Forbidden Tango

Plenty of details about this title in other reviews so I won't repeat them here. Suffice to say that this is a charming comedy with a few well-chosen messages about tolerance and community. I thoroughly enjoyed it and can recommend it for all ages.

Tango Shalom is the independent film of the year. Karina Smirnoff and Jos Laniado shine bright both on and off the dance floor, and Lainie and Renee are the dynamic duo we all need! The interfaith themes come together to emphasize that in these trying times, we are all human beings no matter what our religion / background may be. Go watch Tango Shalom with your family!

If you look Massimo Zeri up on IMDB you will see he worked with Fellini, Mazursky, and Merchant Ivory! His lighting of the different houses of worship in Tango Shalom highlighted such diverse iconography, showing off how each culture is a world unto its own! The elements of wood, single-source lighting, and rich, old-world traditions in the synagogue, to the vibrant colors in the Sikh temple, to the gold patina in the mosque, to the kaleidoscopic light in the stain-glassed church, Mr. Zeri took us on a cinematic odyssey! A a blazing display of bravura!

Bravissimo!

Tango Shalom (2021) was actually filmed several years ago but seems to have finally been released in theaters and on streaming platforms. Despite some awkward editing cuts and a few draggy spots (it runs 115 minutes) it is ultimately a pleasant comedy with the kind of message this old world truly needs.

Written by the late Joseph Bologna with Claudio and Jos Laniado, the story concerns a rabbi with financial problems. He leaves his comfortable Brooklyn neighborhood (Williamsburg?) and goes into "the city" to find work but runs across a Latin dance school, which fosters his secret dream of dancing the tango. The snappy teacher (Karina Smirnoff) notices his innate talent and talks him into being her partner in a big televised dance competition. The problem is that being an Hassidic Jew, he's not allowed to touch a woman other than his wife.

So the rabbi (Jos Laniado) goes on a quest to visit various religious leaders (Jewish, Catholic, Muslim, Hindu) to learn how various religions would deal with such a problem. Once he finds his solution, he then has to face the TV cameras and his astonished family. While the ending isn't quite as rousing as in, say, Strictly Ballroom, it makes its point.

Some nice cameos by Renee Taylor, Lainie Kazan, Bern Cohen, and Joseph Bologna (who died in 2017) as the priest. Directed by Gabriel Bologna.

I guess the ultimate message is that as we are different, so we are one.

This was pitched as a comedy about a rabbi trying to navigate Argentine tango dancing while adhering to his religious tenets. It's ... not that. There's hardly any dancing, the movie dwells on excessive and unnecessary B-roll footage when time could be spent on better script writing and character development. The film tries to make a bigger point about religious pluralism, but ends up whiffing given that the script writer probably spent 20 minutes on Wikipedia looking up the traditions of each faith. The lack of depth absolutely shows, and the filmmakers try to patch over it by providing elaborate shots of religious ceremonies.

The acting quality wavered from Hallmark movie to high school production - and I'm not even referring to the kids (who were fine). The jokes were dragged out, intolerably so.

So that this isn't a completely negative review, a couple of standouts from this otherwise. I thought Judi Beecher as Raquel, Moshe's wife, acted well, given the material that she had. Her character was the only one with any sort of depth. Karina Smirnoff was also in her element in the dance scenes, although her character suffered from lack of proper development.

This film had a lot of promise but missed the mark completely.