The Road

I am not a gore hound kind of fan. I like it with real stories and unique ideas. The Road is very satisfying and I highly recommend it if you like the slow burn and creepy movies. This is my first to see movie where genre is somewhat crossing-over from horror to thriller to suspense to drama. I wished I've seen this in the big screen though.

When suddenly you think the story is predictable, the director brings you to unexpected "turns" and "detours". It's amazing how some story points and questions are answered by each chapter of the movie. It's cleverly done. I had to read through the subtitles though. But that is worth the eye strain because you will enjoy the film a lot.

This film by Yam Laranas ("The Echo") is divided into three segments. The first story concerns three young teenagers who drive down a desolate road at night, not knowing that it is haunted. This is a very cool, lengthy sequence with some nasty looking ghouls. The atmosphere is dense and the scare tactics are nicely crafted. The next two stories are flashbacks that show the historical acts of violence that are connected to the hauntings. The style here feels like a modern French horror film. It's very professional, with great photography, very eerie scoring, and solid performances. No humor or stupid one-liners to be found here. The deliberate pacing and gloomy mood will likely wear viewers down, which is a trait that I find to be a very positive thing. I strongly recommend this.

On a side note, I find it somewhat annoying that this film has such a low IMDb rating and such negative reviews. In a day and age where crap like "The House of the Devil" (2009) and "Insidious" (2010) are praised and hyped as new genre classics, I guess I shouldn't be surprised when a genuinely strong horror film like "The Road" (2011) is derided and criticized for being "too slow." Perhaps a few dozen cheap jump scares or some graphic violence would have sufficed to keep our attention deficient audiences awake. For goodness sakes, "Rob Zombie's Halloween" is currently rated higher than "The Road."

Yeah . . . okay.

A Filipino horror crime thriller that blurs the boundary between slasher killer and the supernatural subgenres. Directed and co-written by Yam Laranas. The two lead stars were Carmina Villarreal and Marvin Agustin.

The movie unfolds in three parts going backwards in time.

It opens in 2008, with the promotion of a cop, who is besieged by a woman to help find her two young daughters, who vanished 10 years earlier, along with a boy. The cop's commander urges him to solve the case.

The story flashes back to 1998, and then 1988, as it unravels who is doing what to whom - and why.

In Part I, three adolescents get lost on a deserted country road and encounter a driverless car and apparitions including that of a bloodied woman with a plastic bag tied around her head, a motif that Is repeated throughout.

In Part II, the two lost girls we are told about in Part I, break down on the same road, and are lured into sequestration by a passing country boy. The boy locks them up in separate rooms in a dilapidated house, chaining one of them up, and mercilessly beating up the second.

Part III explores the boy's childhood, as he is brought up in isolation by a disturbed mother who psychologically and physically abuses him, and a suicidal religious father unable to protect his son.

At the very end of the movie, the link between the cop and the boy, is revealed.

My major issue with the movie is Part I, where after the cop promotion ceremony, the screen is plunged into around 25 minutes of gloomy foggy darkness of an unlit country road, with apparitions of bloodied girls and driverless cars popping up here and there. I struggled to make sense of who is whom, and what is truly happening and why, as the scenes abruptly shift from long shots to close-ups, from scene to scene, from angle to angle. Moreover, the darkness made it difficult to easily pinpoint the film's subgenre; i.e. Killer slasher horror vs supernatural horror. Better editing could have helped. The moviegoer shouldn't be asked to struggle with determining a subgenre.

It is only when Part I comes to a close that the screen lightens up and the moviegoer can sit back and follow events with minimal confusion.

THE ROAD was somewhat great in a mediocre way.

The story was beyond compelling and interesting. Critics says that the movie is scary but I disagree. The movie wasn't scary, it was just creepy and mind-disturbing.

The 3 parts of the movie, which is in backwards chronology, will keep you up in your seat. But to enjoy this movie, you have to be a keen observer about the details of the story.

Some says that the movie was a big plot hole, but it's not.

If you're filipino like me, you would relate to the story and not say that it's a plot hole. You just need to understand the movie more. There was no plot hole. Every question of the movie was answered in the end.

It was scary though, for filipinos like me, because mostly everyday, these things happen to us (people get lost, get killed, they turn to ghost and stuff) because in Philippines, we do believe in this stuff and there are big chances for these things to happen to us because Philippines is one big ball of mischief and horror. the script and the acting were both mediocre and a little bit lousy,

Overall, the movie was great, the story was well build, the cinematography was beyond amazing and the movie itself was in a powerful premise which was powerful enough to compel foreign viewers.

I give this movie a decent 7 out of 10

"The Road" starts off very strong. The first segment scared the hell out of me, something that almost rarely happens to me. Sure, the film doesn't have a high budget, and it probably would have benefited if they could manage to pull off the effects they were trying to achieve, but the small budget is sufficient enough. However, after the first segment, the film gets noticeably less exciting as we're given more backstory and information to solve the whole mystery surrounding the story. It would have helped if they tighten up the pace a bit, keep things going rather than slow everything down. Still, there is a satisfying payoff by the end as everything falls into place as well as unexpected emotional pathos rarely seen in horror films. Overall, the film reminds me of a Tarantino horror film. It's ambitious and may be a bit too convoluted for its own good, but it's above-average horror.