Thunderbolts*
- 2025
- Tous publics
- 2h 7m
After finding themselves ensnared in a death trap, an unconventional team of antiheroes must go on a dangerous mission that will force them to confront the darkest corners of their pasts.After finding themselves ensnared in a death trap, an unconventional team of antiheroes must go on a dangerous mission that will force them to confront the darkest corners of their pasts.After finding themselves ensnared in a death trap, an unconventional team of antiheroes must go on a dangerous mission that will force them to confront the darkest corners of their pasts.
- Awards
- 3 wins & 17 nominations total
Summary
Reviewers say 'Thunderbolts*' offers a fresh, mature take on Marvel with strong performances by Florence Pugh and Lewis Pullman. The film explores mental health and redemption, balancing humor and action. Many praise its visual style, practical effects, and soundtrack. However, some find the pacing slow, characters underdeveloped, and the plot formulaic. Despite these issues, 'Thunderbolts*' is considered a promising, albeit uneven, addition to the MCU.
Featured reviews
I walked into the theater with rock-bottom expectations. Let's be real, the last few MCU movies haven't exactly been blowing anyone away. I figured this one would be another forgettable installment, and honestly, the only reason I was there was Florence Pugh. If anyone could salvage whatever mess they'd thrown together, it was her.
But to my surprise, I really liked it. Like, really liked it. It even hit me emotionally, which I did NOT see coming. The film tackled mental health in a way I wasn't expecting, reminding us that bottling everything up isn't the answer. Instead, it encouraged facing your struggles, surrounding yourself with people who truly care, and letting them lift you up when you need it most.
Of course, it wasn't all serious. David Harbour brought the humor with his signature one liners, making sure things stayed fun. What I thought would be just another MCU letdown turned into something that actually stuck with me. Maybe, just maybe, the franchise still has some surprises left.
But to my surprise, I really liked it. Like, really liked it. It even hit me emotionally, which I did NOT see coming. The film tackled mental health in a way I wasn't expecting, reminding us that bottling everything up isn't the answer. Instead, it encouraged facing your struggles, surrounding yourself with people who truly care, and letting them lift you up when you need it most.
Of course, it wasn't all serious. David Harbour brought the humor with his signature one liners, making sure things stayed fun. What I thought would be just another MCU letdown turned into something that actually stuck with me. Maybe, just maybe, the franchise still has some surprises left.
I wasn't going in to this film with much expectation which I think was a good thing because it really knocked it out of the park. The story didn't have to be anything complicated and luckily wasn't held down by any of the Multiversal storylines too. And its execution was really great. The whole film was well paced and its overall message was the highlight of the whole thing. The cast was topnotch, especially Florence Pugh (because when isn't she). I was relieved that the comedy in this film didn't overdo itself (I'm forever scarred by Thor: Love and Thunder) and that the writing never got corny or eye-roll inducing.
Overall a very good and enjoyable Marvel movie.
Overall a very good and enjoyable Marvel movie.
Marvel's new film debuted in theaters with low expectations and no box office rivals.
When I say low expectations, I'm talking about the general public and all the people who have abandoned the MCU ship in recent years, and not without reason. After all, the vast majority of projects haven't been entirely convincing, especially on the television front.
The box office failure and critical acclaim of the last Captain America film didn't help the hype either.
However, we have a film that shines brightly. It's been a long time since we've had a Marvel film that didn't need others and their connections to be popular.
There's a breath of fresh air, and the MCU has the opportunity to capitalize on it.
The premise is a simple film; the execution stands out quite a bit above average.
While it greatly develops the characters of Yelena and Bob, and not so much others like Ghost or Bucky, we have a strong plot and a transition during the first two acts that keep us on edge and entertained.
A particular fear I had was the inclusion of Red Guardian and his humor, which had already failed me in previous projects. However, here he contributes, and that's appreciated.
The third act is very risky. We were coming off the Captain America movie, where, thanks to the power of the script, he was able to face Red Hulk. Here, at first glance, it seems that the power of friendship is what resolves the plot, but this is more than that... for me, everyone's embrace of Bob is the catharsis of acceptance. That's why I loved the third act so much, and I didn't miss the blows or epic battles. Anyone who has suffered from deep depression knows that no matter how hard you fight and try day after day against that emptiness that drags you down, often only those around you know that you are more than the shadow you appear to be. Accepting your condition, accepting that trying to overcome it has never worked, but rather, on the contrary, eats away at you and separates you from society even more. When you're like this, you realize that embracing it and seeking help to reach that embrace is the only thing that can save you. That depression is a part of you, and instead of trying to beat it down, the best thing is to accept it and learn to live with it.
Maybe I'm overanalyzing this last part, but it really seems much deeper to me than thinking that the script could have resolved everything.
Even at the end, we have time for the writers to show us an effective way to limit a character's power, and not with the classic "I was on another planet when all this happened," as they did perfectly with Sentry, "If I unleash my power, I'll also unleash that monster." Simply brilliant.
At the end, there are two post-credits scenes, one of which has a direct connection to "Fantastic 4" and which opens the debate to many questions about what we'll see in July.
I sincerely appreciate what Marvel did with "Thunderbolts*," now I wait for what's next.
When I say low expectations, I'm talking about the general public and all the people who have abandoned the MCU ship in recent years, and not without reason. After all, the vast majority of projects haven't been entirely convincing, especially on the television front.
The box office failure and critical acclaim of the last Captain America film didn't help the hype either.
However, we have a film that shines brightly. It's been a long time since we've had a Marvel film that didn't need others and their connections to be popular.
There's a breath of fresh air, and the MCU has the opportunity to capitalize on it.
The premise is a simple film; the execution stands out quite a bit above average.
While it greatly develops the characters of Yelena and Bob, and not so much others like Ghost or Bucky, we have a strong plot and a transition during the first two acts that keep us on edge and entertained.
A particular fear I had was the inclusion of Red Guardian and his humor, which had already failed me in previous projects. However, here he contributes, and that's appreciated.
The third act is very risky. We were coming off the Captain America movie, where, thanks to the power of the script, he was able to face Red Hulk. Here, at first glance, it seems that the power of friendship is what resolves the plot, but this is more than that... for me, everyone's embrace of Bob is the catharsis of acceptance. That's why I loved the third act so much, and I didn't miss the blows or epic battles. Anyone who has suffered from deep depression knows that no matter how hard you fight and try day after day against that emptiness that drags you down, often only those around you know that you are more than the shadow you appear to be. Accepting your condition, accepting that trying to overcome it has never worked, but rather, on the contrary, eats away at you and separates you from society even more. When you're like this, you realize that embracing it and seeking help to reach that embrace is the only thing that can save you. That depression is a part of you, and instead of trying to beat it down, the best thing is to accept it and learn to live with it.
Maybe I'm overanalyzing this last part, but it really seems much deeper to me than thinking that the script could have resolved everything.
Even at the end, we have time for the writers to show us an effective way to limit a character's power, and not with the classic "I was on another planet when all this happened," as they did perfectly with Sentry, "If I unleash my power, I'll also unleash that monster." Simply brilliant.
At the end, there are two post-credits scenes, one of which has a direct connection to "Fantastic 4" and which opens the debate to many questions about what we'll see in July.
I sincerely appreciate what Marvel did with "Thunderbolts*," now I wait for what's next.
Okay, so Marvel definitely succeeded to up thier game in this movie. They took it to a completely different category of storytelling. I was certainly impressed with the symbolism and how they portrayed "depression" and a human-being's darkness. Beautifully done in terms of tackling mental issues and shedding light into this topic. Also, the cast and assembling the ragtag team of misfits was great and funny. Good team dynamic as they were able to make them click and sync together beautifully. I loved the movie, it made my eyes tear up at some moments that were emotionally deep and genuine. Bravo Marvel Studios, you certainly nailed this one.
Florence Pugh was the best thing in Black Widow, and she's easily the best thing in Thunderbolts. Every moment that she's onscreen (and luckily she's onscreen a lot), she shines up the place.
And Thunderbolts really does need some sunshine. From the opening Marvel logo it's a dark affair, both in visual style (the ugly saturated look makes its entrance in the MCU) as in subject matter. Don't let the funny oneliners and random banter fool you, there's a lot of pain in this new rag tag team.
Thunderbolts does have a lot of fun with its underdog position. It's easy to see that Feige and co hope this team will be a new GOTG phenomenon. Unfortunately the movie feels a bit too tired to be able to do that. Despite all the reviews and ads proclaiming this will be the renaissance of the MCU: It's really just the Marvel PG 13 version of Suicide Squad.
The acting is very good, the visual effects look less rushed then they did in the previous films and I really had a good time. But there remained that nagging feeling that I was watching a movie that knew all the right notes but somehow just wasn't able to sing.
And Thunderbolts really does need some sunshine. From the opening Marvel logo it's a dark affair, both in visual style (the ugly saturated look makes its entrance in the MCU) as in subject matter. Don't let the funny oneliners and random banter fool you, there's a lot of pain in this new rag tag team.
Thunderbolts does have a lot of fun with its underdog position. It's easy to see that Feige and co hope this team will be a new GOTG phenomenon. Unfortunately the movie feels a bit too tired to be able to do that. Despite all the reviews and ads proclaiming this will be the renaissance of the MCU: It's really just the Marvel PG 13 version of Suicide Squad.
The acting is very good, the visual effects look less rushed then they did in the previous films and I really had a good time. But there remained that nagging feeling that I was watching a movie that knew all the right notes but somehow just wasn't able to sing.
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Soundtrack
Preview the soundtrack here and continue listening on Amazon Music.
Did you know
- TriviaFlorence Pugh loves heights and wanted to be the one to jump off the Merdeka 118 building in the opening, and she incessantly emailed Marvel Studios president Kevin Feige about not using a stunt double. "As we got closer and closer to shooting, they said they don't think it's going to happen because it's a crazy insurance ordeal and obviously we're not going to throw [me] off the second tallest building in the world," Pugh said. "I was like what the f*ck? Of course we are! We have to do that. I was being a sassy Karen emailing Kevin and saying it's going to do wonders for the press tour," she continued. "We have to do this! We're going to have three women break three different Guinness World Records and we'll do this and this. I had to keep on pushing and then they're like, 'Okay, if you want to fall off the second tallest building, we'll figure it out for you.'"
- GoofsRed Guardian drove from DC to Utah overnight, which is impossible in his slow limo.
- Quotes
Yelena Belova: [to Valentina, last line before credits] We own you now.
- Crazy creditsThe closing titles appear in a montage of news/magazine articles about the team members. At the end of the montage the film title changes to "The New Avengers".
- ConnectionsFeatured in Animat's Crazy Cartoon Cast: The D23 Expo 2022 Special (2022)
- SoundtracksNational Anthem of the Russian Federation
Written by Richard Lauw (as Richard M. Lauw) and Martin Laschober
Courtesy of Warner Chappell Production Music
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- *The New Avengers
- Filming locations
- Merdeka 118, Kuala Lumpur, Malaysia(jumping from the tower scene)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $180,000,000 (estimated)
- Gross US & Canada
- $190,274,328
- Opening weekend US & Canada
- $74,300,608
- May 4, 2025
- Gross worldwide
- $382,436,917
- Runtime
- 2h 7m(127 min)
- Sound mix
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