So This Is Christmas

Wow. This movie is so bad, I'm shocked it stuck to the film. The story is trite and preachy, and the acting and writing are just awful. Easily the worst movie I've seen in years. Stay far away from this garbage.

I've been a fan of Eric "King of the B-movies" Roberts ever since I caught The Ambulance and Hit-man's Run on cable in the 1990s, and I've been a fan of General hospital since 1984. I never really understood the persistent appeal of soaps and B-movies until Alexandra Danielle "Lexi" Ainsworth graced my television set with ten minutes or more of screen time a day as mafia brat Kristina Corinthos, when the lightbulb went off: like minor-league baseball, soaps and B-movies offer the chance to watch greatness in the making, literally to catch a rising star before the world does, in generous doses. Ainsworth, offered this role within seconds of hanging up the phone after being told she was fired from General Hospital because they wanted an older, "hotter" Kristina as their romantic lead – only to decline a return to the role when GH realized the error of its ways with her replacement – entered this film like a batter who tore up the minors with a .427 batting average now facing big-league pitching. How would she fare? This fan's opinion of her work was strong enough for me to gamble $14.98 on the answer.

For Ainsworth, my standards were much higher than for the film. Any holiday film is going to be restricted by the parameters of the genre. For the actress, however, I was looking for signs of whether or not she could carry a film, and if she could score points for more than just avoiding the garden-variety acting mistakes which were absent in her performances on General Hospital, like in the scenes where she flourished, either by staring down an intimidating Bruce Weitz without saying a word, or by humbling soap vet Maurice Benard at the tender age of sixteen. Where other actresses would have cried, screamed, yelled, and moved their extremities like traffic cops, Ainsworth's instinctive understanding of when to let the scene do the talking strongly suggested she could handle this step up in class like a champion. My bigger question was whether director Richard Foster, and the writers, could handle her. On whole, I would say she gave the better accounting of herself.

This is a good, but not a great film. It is worth the purchase price, and will definitely be worth the time spent watching should it land on cable or Netflix, if only for Ainsworth's performance alone. In the film, eighteen year-old Ashley Lane (Ainsworth) is put in the position of media-res narrator, which allows her to showcase her talents. Within minutes, we are shown where the film winds up, leaving the question not what will happen, but why, who will be involved, and how. Casino was the textbook film on how to pull this off, and this film does so adequately. Fans who were wondering if Eric Roberts and Vivica A. Fox could sing will get their answer.

The film's saving grace, if one pardons the pun, is the director's astute use of third-billed Ainsworth, clearly the star of the film, with screen time to match. The lesser talents in the cast are relegated in direct proportion to their ability, except for Roberts, who is seriously underutilized. Fox gives a good accounting as the mother, but the blended family is more of a gratuitous political statement, as if to say we've come so far against racism that no one bats an eye at a racially mixed family. The message is useful, but not really central to the film. What is central is Ashley's journey of self-discovery, played flawlessly by Ainsworth, to the point where, by the end of the film, it Is rather clear she has outstripped the writing, and does not just belong in the majors, but needs to be traded to a championship team, or to have one built around her.

The other actors in the film are competent, with Danielle Vega (Angelina) giving an exceptional performance in a limited supporting role. Her physical resemblance to Ainsworth is a bit confusing, so pay attention; absent Ainsworth, she could have played the lead more than adequately, and her scenes were among the best of the film. Glee's Titus Makin (Jason) shows competence, but not greatness, while Fox and Roberts are not given enough to do until near the end. Bryan Massey (Mac) plays the "white Magical Negro," who assist the lead in her journey of self-discovery, a job on which the writers fell down a peg or two. Justin Avery (Jon) plays the romantic fodder, but is otherwise superfluous and stereotypical. Ainsworth is left stranded by the writing, not because the film is poorly written, but because of her amazing talent. There is only so much one can do with a film like this.

Very early on in the film, Ainsworth mows down the "movie star" checklist: flawless body language and voice tone, the ability to slip into character convincingly, a rare level of attention to detail, exceptional range which exceeded the writing, and a sexuality which, while not the typical "bombshell" variety, would leave one hard-pressed to find a man who would reject her, and which, even while front-and-center, is never gratuitous or crude. Surround her with top-shelf talent, and she can and will go anywhere in film, or in series television; perhaps ABC will reconsider Ainsworth and Jennifer Beals's pilot "Westside" on which they foolishly passed.

For all its many good points, the film needed a stronger compass, particularly with regard to what makes Ashley tick, and why she transformed into a good girl without much resistance, but these are minor plot issues that detract very little from an excellent performance in a decent film, one which could have ruined my afternoon off, leaving me feeling like I wasted my $14.98, but which definitely did not. I highly recommend this film. My primary question was answered: Lexi Ainsworth is more than capable of carrying a film. I look forward to her future work.

DO NOT WATCH THIS MOVIE with kids under age 16. That is unless you want to explain, sex, drugs, and every curse word (almost) to your 8 year old. "Mommy whats that thing in his mouth..." Um, that's a crack pipe sweetie. Of course I had NO IDEA that this movie would be filled with bar scenes and a crotch shot of a slightly erect penis (yep!) because it was in the FAMILY section. This movie was right next to "Miracle Dog" and it had a nice wholesome cover and every thing. But we were soooo wrong. Outside of that, the production, editing and many other aspects of the film were poooor quality. In one particular masterful editing sequence,a young lady went from being at a bar, to smiling at an empty school at night, to ending up at a friends house beaten. This took place literally in a matter of 18 seconds. There were no other scenes or dialogue! It was literally-bar...school smiling with nobody around...bruised and abused at friends house.

I did appreciate the message and all. And I appreciate a depiction of a modern day interracial family. Other than that, this movie was a complete waste.

I have been watching a great deal of films and was really hoping to just relax & enjoy this, but truth be told, I had a very hard time watching it all the way through. A whole lot of things just did not work at all for me. Some of the acting itself I think was good, but I wondered while watching, if perhaps this was done by someone with little directing & writing experience.

The rough storyline was quite predictable, but could still have made for enjoyable viewing. Some things are a question of taste, of course. I have liked quite a few films with strong moral messages in the past, but the Christian message in this film really was very in-your- face. I wonder if there wouldn't have been a more subtle way to get the message across, that may have had a much stronger effect. Granted, it is a holiday film, but still...

On the slightly more formal side of things, I quite liked the lighting in some of the scenes, but can't say the same for the cinematography or editing.Overall okay-ish, with a number of "oh- what-a-weird-shot...Why would-they-do-this?" moments scattered throughout. All in all, a real shame. I appreciate the work that must've been put into it and there were some good elements, but for me they just didn't come together at all. This could have been a much better film.

So This Is Christmas is a great film! We loved it! We can't wait to see it out in theaters so all our friends can see it too! I loved the fact that it was a blended family with a black mom and white dad. It is so appropriate for our world today, yet you don't see it much on movies or TV. I really loved the Christian beliefs added, we need more of this in our movies today! The movie was heart wrenching, funny and serious, so you had several emotions throughout the film, which in my opinion makes a fabulous movie! The actors did a great job bringing the characters issues to the light and learning from them. I could see the pain they all were facing and it was real!!! Great job!