Scrooge: Un (mé)chant de Noël

There have been over 100 versions of this story on film and TV in the last 100 years or so.

This one, while competently made, adds nothing to the canon.

It is technically well enough done and has some fine glitz and glitter, but the plot is truncated to the point of abandonment; the character development isn't; the songs, with some exceptions are lifeless and listless.

How can I say this: even Tiny Tim comes off as a two-minute afterthought.

It's not that the story can't abide restaging. The best may still be the 1951 Alistair Sim, but the 1992 Muppet version was fresh and winning, and eve last month's Spirited gave us some pizzaz and some energy.

Scrooge: A Christmas Carol 2022, while not bad, per se, was as unnecessary a project as I can remember.

I am one of those people that can love movies solely on the artwork and music. This movie served several, strong music "reveal" moments. I would compare it to how you felt the first time you watched "Show Yourself" and/or "Rewrite the Stars." So many of those moments. Also, I found it to be hilarious. If you're big on the traditional Dickens style, this may not be the movie for you. Because it's loosely comparable. CAN BE SCARY FOR SOME KIDDOS. The ending is a little darker than maybe some of the other adaptations. I would say it's similar to the Moana ending. All in all, I wept through the whole thing, lol. My Spotify playlist gained nearly the whole soundtrack!

What. The frick. Did I. Just. Watch.

This is a supposed remake of the brilliant and beautiful and loveable 1970's version of "A Christmas Carol" with Albert Finney. This completely desecrated said movie and the whole beautiful tale of "A Christmas Carol".

First of all, it is canon that Scrooge is NOT a victim of circumstance. He is an absolute miserable old miser, a crotchety old man and completely unlikeable. This Scrooge was a strange silver fox and completely TOO likeable. Scrooge is an OLD DUDE, NOT A HUNK OF BURNING LOVE. The whole point of Scrooge's character is the hope of redemption/repentance and of hard change. Not the easy "Oh wow yeah I can change" that this movie portrayed. There was no great gradual change, no resolution with Cratchit and Fred (who, for whatever reason has a totally different name??? Wth was up with that????)

Wtf is up with the dog??? There was no point. Absolutely none.

Background work? Totally lazy. Like the animators said, "oh we didn't render that so we'll just go to Doctor Strange's Astral Plane".

Also, the ghosts. Past? Annoying AF. Sweet mother of potatoes my ears are BLEEDING. Why does she repeat everything, and why does she look like a giant pile of nacho cheese? AND WHY DID SHE STEAL THE DOCTORS ICONIC PHRASE?! Uh uh, honey. Absolutely not. Why was Christmas Present so freaking WEIRD???!? And why does he directly quote the Cave of Wonders? Ghost of Future was NOT scary. He looked like a weird scarecrow, and the costume came straight from Party City.

The songs were so cringy, especially the repeated ones from the Albert Finney. Especially "Thank You Very Much" - I feel physically ill. Just use different songs, OR sing them like they were meant to in the original movie. For the love of Christmas, don't modernize it.

AND STOP TALKING DOWN TO THE AUDIENCE. WE GET THE SYMBOLISM. YOU DONT HAVE TO SHOW US EVERY FRICKIN THING AS A PARALLEL IN THE SKY.

Pros: Luke Evans has a very pleasant, beautiful voice.

Cons: everything else. I am Scrooge. Humbug.

Homage to Roald Neame version of Scrooge, it is , for CGI more, a seductive animation inspired by the classic novel. And, sure imaginative at whole, reminding the good tastes of the fascinations specific to childhood.

I like Prudence , against the strange idea about a Scrooge as owner of a pet, I admire the scene about connection , in past, between Robert Cratchit and Ebenezer, like the inspired option for Jonathan Pryce for ghost of Jacob Marley, remembering the old beautiful work of Alec Guinness in the original version.

It is unfair to critic it . First, because it is a new demonstration of hard work with a not significant budget and about large possibilities offered by technology today. Second, because i am too old for critics. My favorit options are in the past . And this correct , imaginative, seductive Scrooge, like a noble hommage to work for 1970 Scrooge, has the beautiful virtue to remind, in fair manner,the splendid art of leslie bricusse.

I'm a bit of a Scrooge-a-holic, always looking for new versions of the classic tale. While the animation here was quite striking, what they did with it added little to the story. A Christmas Carol is a story of redemption. This Scrooge is terrorized by the characters he encounters. After seeing his headstone, he falls into a kind of hell, ending up in his bedroom. Was this a story of redemption or an ugly assault on the senses. Because all the children looked bright eyed and healthy, even Tiny Tim, I couldn't buy into the pathos. Dickens meant the world to be a dark one because it reflected what many in Victorian England faced every day: poverty, hopelessness, and fear. Scrooge, in the original, propagated that through indifference and inaction. By the way, I found the nephew absolutely insufferable and Cratchit way too insignificant. We get little character development and some of the best parts of the story are glossed over or treated without foundation. I also found the dog silly and unnecessary.