Jack Irish: Bad Debts

From the people behind Rake, Jack Irish is the latest TV movie from Andrew Knight from Rake and SeaChange fame.

Guy Peirce is fantastic as Jack Irish.

This would be one of the few series i would recommend to non aussies.

if you like shows like rake, seachange and spooks as well as the edge of darkness.

Such a great story, full of great characters, fantastic locations, flawless cinematography and direction.

With 1 down and 3 more to go i will be keeping a close eye on Jack Irish's next adventures.

10/10

A terrific and engaging mystery series from Australia that has a tremendous amount of style, suspense, dark humor and action. A full-on and extremely exciting Australian noir. A stunning and mesmerizing crime-drama. Guy Pearce creates one of his best characters ever in one of his most exciting performances. A thrilling piece of television. It's the real deal; great storytelling and great acting. Guy Pearce brings the late great Peter Temple's down at the heel gumshoe to life. I'll admit, when I first saw Pearce cast as Jack Irish I didn't buy it. But Pearce makes the character his own. Backed by a superb Aussie cast (special mention goes to Aaron Pedersen as the charismatic Cam) witty dialogue and some great Melbourne scenery, it's a must watch for anyone who likes stylish noir, well told.

I love the Jack Irish novels but I was worried the TV adaptation wouldn't do Peter Temple's writing justice. I was so glad to see my fears were unfounded. The show captured the feel of the book perfectly, from the Fitzroy 'youth club', to Charlie the carpenter, to colourful racing identities and hapless and not so hapless crooks. Loved Guy & Martha's crackling chemistry. Guy's portrayal of Jack was just flawless - a slight sense of tragedy an more than a little darkness but not shutting out the world like some other tortured crime novel protagonists. There's a real sense of the Australian male: somewhat stoic, no-nonsense, capable, not beholden to rules but not rebellious for the sake of it, with a good dose of humour thrown in. What's not to love? It doesn't hurt that Guy is getting more sexy as the years go by.

More than any other book I've read, Peter Temple's writing seems to capture the mood or feeling of Melbourne perfectly and I was so happy to find the same sense of place in this production. I can't wait to see more and will. Be re-watching this. This is such great television.

Rarely do I feel compelled to share my thoughts on a movie to other movie fans. A movie has got to be either really bad or exceptionally good. In the case of Jack Irish: Bad Debts, I am pleased to say that it falls into the exceptionally good category.

First up I compliment the previous two reviewers, whose views I share, and who have thoroughly set out some of the merits of this production.

This movie is outstanding in virtually every aspect. The actors are great. Guy Pearce is brilliant, as are all the other actors. No wonder, as they are all extremely experienced and each one manages to bring that little bit of extra depth, right from all the leads even down to the very minor roles.

The script is great; even though the story goes through quite a few twists and turns, it was entirely believable and had me hooked in.

The direction and technical side of things are first class.

For Melbournians, there is that little bit of extra joy hidden into so many parts of the film, but these traits also add a nice background and feel to the movie, which international viewers will also enjoy equally as well.

One of the best movies I have seen this year, either in theaters or on television. If you love a good yarn, don't miss catching up with this one. I give it 10 out of 10!

Guy Pearce works beautifully with his large and superb supporting cast in Jack Irish while very much being the laid- back centre of the show. It a truly collaborative effort in terms of performances and the script allows for this by sharing around some fabulous dialogue and one-liners. Marta Dusseldorp seems just right as Linda, smart, determined but vulnerable too.

The direction is sharp and thoughtful, the design for locations and sense of place is outstanding, plus the pacing, which I would have thought would have driven the script writers up the wall in condensing from the labyrinth plots of the novel, just hums along.

Special shout-out to Roy Billing (Harry) and the wonderful Aaron Pedersen (Cam) as Jack's racing skallywag mates: the three of them operate seemingly effortlessly together in this first outing for Jack Irish, very believable. And they keep to that high level in all the subsequent episodes.