Cassian and Bix adjust to a Luthen safehouse. All eyes are on Ghorman. Wilmon visits Saw Gerrera.Cassian and Bix adjust to a Luthen safehouse. All eyes are on Ghorman. Wilmon visits Saw Gerrera.Cassian and Bix adjust to a Luthen safehouse. All eyes are on Ghorman. Wilmon visits Saw Gerrera.
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Featured reviews
The one-year jump between arcs is admittedly a bit disorienting at first. Characters are suddenly in new roles, new settings, and new emotional states - but Beau Willimon's precise and thoughtful writing ensures that the transitions feel purposeful rather than abrupt. Once the episode finds its rhythm, the benefits of this structure become clear. The story can now stretch across broader terrain, introducing larger-scale operations, layered political maneuvering, and escalating tension without needing to belabor the connective tissue. The writing is efficient yet rich, allowing the audience to fill in emotional blanks while remaining deeply engaged in the now. Character development thrives under this format. We return to familiar faces, but they're not quite the same - we're catching them mid-journey, weathered by unseen events and quietly shaped by time. These shifts deepen our investment. Relationships have morphed, missions have evolved, and yet the characters remain tethered to their essential selves. The separations of characters across different fronts adds a fascinating dynamism, as we start to understand how their paths will once again converse under Luthen's orchestration. Atmospherically, the episode is steeped in a quiet, simmering tension. There's a growing awareness of the Empire's tightening grip - its bureaucracy, manipulation, and silent brutality. The tone remains somber, echoing the lingering emotional weight each character carries. From Mon Mothma's political futility to Cassian's cautious infiltration and Bix's psychological scars, trauma and regret haunt every decision. The world feels colder, more precarious, and entirely plausible.
"Ever Been to Ghorman?" marks a thoughtful and compelling turning point in "Andor," showcasing just how effective this time-jump approach can be when handled with intelligence and care. It's a striking blend of ambition and restraint - an episode that deepens the series' themes while setting the stage for the arcs to come.
This is not slow. This is perfection.
One of the darkest stories in SW universe. An astonishing storytelling with a great amount of details that keeps you interested in without breathing.
The spy game here is mindblowing, the acting is superb, the dark and full of tension atmosphere is thrilling.
The visuals, the sets, the props, the costumes, the photography and cinematography, the characters, the music... all in this episode is just perfection.
And is just the first of the second arc.........
Every conversation has weight and you can feel the desperation of all of the disparate Rebel factions - from Mons efforts to persuade her Senate colleagues to set aside their fear through to Luthen clawing at the elevator door asking for more.
Anton Lesser steals every scene he is in playing Major Partagaz, the gentle hand on the back of the chair the perfect summation of his role in the Imperial machine.
All of the previous decade of dirge Disney made us sit through was worth it just to get this show.
Due to the time jump, there is naturally some exposition. The information dumps are not what I would describe as subtle, but are done as well as possible. For me the build up to what is coming is intriguing enough to make up for that.
Events portrayed on Ghorman are the most interesting part of the episode, plus what the future holds for characters like Syril and Dedra. It must be good storytelling, if I know the outcome of the rebellion's larger narrative, but am still invested in what happens to the certain characters. Likewise Bix has some moments that fill me with anxiety for what might be coming, as she is also an unknown entity in the SW universe.
There is less screen time for the likes of Mon Mothma and Luthen Real, but what we see is full of promise for future episodes.
The show continues to portray the ruthless exploitation and subjugation the Empire displays towards its peoples in a relatable way. Also, the organisation and actions of the rebels continues to be plausibly depicted. As a longtime fan of the original movie, this continues to be the best and most meaningful prequel material written for the franchise.
The nerdgasms continue!
MonMotha is also in a bit of a pickle but we all know where that's heading!
Is the alien language more like French?
But anyway this episode is rather slow but we can see the lay out !
Did you know
- TriviaThe Ghor language was devised by dialect coach Marina Tyndall. Its structure was inspired by French, although it doesn't use any actual French vocabulary. The Ghor characters were played mostly by French and German actors, who spoke the fictional language with their own accents.
- GoofsAt 45:50 when Saw Gerrera is talking to Wilmon, just before it cuts to a close-up of Saw you can hear him start delivering his lines but his mouth is not moving in the wide shot, it then cuts to him mid-sentence for the close-up.
- Quotes
Lezine: ... steal a neighborhood. Move the people into boxes. Put the boxes downwind from dust. You'll be spitting all day long! And then, at night, when we're trying to sleep, when we try to forget - our city - is being destroyed! We've got transports, convoys! Rumbling all night long, racing through our streets. Horns blowing! Engines whining!
Carro Rylanz: Lezine!
Lezine: What?
Carro Rylanz: Give someone else a chance. Settle down!
Lezine: They'll make a prison of Palmo before they're done. Mark my words.
Carro Rylanz: Please.
Lezine: MARK MY WORDS!
Carro Rylanz: Thank you, thank you.
Lezine: [directs obscene Ghorman gesture at Rylanz]
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- Lloyds of London - London, England, UK(exterior scenes)
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- Runtime54 minutes
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