Love, Marilyn

If Marilyn Monroe were alive today she'd be 90 years old.

Now 50 years after her death, this well-produced documentary takes yet another look at Marilyn Monroe, as a Hollywood legend, whose image still remains recognizable, even by today's younger generation.

And just like actor Humphrey Bogart, Marilyn Monroe's well-established screen-charisma still continues to endure while so many others of her generation have faded away into obscurity.

Through vintage film clips and countless stills (as well as contemporary celebrities (sometimes annoyingly) reciting passages from Monroe's personal diaries and letters), this fairly insightful documentary is certainly worth watching as it offers the viewer a surprisingly close-up look at all of the glamor and all of the tragedy that was, indeed, Marilyn Monroe (who died in 1962 from a barbiturate overdose).

When I saw this documentary was on HBO I tuned in and wanted to see what it was all about, I wasn't that impressed. The letters straight from Marilyn's thoughts were interesting and heartfelt but having them read by Hollywooace actors just didn't work that well In my opinion. When SOME of these A listers read from the aforementioned letters they seemed like they themselves were making it all about them and not Marilyn at all. The lines from the letters were often over dramatized and poorly executed and would have been more effective had they just come from an unseen source. Overall this film seemed like it made everyone else out to be the bad guy when it came to Marilyn's unhappiness and misfortune and maybe that was the case, who can say. Although when Marilyn didn't know her lines and often didn't show up to the set for a variety of reasons I'm sure that it could wear on a director or producer who was probably under the gun to finish the picture as it is. Although Marilyn was often trouble on the set her performances on the big screen were always pure, genuine and special but the film made her out to be a troubled pawn in the chess game of Hollywood life and to me the film could have been more objective at times. Overall this is not a bad film (especially if you love Marilyn) but nothing to write home about, pun intended.

Love, Marilyn (2012)

*** (out of 4)

Nice documentary done on the fiftieth anniversary of the death of Marilyn Monroe. Through diary writings and other words written by the star, we hear these brought to life by various actors playing her as well as playing other people that surrounded the tragic star. A quick look at IMDb will show just how many familiar names were used to bring these words to life and I think for the most part the film is a success, although this technique doesn't quite work as well as I'm sure the producers were hoping. I will start off with the good and that's how the film pretty much starts from Marilyn's early days and leads right up to her death. We get to see everything in between including her personal life, her marriages, her film roles and of course her darker days. Throughout all of this one really gets a good idea of what frame of mind the actress was in whether it was her nerves getting the best of her or when everything came together and she managed to do some incredible work. I've read other reviews that have attacked the film for being too kind on Monroe but I guess this here will be based on the viewer and their opinion on the subject. One case is Monroe's final film, which Fox fired her from because she wasn't getting the work done. This documentary makes it seem that Fox was more to blame than anyone else. There's also the know issues Monroe had working with Lawrence Olivier but this film claims that Monroe was causing all these problems (not knowing lines, being late) not because she wanted to but because she was sticking it to the director for something rude he said to her. Either way, fans of Monroe should at least enjoy seeing the film clips and hearing some of these words that the legend wrote.

Writing a review is not usual for me, but after watching this film I felt compelled to offer an alternative take to what another reviewer has described as "fairly insufferable". That is a personal view, not particularly objective, or even fair, in my opinion. I believe anyone who has seen any to all of Marliyn's movies will appreciate the insights this movie provides into her private life. I found the readings from her journals particularly enlightening. The content of these journals was deeply personal and well articulated, and the dramatic readings by various actors only amplified this fact. I've seen other documentaries about MM, but in my opinion this film does the best job of demonstrating the dichotomy between her movie persona and her personal life. It reveals that behind the sex symbol was a thoughtful, intelligent woman who worked hard for everything she got, and who was plagued throughout her life by psychological demons. It is an evenhanded approach, neither castigating her for her faults, nor deifying her for what she accomplished.

Highly recommended for all MM fans.

This was a very good documentary. I learned a lot about MM and liked seeing old interviews with her and her friends and peers. The story, structure, music and editing were great and it was never dull. My only complaint is that I cringed many times, watching most of the actors read from Marilyn and others' letters and books. I felt that they emoted waaaaaay too much and were showing off. It felt like they agreed to recite the words or "act" for selfish reasons. It was over the top: especially Marisa Tormei, Uma Thurman and Adrian Brody. It called to much attention to the actors and was very distracting. It took me OUT of the film.

The film was about MM not these actors. At the very least, the should have been offscreen, only supplying a voice over. I suppose the director's argument would be that they were trying to convey the emotions of the subjects who had written the books, poetry, etc, but it was embarrassing and self serving. I will not see the film again for this single reason. This is a documentary. I don't want to see Hollywood actors overacting.