My Two Daddies

Travis Fine's remarkable film "Any Day Now" deals with the very thorny issue of gay parenting or more specifically, gay adoption. Alan Cumming, (superb), is the drag artist who feels responsible for the mentally handicapped child next door, (a terrific Issac Leyva), after his mother is picked up by the vice squad and who decides to do something about it by legally adopting the child himself with the help of his new lover who just happens to be a lawyer, (a very good Garret Dillahunt). It's the kind of topic the movies tends to shy away from and it has all the potential for mawkishness but Fine manages to steer clear of sentimentality; the result is both intelligent and very moving, yet not without a degree of humour. Of course, it also deals with issues that many will find grim and distressing and it proves to be a challenging watch. This is one gay-themed film that lays it very much on the line and is all the more powerful for it. In an age when so many polemical films are cut and dried and conventionally on the side of the angels here is one that is content to bleed like an open wound. You won't forget it in a hurry.

With ample opportunity to turn heavy-handed and sappy, Any Day Now is surprisingly authentic without jerking tears about a 15 year old Down-Syndrome boy being saved from institutions by a male couple. The film does not turn on sentiment but rather on the weakness of the 1979 judicial system that might deny custody just because the parents are gay.

Rudy (Allan Cumming) is a drag queen, who wants to care for neighbor boy, Marco (Isaac Leyva), abandoned by druggie mom. Paul (Garret Dillahunt), an assistant district attorney, comes out to Rudy and falls in love with him. Both men love Marco, yet they struggle to convince the court that because a couple is gay, it should not be denied custody.

It is the '70's after all, and being gay and a drag queen can be a real drag for the authorities. To the film's credit, even the tough-minded judges can have moments of sympathy. Minor players like the prosecuting attorney go beyond stereotype, and the ending goes against expectations, a real plus for a film that could have followed the play book for tears and happiness.

An audience favorite at Tribeca and Chicago film fests and winner of the Golden Space Needle award at Seattle, Any Day Now, inspired by a true event, delivers an honest conflict with an honest conclusion. I'll take that any day now

I've never been a fan of Alan Cumming, but this film has turned me around. He gives a great performance in this, and it's confounding to me why this never got a broader release. Yes, there are some flaws in the way the 70's are portrayed, and some of the characterizations are a little trite; but I thought overall the film was poignant and made its statement very effectively. Like other reviewers have mentioned, the ending was not at all what I thought it would be and took me by surprise. What stays with me after seeing the film are the brief clips of Cummings singing, in particular, "Love Don't Live Here Anymore," in which he almost sounded like someone wounded. I will be buying this DVD, as I really feel like the film wasn't given much of a chance at the box office to gain the wider audience it deserved.

After the movie ended, the entire audience stayed long afterwards, stunned and devastated by what they had seen.

I expected to be able to predict the ending of this film, but I was very wrong. It was completely unpredictable.

The relationship between Cumming's character and the lawyer was very touching, though it did require an actor of Alan Cumming's massive talent to make the relationship believable. Cumming deserves an Oscar for his performance. I can not imagine that any other actor will surpass Cumming's magic here.

The story takes place in 1979, a year I remember well because I always say it was my favorite year, and I think that they captured the look and feel of 1979 very well.

This is a very beautiful movie that everyone should see. A great story, well acted, and one that will be commented on for years to come.

I watched the movie because I admire the work of Alan Cumming, and yes, he was (as always) brilliant as the singer---think Garbo doing Camille but with a five o'clock shadow. He is so completely lovable from moment one that his relationship with the lawyer is 100% believable.

What bothers me about the film is not anything contained within the film. I loved that it did not have the ending that Hollywood has lead us to expect such films to have. I loved that it was realistic. I loved that it celebrated love.

What I am curious about is why is this a "little" film? Given the timeliness of its subject matter, I would have expected it to receive more mainstream attention. Is mainstream American film criticism still uneasy at the thought of a gay couple raising a kid? Why don't we have any openly gay leading actors in the U.S.? What is wrong with our country? Once upon a time, back in the 70s when I was growing up, everyone was "bi", regardless of who you slept with. How did we end up going back in time?