat for the most part, it can be painful to watch.

I can only express my sincerest condolences to those who backed this project on Kickstarter, and were looking forward to this film as much as I was.

Watching this fine cast try to work in this silly movie made me embarrassed for everyone except those who had parts too brief to do them much damage, and, of course, Enver Gjokaj who acquitted himself well by playing Jake the Butthead straight and thereby getting the most genuine laughs.

Most of the "jokes" just weren't funny and didn't make any sense, which is interesting since that is what is said about the main character at one point. A little autobiography then from writer-director Anton King? I like Fran Kranz and Dichen Lachman but their roles and dialog were awful. Kranz's character does variations on the same joke over and over. Lachman's character, the epitome cool combined with cluelessness, is not that interesting. There might be something universal about relationships buried here but it was obscured and trivialized here.

Astor (Fran Kranz) has a crush on Mila (Beau Garrett) since the age of four. After one drunken night, she starts going out with him. His clingy obsessive romantic ways irk her. After breaking up, he seeks the help of her former friend Cali (Dichen Lachman).

This indie has some intriguing actors, several of them gorgeous women. There are probably a few too many beautiful women. Fran Kranz is a good nerdy lead. Dichen Lachman doesn't really project sexual chemistry with him. The addition of Caitlin Stasey muddles the romantic chemistry unnecessarily. Beau Garrett has a great climatic scene and makes a compelling point. In the end, this indie has a surprisingly good cast and the muddled rom-com does have a point of view. The dialog is a little clunky romanticism at times. It's a close call which gets a pass due to its appealing actors.