Cassian and Bix adjust to a Luthen safehouse. All eyes are on Ghorman. Wilmon visits Saw Gerrera.Cassian and Bix adjust to a Luthen safehouse. All eyes are on Ghorman. Wilmon visits Saw Gerrera.Cassian and Bix adjust to a Luthen safehouse. All eyes are on Ghorman. Wilmon visits Saw Gerrera.
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This is not slow. This is perfection.
One of the darkest stories in SW universe. An astonishing storytelling with a great amount of details that keeps you interested in without breathing.
The spy game here is mindblowing, the acting is superb, the dark and full of tension atmosphere is thrilling.
The visuals, the sets, the props, the costumes, the photography and cinematography, the characters, the music... all in this episode is just perfection.
And is just the first of the second arc.........
Now I'm not saying this is an intrinsic problem with the episode itself, or that it is even a "problem" per se, but it's kinda hard for the audience to be fully back up to speed when you move on and introduce many new things. The momentum from the previous episode is gone.
In season one of Andor, all of the 3-episode arcs were somewhat close in terms of time passing, and you'd get a natural progression of characters and where they were and what they were doing. But here, we have yet another 1-year time jump, and it feels like you have to put more effort as the audience to get to know these new characters and plotlines. Now I know that this was the case with the first season too, and one of the reasons I liked it so much, but this one felt like a whole new season.
I know I'm rambling, and I'm definitely nitpicking here, but I'm just stating that this is the nature of pilot episodes, and this one feels like one.
But anyway, weird rambling aside, this episode is yet another pretty good first episode of the new arc and does a great job of giving us the new situation and position of pretty much each and every important character, and I don't think they missed a character here. They do a good job of juggling through so many of the familiar characters and storylines, and introducing new characters and new storylines on top of that.
One thing I thought was well done was the relationship between Cassian and Bix, and adding some backstory to the time jump we skipped, and didn't see all the stuff that happened between the two episodes. Makes the time jump feel more real by things actually having happened in between instead of just "they were there, now they're here and nothing happened in between.) Anyway, this is a good setup for the new arc, and I bet it's gonna escalate and get even better just like The Eye of Aldhani arc in the first season, but this episode is definitely not the best episode of the show, but certainly isn't bad (or the worst) either.
The one-year jump between arcs is admittedly a bit disorienting at first. Characters are suddenly in new roles, new settings, and new emotional states - but Beau Willimon's precise and thoughtful writing ensures that the transitions feel purposeful rather than abrupt. Once the episode finds its rhythm, the benefits of this structure become clear. The story can now stretch across broader terrain, introducing larger-scale operations, layered political maneuvering, and escalating tension without needing to belabor the connective tissue. The writing is efficient yet rich, allowing the audience to fill in emotional blanks while remaining deeply engaged in the now. Character development thrives under this format. We return to familiar faces, but they're not quite the same - we're catching them mid-journey, weathered by unseen events and quietly shaped by time. These shifts deepen our investment. Relationships have morphed, missions have evolved, and yet the characters remain tethered to their essential selves. The separations of characters across different fronts adds a fascinating dynamism, as we start to understand how their paths will once again converse under Luthen's orchestration. Atmospherically, the episode is steeped in a quiet, simmering tension. There's a growing awareness of the Empire's tightening grip - its bureaucracy, manipulation, and silent brutality. The tone remains somber, echoing the lingering emotional weight each character carries. From Mon Mothma's political futility to Cassian's cautious infiltration and Bix's psychological scars, trauma and regret haunt every decision. The world feels colder, more precarious, and entirely plausible.
"Ever Been to Ghorman?" marks a thoughtful and compelling turning point in "Andor," showcasing just how effective this time-jump approach can be when handled with intelligence and care. It's a striking blend of ambition and restraint - an episode that deepens the series' themes while setting the stage for the arcs to come.
Lonni is a very interesting chracter and I'd love to see where he will end up, though if you're thinking realistically he will probably end up dead.
The music is as beautiful as ever and delivers so much more emotion to each scene. This was a great episode, a plot builder at its finest that has me very hooked to where we go from here. A strong episode. F the minimum character requirement.
MonMotha is also in a bit of a pickle but we all know where that's heading!
Is the alien language more like French?
But anyway this episode is rather slow but we can see the lay out !
Did you know
- TriviaThe Ghor language was devised by dialect coach Marina Tyndall. Its structure was inspired by French, although it doesn't use any actual French vocabulary. The Ghor characters were played mostly by French and German actors, who spoke the fictional language with their own accents.
- GoofsAt 45:50 when Saw Gerrera is talking to Wilmon, just before it cuts to a close-up of Saw you can hear him start delivering his lines but his mouth is not moving in the wide shot, it then cuts to him mid-sentence for the close-up.
- Quotes
Lezine: ... steal a neighborhood. Move the people into boxes. Put the boxes downwind from dust. You'll be spitting all day long! And then, at night, when we're trying to sleep, when we try to forget - our city - is being destroyed! We've got transports, convoys! Rumbling all night long, racing through our streets. Horns blowing! Engines whining!
Carro Rylanz: Lezine!
Lezine: What?
Carro Rylanz: Give someone else a chance. Settle down!
Lezine: They'll make a prison of Palmo before they're done. Mark my words.
Carro Rylanz: Please.
Lezine: MARK MY WORDS!
Carro Rylanz: Thank you, thank you.
Lezine: [directs obscene Ghorman gesture at Rylanz]
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- Lloyds of London - London, England, UK(exterior scenes)
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- Runtime54 minutes
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