Rocketman

Rocketman decides to focus on Elton John's character evolution more than anything else, chronicling his life from when he was a wee-little boy to his glory days as the colorfully decorated, piano-playing, musically blustering star. One detail I must address that really hoisted the exploration of John's life was, in reality, the "R" rating.

You get to see a respectful and psychological turn in his persona, you get to witness the heartbreaking "addictions" that he constantly forces himself into, you get to view the uncut collision of him dealing with his sexuality, and you even get to feel that loss of love that Elton had felt when he persistently questioned his relationship with peers. All of these affairs are dispensed without and blockades or any desires of censorship and I must commend the filmmakers for going about this risky decision.

And sure, Rocketman is arguably quite the corn-fest at times, but the movie is able to take these cheesy elements of the typical rockstar biopic and format it into a creative fashion that characterizes more charismatic and less repetitive exhibitions. Which brings me to my next point...

I am so pleased that Rocketman turned out to be a nearly full-on musical? I mean, it had to find some way to be different from Bohemian Rhapsody, right? Whenever a musical note comes on it's not just there for Elton John fan-a-holics. The songs always pertain to the presented events transpiring on screen. The methods they use to present the songs as well, offer some more than compulsive and devouring visuals. I also appreciated how they redid all the songs to fit the scenes in a more appropriate manner. It makes the film seem less like a compilation of Elton's original greatest-hits and more like a rendition of what each song means to the story.

Now, Taron Egerton's performance in this is...wow, wow, wow, wow, WOW. He is just bleeding with range and chaotic pizazz in this encapsulation of a contrasted human individual. If someone is worthy of an Oscar nomination this year, it's this guy.

Rocketman doesn't entirely rely on nostalgia like most of its kind does-that implying that sometimes it does, however-and most of its misfit adventures proved about in the story seem earned rather than glossed over at a maximum pace of negligence. Definitely check this one out, especially if you're an Elton John fan!

Not really sure where I sit with this one. A gripping tale of one of music's biggest icons. While Egerton shines as the glorious John, all the surrounding characters seemed to be simple generic caricatures of staples from this kind of stories. And the story blazes by, many of the acts with little explanation of motives. It follows the basic by the numbers of the musical biopic, never really seeming to let the weight of one single action hit with the viewer before moving onto the next tragic act. While the characters and story seemed to ring a bit formulaic and hollow, Egerton's performance is able to carry the gravitas. And the music, oh the music. John's catalog is beautifully strewn throughout the film in all its glory, though Taron's vocals struggle in parts and he is outsung by his supporting cast at points. And in the end, the conclusion and resolution come, yet once again seemingly easily and out of nowhere as had the conflict earlier in the film. A great story of a great artist that just seemed to miss on a few points for me. Did I enjoy the movie? Yes. It just seemed like a cliff notes version of what could have been a deeper and more compelling story.

He was AMAZING in the spirit of an fabulous Elton John biopic musical.... and Jamie Bell was awesome.. as usual!

It's going to get very mixed reviews. I predict many will love it, and many will revile it. I was caught somewhere in the middle. Without giving any actual spoilers away, consider this:

1. If you absolutely HATE musicals, save your money. This is the John/Taupin equivalent of a Rodgers & Hammerstein. It is not presented as a straightforward biopic in the same manner as BOHEMIAN RHAPSODY. 2. Much as I love Elton John, this "rock & roll fantasy" of his life treads a little too far into campy territory for me, with 2, maybe 3 very (thankfully) brief moments in the film that can only be described as cringeworthy. ("Oh, come on, guys--seriously?" moments.) There were times when I genuinely felt this was going to end up as the Ken Russell version of TOMMY for the new millennium. 3. Never, at any point in the film, is Paul Buckmaster mentioned or acknowledged. This infuriated me! For those who don't already know: in the early days of EJ's career, Paul was the orchestrator who provided EJ with the BEAUTIFUL, lush string accompaniments that added so much to EJ's early music (classic example: EJ's soundtrack to the 1971 French film, FRIENDS) and, IMHO, could have been a big player in his success as a burgeoning artist, firmly introducing/establishing The Elton John "Sound." He SHOULD have been a part of this film--even a small one, if deemed necessary--but for him to be utterly omitted from the story mystifies me. Maybe someone in the know can enlighten me on this.

These 3 things, however, are about my only problems with the film. Credit must be given where it's due:

1. Taron Egerton is actually pretty amazing. Some might see his acting as occasionally over the top, but frankly and for all we know, maybe EJ really did act that "extremely" at times, considering his anger issues. His singing, most of the time, is virtually spot-on, catching EJ's lilting singing style quite well. 2. The supporting cast: Jamie Bell (Bernie Taupin), Bryce Dallas Howard , Richard Madden (EJ's agent & self-centered 1st lover), Stephen Graham (Dick James), Tate Donovan (L.A.'s Troubador Club manager Doug Weston), Gemma Jones (Ivy, EJ's grandmother, I think...? Or friend of the family?) & Steven Mackintosh (EJ's cold, uncaring father)...and all others in the film, essentially faultless. ESPECIALLY Jamie's portrayal of Bernie. Wow. 3. You can't really find fault with the staging and choreography of the musical numbers. Very professionally done. 4. You will learn many things about EJ's life in this film that you may not have known before...I know I did. 5. Have a few Kleenexes handy. Enough said. 6. Don't leave right away after the credits roll.

So, is it worth seeing? My criticisms aside (and we all know what they say about opinions), it really comes down to this: if you're a fan--and especially a DEDICATED fan, like me, who's followed him from his humble beginnings in America in the summer of 1970--go see it. Decide for yourself if my gripes hold any water.

I have been waiting for weeks to the premier and Taron's performance blowed me away. I can't tell it was going for a movie about Elton John or going to a premier of a concert where Taron singing and performing and telling his life story from the screen (or from the stage cause it's a premier). His voice is precious, is emotional and is skillful. He got that powerful voice yet that soulful and soft that I am sure that he is the right person, the PERFECT person for those songs and for this film. Such a perfect actor, with a gifted voice. His acting was outstanding and his eyes told things. I can felt his thoughts and feelings, his sadness, disapointment, his emptyness. Just, breathtaking. And Jamie Bell did great, Richard Madden also, such a wonderful compilation of these three talented and professional actors. Love their charisma and their chemistry together. Thank you very much for a great movie. Really enjoyed it.