Four kids make a mysterious discovery on their home planet that leads them to get lost in a strange and dangerous galaxy.Four kids make a mysterious discovery on their home planet that leads them to get lost in a strange and dangerous galaxy.Four kids make a mysterious discovery on their home planet that leads them to get lost in a strange and dangerous galaxy.
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- 7 nominations total
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Summary
Reviewers say 'Skeleton Crew' is a fun, engaging Star Wars series with nostalgic charm, high production values, and impressive effects. The young cast and Jude Law deliver authentic performances, enhancing character development and emotional resonance. Critics praise its humor and fresh storytelling, though some find the plot predictable and the ending abrupt. It successfully blends classic adventure with new elements, appealing to both children and adults.
Featured reviews
As most children of the Eighties I have fond memories of The Goonies, but I would be lying if I said that's the direction I desperately wanted for new Star Wars content.
I mean, after the disappointment of the sequel trilogy and many others - all Disney live-action content except Andor, Rogue One and the first two seasons of Mando I'd rate between mediocre and bad - I'm just starving for good mature, epic Star Wars content. Give me an Andor-like show set in the Old Republic with Jedi, Sith and Nick Gillard as stunt coordinator for the lightsaber battles.
HOWEVER... to be fair I will say that Skeleton Crew is okay. It's not offensive or poorly made; not obviously cheap like The Book of Boba Fett; not aimless like Season 3 of Mando; not lore-breaking like the sequels and Kenobi; not tone-deaf like the Acolyte.
Hooray?
This is basically Star Wars Goonies, a neat little story of a bunch of kids having an adventure in the Star Wars universe. The writing is decent: effects, costumes and locations look great: the whole thing has a certain charm.
I'm guessing this, similar to Andor, is a passion project for its creators and was seen as a minor side-project by the higher-ups, who did not therefore bother to get involved, which nowadays in Lucasfilm is a blessing.
So far, so good.
7,5/10.
I mean, after the disappointment of the sequel trilogy and many others - all Disney live-action content except Andor, Rogue One and the first two seasons of Mando I'd rate between mediocre and bad - I'm just starving for good mature, epic Star Wars content. Give me an Andor-like show set in the Old Republic with Jedi, Sith and Nick Gillard as stunt coordinator for the lightsaber battles.
HOWEVER... to be fair I will say that Skeleton Crew is okay. It's not offensive or poorly made; not obviously cheap like The Book of Boba Fett; not aimless like Season 3 of Mando; not lore-breaking like the sequels and Kenobi; not tone-deaf like the Acolyte.
Hooray?
This is basically Star Wars Goonies, a neat little story of a bunch of kids having an adventure in the Star Wars universe. The writing is decent: effects, costumes and locations look great: the whole thing has a certain charm.
I'm guessing this, similar to Andor, is a passion project for its creators and was seen as a minor side-project by the higher-ups, who did not therefore bother to get involved, which nowadays in Lucasfilm is a blessing.
So far, so good.
7,5/10.
I can imagine how the initial pitch went like: "It'll be like The Goonies but in the Star Wars universe! We'll take the angle of kids to look into the concept, while making it interesting via elements from The Treasure Island with a visual touch of Pirates of the Carribean. Think of how Super 8 worked - a Spielberg-ish childhood fantasy!"
So much effort, so many visual details and trivia, yet, you can get bored along the way. Because Star Wars stuff is no longer being "created". It's simply being "generated" the way AI generates images. I'll be glad if this one manages to attract today's kids into the original Star Wars stories but if the question at hand is whether adults would be on board this pirate ship, not so sure here.
The Mandalorian rocks as the unique SW series that had gravitas of sort, leaning more towards Sergio Leone westerns than to cheaper space operas. The Acolyte was a betrayal to SW at the very least. Skeleton Crew is, well, neither so bright nor so demented. I don't feel like glorifying or trashing it.
But I do have some resentment with Disney's treatment of SW... They never even tried to respect and explore the essence of the concept... Rather, they turned it into a "setting" for whatever series they felt like doing. It was wrong. SW is, in and of itself, a dynamic network of valuable ideas and stories to communicate. What Disney+ had been doing is to utilise it for external agendas, concerns and pushes.
Anyways... Unlike The Acolyte, Skeleton Crew is at the very least not toxic - so far. (And I'm waiting for the great explanation to why a Jedi would need to wait for some kids to be thrown in his jail cell in order to perform his most simple trick and make the key come to him!)
So much effort, so many visual details and trivia, yet, you can get bored along the way. Because Star Wars stuff is no longer being "created". It's simply being "generated" the way AI generates images. I'll be glad if this one manages to attract today's kids into the original Star Wars stories but if the question at hand is whether adults would be on board this pirate ship, not so sure here.
The Mandalorian rocks as the unique SW series that had gravitas of sort, leaning more towards Sergio Leone westerns than to cheaper space operas. The Acolyte was a betrayal to SW at the very least. Skeleton Crew is, well, neither so bright nor so demented. I don't feel like glorifying or trashing it.
But I do have some resentment with Disney's treatment of SW... They never even tried to respect and explore the essence of the concept... Rather, they turned it into a "setting" for whatever series they felt like doing. It was wrong. SW is, in and of itself, a dynamic network of valuable ideas and stories to communicate. What Disney+ had been doing is to utilise it for external agendas, concerns and pushes.
Anyways... Unlike The Acolyte, Skeleton Crew is at the very least not toxic - so far. (And I'm waiting for the great explanation to why a Jedi would need to wait for some kids to be thrown in his jail cell in order to perform his most simple trick and make the key come to him!)
I think the series is great so far, but there is one problem that really annoys me: the running time. When I saw the first episode, I was so happy that it was about 40 minutes long. Then came episode two: if you include the flashback and the credits, it's not even 25 minutes. If I get 25 minutes of the series every week, I have to watch what happened the week before last. As soon as you can't really lose yourself in the universe, you've warmed up to it, it's already over. Incredibly unsatisfying! I'm probably not going to watch it for months and try to avoid all spoilers so that I can see the whole thing next year. As for the actors: my God, they're children. It's clear that they didn't have years of acting training. Nevertheless, the protagonists are likeable, the music fits and the action isn't too child-friendly. After two episodes, I'm excited to see what happens next, but unfortunately I won't find out until next year.
From the previews I thought this was going to be terrible. I have only watched the first episode and was amazed at how enjoyable it was. I have high hopes for this one. Sort of Star Wars in the style of Spielberg. It might be intended for kids, but I still enjoy this style of story telling at my advanced age. The first episode was fun and engaging, and flowed well, and it didn't take itself too seriously. There is even a little social commentary. So far it's the second best series behind Endor, but that might change upon watching more episodes. I think this series is a good direction for the Disney/Star Wars combo.
I'm approaching this review cautiously, acknowledging that 'Skeleton Crew' appears to be targeted towards a younger audience. While children may enjoy it, I found the first four episodes quite underwhelming.
The story lacks depth, feeling more like a children's movie that jumps from location to location without much consequence. The war backdrop feels superficial, and the action sequences lack the impact they should have.
The acting, while not terrible, could be stronger, especially considering the caliber of some of the cast members. Even Jude Law, at times, seems to be phoning it in.
The production design is impressive, but it can't save a story that feels slow-paced and ultimately rather forgettable.
Perhaps the series improves later on, but based on my initial viewing, I remain unconvinced. Please prove me wrong!
The story lacks depth, feeling more like a children's movie that jumps from location to location without much consequence. The war backdrop feels superficial, and the action sequences lack the impact they should have.
The acting, while not terrible, could be stronger, especially considering the caliber of some of the cast members. Even Jude Law, at times, seems to be phoning it in.
The production design is impressive, but it can't save a story that feels slow-paced and ultimately rather forgettable.
Perhaps the series improves later on, but based on my initial viewing, I remain unconvinced. Please prove me wrong!
Did you know
- TriviaThe holographic circus that is entertaining Neel's young siblings is a recreation of the same one Chewbacca's family watches in the infamous Au temps de la guerre des étoiles (1978).
- ConnectionsFeatured in AniMat's Crazy Cartoon Cast: Silly Old Deadly Bear (2022)
Details
- Runtime42 minutes
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
- 2.39 : 1
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