Rowdy Rathore

Rowdy Rathore is a 'Dkhamakedar' masala movie.....

Akshay Kumar...... 'OUTSTANDING' he proves that he's the master of action.... With his dialogues he shatters the theater, Awesome. He has brilliantly played the role of Vikramsingh Rathore...

Sonakshi is good but doesn't have much to do.

Paresh Ganatra and the rest are good.

The movie starts slow but the Interval point is earth shattering...!!!!

Because of the slow start I'll rate it 7/10 or else I would've rated it 8/10.... This movie belongs only to Akshay Kumar, (Vikramsingh Rathore and Shiva....)

Writing this review almost a week after Rowdy Rathore has released.So i suppose most of you would have caught up with the flick!But im writing it none the less. Before starting off with the review i must confess i have watched both the telugu as well as the tamil versions,Ravi Teja's Vikramarkudu and Karthi's Siruthai respectively.

I suppose comparing the three wouldn't be of much use,as all three of them have their distinct style.But i would give Karthi a slight edge over the other two(But i maybe biased though):P Rowdy Rathore starring Akshay Kumar , Sonakshi Sinha and directed by our desi-Michael Jackson(aka) Prabhu Deva packs quite a punch i must admit!Rowdy Rathore as most of us know..is another remake from down south.And by and large most southern remakes have worked wonders(case in point gajini,wanted,singham). Now back to the review. The story goes about like this…Shiva (Akshay Kumar), a small-time thief in Mumbai, falls in love with Priya (Sonakshi Sinha), a girl from Patna, who is in Mumbai to attend a marriage. Its love at first sight between the two. Shiva tells her the truth about him being a thief and resolves to give up crime forever.Enter a young girl called Chinki who thinks that Shiva is her father.Shiva is forced by circumstances to keep the girl.Shiva slowly starts loving the innocent child.Priya finds out about the girl and decides to leave for Patna.Shiva is heart-broken.All of a sudden a bunch of goons start chasing him and the girl…and another Akshay(Vikram Rathore) steps in to save them and ends up giving his life for the same. Cut back to the past.Vikram Rathore (Akshay) is a brave and honest cop who wages war against the evil ganglord (Nasser) of the village(Now where have we heard that before??:P) Now here..comes the twist in the tale…Shiva needs to take up the place of the slain Vikram Singh and what happens next for you to guess(or rather watch..but i suppose its easier to guess). To know what works and what doesn't with the movie...

Akshay Kumar plays two characters here, each with his own half each side of the interval to accommodate the stories of ACP Vikram Rathore the fearless cop, and of Shiva the cunning thief, whom we get introduced having as glib a tongue as he has silky smooth hands every ready to pinch any valuable from anyone. We get up close to Shiva first, and his unlikely romance with Paro (Sonakshi Sinha, whose breakthrough performance was Dabangg). Vowing to give up his thieving ways to gain the acceptance of Neeraja, his henchman 2G (Paresh Ganatra) and he commits one last heist, only to find a six year old girl Chinki in the trunk of supposed valuables they stole, and compelled to have to adopt her in the meantime when she is adamant that Shiva is her dad. All these confusion will get straightened out by the time the interval rolls by, but until then, the narrative is relatively choppy, flitting between Shiva's pursuit of Paro, and his disdain for Chinki.

But it's after the interval where things got a little bit more interesting with the story of Vikram Rathore coming into the picture, and making Rowdy Rathore pretty much worthwhile. Fans of many South Indian cop films will find this Hindi remake of Vikramarkudu in familiar territory, and films of the same genre will probably tote the same narrative structure as well, with honest cop blessed with super human strength (as part of the fun) going up against corrupt officials and thugs who rule villages with iron fists. In some ways it's almost serving a cathartic function of sorts, when films offer escapism to those who feel oppressed, and find an outlet to cheer for the unlikely coming of a hero, if only on screen. With anyone challenging oppressive authority, schemes will soon be in place to remove the thorn in any corrupt side, but I must say witnessing Vikram Rathore tear through evil like hot knife through butter, was really something that anyone can cheer to after a hard day's work, especially if one has one's fair share of injustice experienced during the day.

It was publicized that Akshay Kumar hasn't played an all out action role since, well 7 years ago, but I thought Tashan wasn't that far behind although he had to share the limelight with his co-stars. Here he owned both characters he played, with the only distinguishing factor between Shiva and Vikram being the subtleness in the design of the mustache he wore for each character. Action sequences are naturally over the top in any Masala film, and this one has its fair share of incredible stunts topped with countless of explosions. There's something a little bit disturbing though in the action choreography, in its effort to follow Hollywood yet again, that slow-motion techniques favored by the likes of Zack Snyder, found its way to this Bollywood film, and in a pivotal sequence, looked very much inspired by Stephen Chow's Kungfu Hustle, even after so long.

But the best parts of Rowdy Rathore isn't the action, but the characterization and the Indian- English dialogues they're made to express. In Vikram Rathore he stands by his fearlessness of death, and threats to anyone daring to put his daughter in harm's way, with that twirl of his handle-bar mustache and smile, capped with his mantra that he does whatever he says. Shiva on the other hand, although of less brawn but equally, if not more cunning, continues Vikram's good work as Rowdy Rathore, only to add a new flavour to Vikram's threat that he now also does what he doesn't say, sending his enemies into a frenzy only because they cannot fathom what Shiva has up his sleeves.

The song and dance sequences got largely limited to when Shiva and Paro get to express their love for each other, inclusive of spatial travel to far flungs of India, and it's a little bit surprising as to the numbers of songs, and frequency the narrative got interrupted. With the second half intensely gripping, it got abruptly paused for a rock-song sequence that not only brought both actors out of character, but ruined the mood it so carefully set out to craft and instill a forthcoming brooding sense of revenge. Still, it managed to pull in more star power especially in its title track of Chinta Ta Ta Chita Chita with Kareena Kapoor and Superstar Vijay as cameo Item performers.

There's a third story arc squeezed in at the end that came too rushed and was on overdrive to deliver the Rowdy Rathore portion. It was fun to see how the corrupt get their just desserts when having to go up against one of their own - the mantra it takes a thief to catch a thief - and the finale was a pretty much long drawn out affair that started off out of the blue with a sudden kidnapping of sorts. It's true that one can always fall back that a Masala film gets license to do whatever it wants to, but I just felt that if it could have been a little bit more disciplined with its structure, rather than to throw in curveballs on locales and characters, it had potential to become a cult classic. Still, for those of us who crave the quintessential Masala film in a long while, then Rowdy Rathore promises a rocking rowdy time!

Rowdy Rathore - the immensely hyped return of Akshay Kumar as Action BAAP - delivers what it promised - a Mass Action fiesta with a heavy dose of South Indian which now loved in Noth as well Masalas.

The story is about Shiva (Akshay Kumar), a small 'Rowdy' who charms & steals not only wealth but also every ladies heart in a blink. Shiva falls in love with Priya (Sonakshi Sinha), a pretty and smart girl from Patna. Into this enters six year old Neha who believes Shiva to be her father -Vikram Rathore . The further movie deals with what changes and responsibilities does this little girl brings to his life and how he becomes the only hope for people of a small town in Bihar to get rid of a ruthless MLA Nasser and his mafia goons.

Those who have seen the original either Vikramarkudu or Siruthai may find this one less appealing provided you are not an Akshay Fan. But for the majority of its core target audience this will be a perfect entertainment treat post IPL season that everyone was looking for.Its the perfect blend of comedy,over the top action, songs, dance, dialogues etc., everything that we were expecting from such a movie

With Paan Singh Tomar, Kahaani, Vicky Donor becoming big hits it ensure that there are many sensible viewers who are ready to see mature films with hatke topics dealt in an entertaining fashion. While one hand there are film makers like Anurag Kashrap,Dibakar Banerjee, Vishal Bhardwaj,Tigmanshu Dhulia who are trying to elevate the level of Indian cinema and at the same time there are the Rohit Shetty,Sajid Khan,Aneez Bazmee and hoards of South Indian inputs decelerating Hindi cinema back to 90s loud inane films. I have no problem with commercial cinema. Even Rang De Basanti or 3 Idiots are commercial entertaining films but they aren't as regressive as Rowdy Rathore. The trend started with Wanted followed by Dabang,Bodyguard,Singham whereby you have a muscled hero fighting with huge sized villain to take revenge. There are ample violence, slow-mo action sequences and loud dialoguebaazi where by the hero acquires the persona of a superman killing all in the way. There will be a family angle to instigate some over the top melodrama and obviously a dumb bimbo who is there to titillate audience's hormones with her midriff. Sadly Rowdy Rathore falls in the same category with nothing new to offer. In fact Prabhu Deva has changed nothing from the original making it a loud meaningless film only to catch the attention of single screen viewers to earn profit. There is nothing wrong in earning money but there should be an aesthetic sense to do so. At least Prabhu Deva should have presented the simple story of a cop getting killed by goons and his look-alike taking revenge differently. The hero is louder than the villain, the heroine is dumb than the ass and the janata frustrated with mundane life enjoying the slow-mo brutal action sequences. There are ample songs with sexual innuendos which are lapped by the hypocrite audiences and even the censor board giving the films "U" certificate. IMDb represents world cinema and as Indian we should show some respectable cinema to world. There are numerous topics to deal with, numerous stories to tell. Many directors are making good films, even stars like Aamir Khan is making good cinema in commercial milieu which we should highlight. I can't force people but it is high time who give more respect to films like Shanghai & Gangs of Wasseypur (releasing soon) than lapping on age old formulaic films so that Indian cinema gives more and more fresh stories. The trend started with Dil Chahta Hai shouldn't go down. Even if they want to remake Southie films there are some great south Indian films which can be remade, why do the same thing just for the sake of commercial benefits??

With Bol Bachchan & Chennai Express in the pipeline the scenario seem to be more bleak in terms of quality cinema … and the journey to regression continues :(