My Two Daddies

I watched the movie because I admire the work of Alan Cumming, and yes, he was (as always) brilliant as the singer---think Garbo doing Camille but with a five o'clock shadow. He is so completely lovable from moment one that his relationship with the lawyer is 100% believable.

What bothers me about the film is not anything contained within the film. I loved that it did not have the ending that Hollywood has lead us to expect such films to have. I loved that it was realistic. I loved that it celebrated love.

What I am curious about is why is this a "little" film? Given the timeliness of its subject matter, I would have expected it to receive more mainstream attention. Is mainstream American film criticism still uneasy at the thought of a gay couple raising a kid? Why don't we have any openly gay leading actors in the U.S.? What is wrong with our country? Once upon a time, back in the 70s when I was growing up, everyone was "bi", regardless of who you slept with. How did we end up going back in time?

I've never been a fan of Alan Cumming, but this film has turned me around. He gives a great performance in this, and it's confounding to me why this never got a broader release. Yes, there are some flaws in the way the 70's are portrayed, and some of the characterizations are a little trite; but I thought overall the film was poignant and made its statement very effectively. Like other reviewers have mentioned, the ending was not at all what I thought it would be and took me by surprise. What stays with me after seeing the film are the brief clips of Cummings singing, in particular, "Love Don't Live Here Anymore," in which he almost sounded like someone wounded. I will be buying this DVD, as I really feel like the film wasn't given much of a chance at the box office to gain the wider audience it deserved.

I saw this movie on a whim at the Palm Springs Film Fest and I feel like I left the theater a different person. I loved this story in all its heartbreaking glory. Alan Cumming's performance was wonderful and raw and at times I felt as enraged, as hopeful, as passionate and as proud as he did. I experienced so many emotions during the film that I was spent afterward, and I'm not ashamed to admit that I shed many tears during and after the movie.

I didn't know what to expect going in and I am so glad I picked this film. I could say more, but I don't want to spoil anything for the next person. Love, love, love - thank you Travis Fine.

This film is about a gay couple who fights the legal system to get custody of a mentally handicapped child in the USA in 1970's.

"Any Day Now" tells a touching story about how two gay men fall in love with each other, and their love extends to a mentally retarded child who is left alone because his mother is sentenced to prison for drug related offence. The film couple becomes loving and caring parents to an underprivileged child, despite the discrimination of the conservative society. This selfless and unconditional love is quite touching in itself, but what is more touching is their solid determination to fight against systematic discrimination and injustice.

I am glad that this film is made, so that this story, together with their activist spirit, reaches a wider audience. Hopefully, someone somewhere is inspired by this couple, and will stand up against injustice like they did.

With ample opportunity to turn heavy-handed and sappy, Any Day Now is surprisingly authentic without jerking tears about a 15 year old Down-Syndrome boy being saved from institutions by a male couple. The film does not turn on sentiment but rather on the weakness of the 1979 judicial system that might deny custody just because the parents are gay.

Rudy (Allan Cumming) is a drag queen, who wants to care for neighbor boy, Marco (Isaac Leyva), abandoned by druggie mom. Paul (Garret Dillahunt), an assistant district attorney, comes out to Rudy and falls in love with him. Both men love Marco, yet they struggle to convince the court that because a couple is gay, it should not be denied custody.

It is the '70's after all, and being gay and a drag queen can be a real drag for the authorities. To the film's credit, even the tough-minded judges can have moments of sympathy. Minor players like the prosecuting attorney go beyond stereotype, and the ending goes against expectations, a real plus for a film that could have followed the play book for tears and happiness.

An audience favorite at Tribeca and Chicago film fests and winner of the Golden Space Needle award at Seattle, Any Day Now, inspired by a true event, delivers an honest conflict with an honest conclusion. I'll take that any day now