L'Enfant d'en haut

It's not possible writing about this movie without allude the conditions of the principal character's relation ship, because it's the power emotional focus, but it's also important no being in details, the surprise should come unforeseen like an ice bucket. Either the movie is fiction, the spectator does a connection with the principal characters, Simon, a little child surviving in the world, and getting over his loneliness.

We can see a Cableway getting up and down, like life. A reflection about social roles, obligations, and grow up. Simon asking to Louis What are you gonna do when I was taller than you?

This incredible drama from an acclaimed director was a given watch, and surely did not disappoint in every sense of the word.

The actors all do an incredible job, some of the best in their careers, and it showcases some very interesting writing that works beautifully.

It is overall very beautifully put together in terms of both cinematography, cutting and editing. Truly a beautiful film to look at in every way.

Overall, a great feature that I would definitely recommend for any lover of film. It is truly a great drama with some very appreciated acting, and is very well put together. Definitely one of the director's better films and a great masterpiece.

In "Sister", we find 12-year-old Simon living a desperate life with his sister Louise in cheap public housing in an industrial town near (but literally below) a ski resort inhabited by the ultra wealthy. Louise works sporadically cleaning ski chateaus, while Simon seems to be the main breadwinner through his dubious job of swiping ski equipment and selling it as a one-man black market.

This sad story is presented in an atmospheric, minimalist way, making full use of the picturesque setting, yet managing to make the grandeur of the mountains and the luxury of the ski resort mostly just serve to make the viewer aware of the sadness of the two main characters.

The movie is definitely sociological in nature, making the viewer wish some outside party would intervene and help with this horrible situation. No particular moral or message is presented, I'm not sure one is implied even subtly, except that the world can be a very sad place for people at the bottom, even in a place like Switzerland that is often portrayed as an ideal society (it certainly isn't in this movie).

The only fault I could really find was that the movie dwells for so long on Simon's thefts in the first half of the movie, which are not all that entertaining, and beyond establishing that his life is like that, I'm not sure that we really needed the full 45 minutes of him being a ski resort kleptomaniac. Nothing else in the movie felt unnecessary, or even worthy of criticism... for what it is trying to be, this movie is quite good, especially in the second half.

My only advice is to not expect anything upbeat. I found this movie rather depressing. That hardly means it's not a good movie, of course. Just brace yourself for one sad slice of life.

Simon (Kacey Mottet Klein) is a thief stealing from the foreigners at the ski resort. He lives with his aimless irresponsible sister Louise (Léa Seydoux). She's left yet another job and has questionable relationships. He gets caught by resort worker Mike (Martin Compston) but instead he starts selling the stolen skis to him. He takes bigger and bigger risks. He's an expert liar. He befriends resort patron Kristin Jansen (Gillian Anderson) pretending to be a rich kid.

It's a pretty good performance from Kacey of a ballsy character. It does need to amp up the danger for the boy. While the reveal is great, it doesn't really raise the danger. Maybe if they could add a thug looking for money or children services looking to take Simon away. Also it would be great to dig deeper into Louise's problems. Overall this is a little bit disturbing but needs to raise the tension much higher.

Really well done movie. I wanted to feel sorry for the pair of them, but I just couldn't, they were too unlikeable with their actions. But then part of me understood why they were both like that.