IMDb RATING
5.6/10
9.2K
YOUR RATING
Follows the new journey of four best friends as they take their book club to Italy for the fun girls trip they never had.Follows the new journey of four best friends as they take their book club to Italy for the fun girls trip they never had.Follows the new journey of four best friends as they take their book club to Italy for the fun girls trip they never had.
- Awards
- 2 wins total
Featured reviews
Diane (Diane Keaton), Vivian (Jane Fonda), Sharon (Candice Bergen), and Carol (Mary Steenburgen) are the best of friends. They are meeting in person for the first time since the isolation of the pandemic. They decide to go to Italy.
I'm fine with the first movie. It's fine. Don't ask me to watch a sequel. Yet here we are. I don't begrudge anyone from doing a honest day's work, but this one is a classic Adam Sandler move. Sandler often gets a bunch of his friends and makes a movie at some exotic resort location. There's a lot of that here. The writing is boring. I stopped caring about these characters. Maybe they'll stop making these although I can see a way to make the next one interesting.
I'm fine with the first movie. It's fine. Don't ask me to watch a sequel. Yet here we are. I don't begrudge anyone from doing a honest day's work, but this one is a classic Adam Sandler move. Sandler often gets a bunch of his friends and makes a movie at some exotic resort location. There's a lot of that here. The writing is boring. I stopped caring about these characters. Maybe they'll stop making these although I can see a way to make the next one interesting.
Book Club: The Next Chapter is a film so lazy it almost feels as if it were written by AI instead of living, breathing human beings. It's got plenty of zingers and the cast tries their best to deliver them as best they can, but even the finest thespians in the world can't make this dialogue sound realistic. The story is non-existent as the four lead characters go from tourist spot to tourist spot, drinking wine, telling corny sex jokes, and offering up cliche proverbs about friendship that are so stale and tired that they're gag inducing. The first film was no fine masterpiece, but it at least had a little more substance to it. This is simply a waste of a fine cast, but I hope they enjoyed their trip to Italy.
I don't see how this film could be much worse, and it saddens me to watch four of the most talented, dynamic, personable female actors of their generation in this cringeworthy mess. Lame jokes about being old, silly and non-romance (I celebrate any well done late-life love story, but come on!), cliche upon cliche and basically phoned-in performances all around. Sorry to be so negative, but these women deserve better, beginning with a better script. I couldn't bear to watch all the way through, so I will hope that somehow I am wrong and just stopped watching too soon. The first Book Club movie was entertaining, and I thought the characters were interesting and funny, but this one left me cold.
I waited for this movie with great anticipation. The actors have done fine work in the past, and the previous Book Club movie was nicely done.
But this Book Club: The Next Chapter is so flimsy it is embarrassing, mainly to women in general. As if women live in a world of teenage dreams and have no way of solidifying their identity without resorting to superficial concerns and external validations.
For instance, the constant emphasis on clothes, or on how men love or do not love the women, or on the ideal, magical trip that is supposed to liberate you, or on what the fates want for you, or on what signs you are being given about your "destiny" - all this is just so tiresome and empty.
The characters never seemed to be concerned about anything except their own private selves.
And the ending was preposterous. It made the women seem as if they were completely inconsistent.
But this Book Club: The Next Chapter is so flimsy it is embarrassing, mainly to women in general. As if women live in a world of teenage dreams and have no way of solidifying their identity without resorting to superficial concerns and external validations.
For instance, the constant emphasis on clothes, or on how men love or do not love the women, or on the ideal, magical trip that is supposed to liberate you, or on what the fates want for you, or on what signs you are being given about your "destiny" - all this is just so tiresome and empty.
The characters never seemed to be concerned about anything except their own private selves.
And the ending was preposterous. It made the women seem as if they were completely inconsistent.
When an AI script generator is fed "cliches about older women" "Italy tourism brochures" and "text from wine-themed decor items," this is what's spit out. I left 2/3 of the way through so I'm not technically qualified to give a full review... but I had to force myself to stay that long. Jane Fonda was particularly assaulted by the script, but none were spared. Even Italy should fire their agent over this one~ no hackneyed tourist trap was overlooked, no cliche left out. I need 118 more
characters for this review to post but the movie was so dull that further criticism is fruit hanging too low. Just. Don't. Do It.
Did you know
- TriviaThe quote at the beginning, "How does a woman in her 70s end up getting married? It all started when the world shut down.", is Diane narrating, not Carol.
- Quotes
Sharon: Life is what you make of it. So do something. Do something brave. Do something unexpected. But do something, because you have four women in a jail cell who are desperately hoping for a reason to believe there's still a reason to believe. So do something, goddammit, because this isn't the end of the freaking story.
- Crazy creditsThe first half of the credits represents the whole movie in a nutshell in drawings. The 2nd half of the credits presents a slideshow of photos of behind-the-scenes footage. Mary Steenburgen's real-life husband, Ted Danson, appears in a couple of them.
- SoundtracksAmerican Girl
Written by Tom Petty
Performed by Tom Petty & The Heartbreakers
Courtesy of Gone Gator Records
By arrangement with Wixen Music
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Cuando Ellas Quieren Más
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $17,581,565
- Opening weekend US & Canada
- $6,677,580
- May 14, 2023
- Gross worldwide
- $29,014,500
- Runtime
- 1h 47m(107 min)
- Color
- Aspect ratio
- 1.85 : 1
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