A cryptic phone call sets off a dangerous game of risks for Elliot, a down-on-his-luck salesman. The game promises increasing rewards for completing 13 tasks, each more sinister than the las... Read allA cryptic phone call sets off a dangerous game of risks for Elliot, a down-on-his-luck salesman. The game promises increasing rewards for completing 13 tasks, each more sinister than the last.A cryptic phone call sets off a dangerous game of risks for Elliot, a down-on-his-luck salesman. The game promises increasing rewards for completing 13 tasks, each more sinister than the last.
- Awards
- 3 nominations total
- Gerry
- (as Clyde Jones)
- Prof. Edgar Solomon
- (as Tom S. Lawson Jr.)
Featured reviews
The cinematography was rather mediocre and especially monotonous in the beginning, but Mark Webber indeed did a great job - you can see his posture and facial expressions change drastically throughout the movie, which I find pretty haunting. The plot is simple yet intriguing and smart. Somehow, all the twists seem predictable for me, but that doesn't mean they aren't good ones. There is some decent, mild gore along the way as well, as expected from Dimension Films. To be honest, I think it wouldn't hurt to show some more blood; but considering the fact that this is low-budget, it's not that important.
Though I did have fun sitting through 90 minutes of this movie, I wouldn't highly recommend this to everyone. Maybe just some who need a new breeze regarding horror / thriller genre (the exact reason why I watched "13 Sins" in the first place).
you'll be talking with whoever you watch this with or know has seen it what stage you would stop playing the game. Which is tricky because if you go so far it's difficult to turn back, which is the whole point.
was a little disappointed with the end, can't help but think 'YOU IDIOT!!!'
Well worth a watch if your into similar films, not much to hate about this in my opinion.
He has to complete 13 tasks. The first is easy. Kill a fly. But the stakes are upped with each new task, and soon he finds himself doing things he never thought possible. What can a man convince himself to do to provide for his family? 13 Sins is an interesting take on something that's already been done before. It does enough different to feel fresh, and not only do you want to know how it ends, you'll be surprised by how it turns out. There's a great twist at the end, and it makes the movie so much better.
Webber is a great lead, and underused in Hollywood. Hopefully more people will see him in this so he can get higher profile roles. It's also a nice departure for Wesley, who usually has to kick ass as Tara in True Blood. It's nice to see her play the sweet girlfriend for once.
It's on Netflix, and it's very much worth a watch. Probably one of the best surprises I've had watching a random film on Netflix that I knew nothing about.
However, it's easy to change channels when watching 13 Sins. The low budget and (at times) pedestrian acting make it unremarkable to the eye, and it's tempting to go looking for something better. But stick with it, as what 13 Sins lacks in scale and scope it makes up for with suspense and intelligent twists. If you're very good, you might see it coming. The events of the third act are telegraphed clearly in the first, although you'll have to be smart to put the pieces together. This is where the film succeeds. Mysteries should always give the viewer a chance to solve the puzzle, and while 13 Sins doesn't make it easy, you can certainly do it. In fact I'm laughing out loud at myself for not seeing it coming.
That said, 13 Sins is a flawed film. It's tried to blur the lines between a suspense thriller and horror film. There are some hackneyed horror moments that could have been handled more effectively. A handful of gory scenes were obtuse and unnecessary, and perhaps would have been better if done with more subtlety. This seems to be the fault of the director who is apparently influenced by the style of independent horror-film makers of the 90s and 2000s who don't understand the value of tension. Gore on its own is ineffective. Horror is equal parts what we see and don't see. Case study: the original Alien showed us everywhere the creature could be, and in turn revealed them to be empty, letting our minds wander, letting us experience what the terrified characters were feeling. When the ultimate moment comes, it's done logically, and with nuance and flair. There's no gore on screen that didn't need to be there. All horror writers should study this.
The other problem lies with the film's occasional desire to go beyond it's limitations and try to establish a grander scale. There's an "escape" set piece that falls short of competency because they didn't have the money for good special effects, and it showed. You could have just left it out. An independent film should work around its budget instead of stretching it.
Anyway, out of all the slim pickings of 2014 so far - which is shaping up to be another terrible year for film - this low-budget suspense thriller has actually impressed me. Elliot's (the protagonist's) transformation was mostly plausible, aside from a few nonsense moments. It's sheer intelligence and gripping, relentless pace kept me watching until the bitter end. However, while I have said that the final act is quite good, it is let down by an incompetent epilogue which leaves us with a Downer Ending instead of one which is left open to the audience to interpret.
I recommend it as a rental only, but I DO recommend you see it.
The set up is pretty clumsy but the fun of this film is seeing what the challenges are and how the salesman completes them. The challenges start simple but quickly get more and more sinister.
The film is greatly helped by a good and likable performance from the lead Mark Webber as the everyman put in situations he doesn't want to be in. Good, solid support is provided from the rest of the cast including Ron Perlman. The film is fast paced and there is a great air of tension built up as the tasks escalate and the web closes in. It does become a little SAW like and at times it does become a bit hard to watch. However it does always manage to keep your attention.
This is a film not to think too much about but just to enjoy and on that score this film delivered for me.
Did you know
- TriviaPerlman did not see the original film, as he did not want it to influence his performance.
- Goofs(At around 29 min) The "Ostrich" that they bring into the police station is an Emu.
- Quotes
Prof. Edgar Solomon: A bear taking a dump asked a rabbit, "Does shit stick to your fur as a habit?" "Of course not," said the hare, "It's really quite rare," so the bear wiped his ass with the rabbit. There once was a lady named Dot who lived off of pig shit and snot. When she ran out of these, she ate the green cheese... that she grew on the sides... of her twat.
- ConnectionsReferences Bridezillas (2004)
- SoundtracksEntry of the Gladiators
Written by Julius Fucík
Performed by Robert Stolz and The Wiener Symphoniker (as Vienna Symphony Orchestra)
Courtesy of Gravelpit Music
By arrangement with Essential Media Group
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Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $13,809
- Opening weekend US & Canada
- $9,261
- Apr 20, 2014
- Gross worldwide
- $826,913
- Runtime1 hour 33 minutes
- Color
- Aspect ratio
- 2.35 : 1