Dernière nuit à Milan

Very nice movie! And I'm speaking from someone who usually doesn't like the genre and 8/10 hates the italian way of acting, sometimes very poor. From the intro with an amazing aerial view of Milan by night with a perfect, thrilling soundtrack, the plot unfolds in very clever way. I liked the flashback part, not exaggerated, just helpful to understand the story. The acting is pretty good, the rythm is perfect. The sound editing play the lion's share here: the music is truly remarkable, really "pulp", perfectly timed. This film for me was a huge surprise. You won't regret the choice. To be seen!

A wonderful opening sequence with stylistically typical writing and score - is this the return of the Poliziottesco? No, the hopeful nostalgics quickly hit the ground of reality, obviously that of our time. No tough 70s cop, a leading actor who, in my impression, initially embodies more of a RomCom prototype, for example. A deliberate break in style? In his role, he is semi-corrupt, disillusioned, tired of everyday life, battered, on the verge of becoming a "loser". So after a leisurely and not very meaningful 3/4 hour, i.e. A rather long span, I was ready to set my expectations back to zero for the sake of fairness, let's see what else happens, and suddenly the plot really picks up speed. The dynamics in the middle section are great cinema, the exciting follow-up in the episode no less thrilling. The makers' plan probably worked for me, hats off, a wonderful film with a great script.

At last, an Italian genre film - thriller, noir - to be really proud of. A plot capable of surprising, masterful performances by the actors in both the main roles and the supporting cast, intelligent and never mannered direction. But what is most pleasing is that the Italian-ness goes beyond the obvious production and plot details-the setting, the characters, the cultural references- , enriching the dialogues with that typical irony proper to our country: we are brilliant even and above all in moments of crisis, even if there is a decision at stake on which our lives depend. The grade does not go toward 10 only because of some minor shortcomings in the mise-en-scene, such as some details in the key sequence (which nonetheless holds one's breath for pace and twists). An 8, however, is the minimum, well-deserved and full. Let's hope Andrea Di Stefano can return to our country to make a new film in the future.

A great story, but unfortunately poorly turned into a movie. The story has great potential but the script is quite cheap.

I like watching non-American movies, especially thrillers, so I started watching this movie with great anticipation. The scenes were so-so for the first few minutes and it almost put me off continuing to watch. It was only later in the film that it became clear why.

There are quite a few holes in the story that could have been shown much better, with more authenticity and more realistically shown. For example, when we see dozens of fellow cops at the crime scene, and the main protagonist is brought a glass of water by a forensics officer who has left the scene (would a forensics officer really leave a crime scene and bring water to someone who is hidden behind other people??) .

Too bad for a lost opportunity.

I was kind of disappointed. Overall it was an okay movie, but not great. The opening credits with the amazing soundtrack was really promosing (loved that song: Fate Tiptoes to a Party). However, I was pretty bored after an hour. The story didn't have any interesting turns. This story missed something to keep my attention. The movie could've been thirty minutes shorter as well. It felt like a crime drama that has been done numerous times before.

The acting, music and camerawork were great. The writing could have been better. Maybe my expectations were a little high after reading al the loving reviews.