IMDb RATING
7.3/10
6.6K
YOUR RATING
A documentary that exposes what corporations and governments learn about people through Internet and cell phone usage, and what can be done about it ... if anything.A documentary that exposes what corporations and governments learn about people through Internet and cell phone usage, and what can be done about it ... if anything.A documentary that exposes what corporations and governments learn about people through Internet and cell phone usage, and what can be done about it ... if anything.
- Awards
- 2 wins & 1 nomination total
Max Schrems
- Self - Austrian Law Student
- (as Max Schrem)
Zeynep Tüfekçi
- Self - Professor of Sociology, University of Baltimore
- (as Zaynep Tufekci)
Danah Boyd
- Self - Senior Researcher, Microsoft
- (as danah boyd)
Featured reviews
I think that we should be entitled to privacy and are entitled to have our rights without having fear for what we post on the internet. In fact most of the data that we type in on the internet can be constantly be misused, and that our right to freedom is in jeopardy. There should be some new laws to protect citizens of not being reprimanded of what they post on the internet. This is a well-crafted documentary that raises awareness of what is really going on when you click the "I Agree" options of the 'Terms and Conditions' of various websites.
With the rise of the internet, and technology in general, it's no surprise in the influx of documentaries concerning internet freedoms and the legalities of businesses that operate or function heavily online. Intersecting themes with these documentaries are usually personal freedoms, human rights, and a mindset heavily emphasizing individualism and personal accountability. With the recent NSA leak and the upcoming film The Fifth Estate, focusing on WikiLeaks and the Julian Assange controversy, don't expect this topic to go away any time soon.
Terms and Conditions May Apply focuses on that lengthy, disgustingly long wall of text you're greeted with every time you register for a website, be it Facebook, Amazon, Twitter, EBay, etc. Consider iTunes, a service I have not used in about four years but one I have fond memories of. The service would update its terms and conditions roughly every five months and you'd be met with immediately when you'd try and buy a song or a piece of media after the new terms and conditions were enacted. All you had to do was check a box saying "I agree" and you could proceed with buying the song. My question: who took the time to read that gargantuan wall of text? Most of it, from what I assumed because hey, I never read it, was legal jargon and stating how I consent to not downloading or illegally distributing this property without written/expressed consent from whatever party in an absurdly verbose fashion. I didn't care and I don't think a lot of people did.
But if you were to quiz me on what I was agreeing to, I wouldn't have a clue. How ignorant is that? I couldn't tell you any website's privacy policy and I'm a member of over ten mainstream sites. Director Cullen Hoback elaborates on just what we're agreeing to and how it can be used against us.
Consider Gamestation, a website that, for one day, stated in its terms and conditions that by agreeing to this wall of text you'd be handing over your immortal soul to the site. In one day, the site collected thousands of souls. It's an obvious joke, but what if something was hidden in the terms and conditions, surrounded and barricaded by a wall of unrefined, wordy, confusing text that would have a serious impact if it was put into effect? It's a frightening thought, but it's usually a deeply subconscious thought that becomes even more hidden when you're playing that song on iTunes or updating your profile on Facebook.
The film explores privacy policies and what the government and specific companies can see on the internet. Essentially, they can see everything. The opening line of the film is a haunting one stating, "anything that has been digitized is not private and that's the scary thing." Interviews are conducted with sociologists, journalists - one of whom Barrett Brown, who has appeared in numerous internet documentaries and is now imprisoned - and many others who state that the internet has become an invaluable resource while simultaneously an intricate tool that can just as easily be used against people.
Statistics noting that companies have lost $250 billion due to fine print lawsuits and it would take you around one-hundred and eighty hours to read the privacy policies of every site you're a member of. The latter statistic reminds me of a bill that is halted in the U.S. Congress at this time called the "Read the Bills Act," which, if signed into law, would make it a requirement for Congress to, well, read the bills before they pass them. Ignore the disgusting fact that we need a bill passed for Congress to do their primary job, but what could be the reason that a bill like this needs to exist? One of my guesses is that maybe the bills are bulky and overly-long, leading to much dismay and tedium when reading and analyzing them. Perhaps this is a call for shorter legislation and terms and conditions; ones that are more simple and to-the-point rather than being daunting legal contracts that intimidate rather than inform.
Terms and Conditions May Apply is a good film, albeit far too short. Hoback makes a great case for internet activism and an internet that remains open and constructed by the people rather than by corporations and big government, and things even take a surprisingly personal turn at the end when Hoback attempts to get a word in with Mark Zuckerberg, the founder of the website Facebook. The biggest achievement of the documentary, however, is that it's seventy-nine minutes long but doesn't deserve the "pamphlet" term I assign to documentaries that take a micro-look at a macro-subject. This is more of a very organized, moderately elaborate Cliff Notes version of a subject.
Directed by: Cullen Hoback.
Terms and Conditions May Apply focuses on that lengthy, disgustingly long wall of text you're greeted with every time you register for a website, be it Facebook, Amazon, Twitter, EBay, etc. Consider iTunes, a service I have not used in about four years but one I have fond memories of. The service would update its terms and conditions roughly every five months and you'd be met with immediately when you'd try and buy a song or a piece of media after the new terms and conditions were enacted. All you had to do was check a box saying "I agree" and you could proceed with buying the song. My question: who took the time to read that gargantuan wall of text? Most of it, from what I assumed because hey, I never read it, was legal jargon and stating how I consent to not downloading or illegally distributing this property without written/expressed consent from whatever party in an absurdly verbose fashion. I didn't care and I don't think a lot of people did.
But if you were to quiz me on what I was agreeing to, I wouldn't have a clue. How ignorant is that? I couldn't tell you any website's privacy policy and I'm a member of over ten mainstream sites. Director Cullen Hoback elaborates on just what we're agreeing to and how it can be used against us.
Consider Gamestation, a website that, for one day, stated in its terms and conditions that by agreeing to this wall of text you'd be handing over your immortal soul to the site. In one day, the site collected thousands of souls. It's an obvious joke, but what if something was hidden in the terms and conditions, surrounded and barricaded by a wall of unrefined, wordy, confusing text that would have a serious impact if it was put into effect? It's a frightening thought, but it's usually a deeply subconscious thought that becomes even more hidden when you're playing that song on iTunes or updating your profile on Facebook.
The film explores privacy policies and what the government and specific companies can see on the internet. Essentially, they can see everything. The opening line of the film is a haunting one stating, "anything that has been digitized is not private and that's the scary thing." Interviews are conducted with sociologists, journalists - one of whom Barrett Brown, who has appeared in numerous internet documentaries and is now imprisoned - and many others who state that the internet has become an invaluable resource while simultaneously an intricate tool that can just as easily be used against people.
Statistics noting that companies have lost $250 billion due to fine print lawsuits and it would take you around one-hundred and eighty hours to read the privacy policies of every site you're a member of. The latter statistic reminds me of a bill that is halted in the U.S. Congress at this time called the "Read the Bills Act," which, if signed into law, would make it a requirement for Congress to, well, read the bills before they pass them. Ignore the disgusting fact that we need a bill passed for Congress to do their primary job, but what could be the reason that a bill like this needs to exist? One of my guesses is that maybe the bills are bulky and overly-long, leading to much dismay and tedium when reading and analyzing them. Perhaps this is a call for shorter legislation and terms and conditions; ones that are more simple and to-the-point rather than being daunting legal contracts that intimidate rather than inform.
Terms and Conditions May Apply is a good film, albeit far too short. Hoback makes a great case for internet activism and an internet that remains open and constructed by the people rather than by corporations and big government, and things even take a surprisingly personal turn at the end when Hoback attempts to get a word in with Mark Zuckerberg, the founder of the website Facebook. The biggest achievement of the documentary, however, is that it's seventy-nine minutes long but doesn't deserve the "pamphlet" term I assign to documentaries that take a micro-look at a macro-subject. This is more of a very organized, moderately elaborate Cliff Notes version of a subject.
Directed by: Cullen Hoback.
A documentary that exposes what corporations and governments learn about people through Internet and cell phone usage, and what can be done about it ... if anything.
When I decided to watch this, the first thing I thought of was the "South Park" human centipede episode. And sure enough, a clip is shown almost immediately. Great to see these guys have a sense of humor (heck, they even have Willy Wonka and Eddie Izzard).
There are plenty of statistics about how long it would take to read all the fine print that no one really does and how much it is allegedly costing us to agree to these "hidden in plain sight" conditions.
We get a bit of a look at the Patriot Act's effect on privacy laws, and an even briefer mention of PRISM (which, unfortunately, makes the film a bit dated already, even only a year after it was made). There are even examples of people getting arrested by authorities for their Facebook and Twitter posts. (And one guy -- the "steak and cheese" author -- who did not!)
Does the film spread paranoia? Does it make Mark Zuckerberg the enemy? To the first question, no. While constantly on the verge of going too far, the film never does, and makes many valid points without ever sounding like a conspiracy theory. As to the second, this is more unclear. Zuckerberg is suggested to be too close to the FBI and other organizations, and certainly Facebook's privacy settings come under attack. But this is only a superficial reading -- the real message is that all tech companies, not just Facebook, are now going this route.
When I decided to watch this, the first thing I thought of was the "South Park" human centipede episode. And sure enough, a clip is shown almost immediately. Great to see these guys have a sense of humor (heck, they even have Willy Wonka and Eddie Izzard).
There are plenty of statistics about how long it would take to read all the fine print that no one really does and how much it is allegedly costing us to agree to these "hidden in plain sight" conditions.
We get a bit of a look at the Patriot Act's effect on privacy laws, and an even briefer mention of PRISM (which, unfortunately, makes the film a bit dated already, even only a year after it was made). There are even examples of people getting arrested by authorities for their Facebook and Twitter posts. (And one guy -- the "steak and cheese" author -- who did not!)
Does the film spread paranoia? Does it make Mark Zuckerberg the enemy? To the first question, no. While constantly on the verge of going too far, the film never does, and makes many valid points without ever sounding like a conspiracy theory. As to the second, this is more unclear. Zuckerberg is suggested to be too close to the FBI and other organizations, and certainly Facebook's privacy settings come under attack. But this is only a superficial reading -- the real message is that all tech companies, not just Facebook, are now going this route.
Excellent review of the political and social changes in *digital* privacy for the past 13 years since 9/11. The director goes into great detail on how Websites have constantly shifted toward acquiring and disseminating more information as time has gone on since 9/11 and how this information can, and is, being revealed to the government on a regular basis. What is more disturbing is how much we thought that either a password or a privacy change on Facebook to "Friends Only" doesn't actually protect us, totally, from government or corporate dissemination of who we are.
The director also points out the substantial moral problem of when we are allowed to forget our secrets and to let them lie in our past. 5 years? 10 years? 3 months? When are we entitled to have those embarrassing pictures taken at age 14 taken off the Internet search engine results (from, say, Google)? When it's been 10 years? What about adults? Do they deserve to have privacy of past-acts (good conduct or misconduct)? This is a matter not currently under substantial discussion in the Congress and the director points out that Congress is the only legislature in the US that can adequately make laws on these subjects.
Again, worth seeing once so that you learn what exactly those "terms" are that you agreed to.
The director also points out the substantial moral problem of when we are allowed to forget our secrets and to let them lie in our past. 5 years? 10 years? 3 months? When are we entitled to have those embarrassing pictures taken at age 14 taken off the Internet search engine results (from, say, Google)? When it's been 10 years? What about adults? Do they deserve to have privacy of past-acts (good conduct or misconduct)? This is a matter not currently under substantial discussion in the Congress and the director points out that Congress is the only legislature in the US that can adequately make laws on these subjects.
Again, worth seeing once so that you learn what exactly those "terms" are that you agreed to.
Is privacy dead? Let us get this under control before it is too late. Frightening and thought provoking. Makes me wonder what Indian govt. is doing in this area if at all it is. An eye-opener sort of documentary which deserves more than one time watch especially while we are in this era where in most of us are making digital transactions. Impact of this? I was entertained, stunned but on the other side this made me realize that I better be careful on what I post, mail and tweet. The film-maker has done extensive research and is clear on where and on what context this film needs to pitch in. He has intelligently made use of found footage, interviews of target victims. And yes, you need guts to get Mark Zuckerberg on the camera and confront him and get him say what you want. This probably is one of the major highlight of this film.
Did you know
- Quotes
Himself - Narrator: Mark Zuckerberg had asked me to please not record him. So we shut off the main camera. But since Mark doesn't seem to mind storing our data after we think it's been deleted, this only seemed fair.
- ConnectionsFeatures Willy Wonka au pays enchanté (1971)
- How long is Terms and Conditions May Apply?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Terms and Conditions May Apply
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $55,824
- Opening weekend US & Canada
- $4,446
- Jul 14, 2013
- Gross worldwide
- $55,824
- Runtime
- 1h 19m(79 min)
- Color
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