Dans la tête de Charles Swan III

Well that's how the movie might have been promoted. But while "Being John Malkovich" actually was funny and enticing, this might have one good scene in it (involving Cowboys). It tries hard to be quirky, casting Bill Murray helps with that. But Charlie Sheen who is playing the character Charles Swan does not cut it. I like quite a lot of Charlies movies he has done. But he can't pull this one off (meta or not).

The problem of the movie therefor relies not in its incoherence (it has somewhat of a straight story line in between all the dream sequences or whatever you want to call them), rather in the lack of "good" incoherence. There is system and a plan when it comes to madness and trying to explore the mind as again "Being John Malkovich" has proved. Charlie Kaufman (another Charlie) is better suited in portraying this. I would suggest not wasting your time on this

I'll give a star for Jason Schwartzman, a star for Bill Murray, a star for Aubrey Plaza and a star for the movie as a whole.

I'm entertained by Charlie Sheen and his antics. While I can't hate the guy because I don't know him personally, I don't want to watch a movie that seems to basically reflect his poor decision making, meltdown and turn around. Too much "nothing" happened. Plenty of fantasy sequences and flashbacks seemed to just emphasize Sheen's boisterous and lady killing ways. In the end it seems like an exaggerated and far fetched Charlie Sheen Documentary. Roman Coppola works much better with Wes Anderson.

It's hard to tell whether "A Glimpse Inside the Mind of Charles Swan III" is a good-natured bit of self-parody on the part of Charlie Sheen, poking fun at his reputation as a compulsive womanizer, or a vanity project designed to showcase the actor's now-legendary sexual prowess and playboy image. I suspect it's the former, but even if it's the latter, it still doesn't make for a very entertaining movie.

In plot, the movie feels an awful lot like a full-length version of "Californication," as a middle-aged, sunglass-wearing Angeleno laments how he's screwed up with the love of his life (Ivana played by Ketheryn Winnick) because he's never grown up enough to stay committed to a monogamous relationship.

Writer/director Roman Coppola's eclectic, scattershot approach alternates between scenes set in reality - or a close proximity thereof - and wild, but surprisingly flatfooted fantasy sequences heavy on op and pop visuals and graphics (Charlie is himself a successful graphics designer) and light on originality and cleverness. Apparently, there's not really all that much worth taking a glimpse of in ole Charlie's mind after all. Indeed, despite a big name cast that includes Bill Murray, Jason Schwartzman and Patricia Arquette, the movie feels an awful lot like a third-rate film school project that somehow got green-lighted by an actual studio.

"Maybe someone hurt me, you ever think of that, maybe someone hurt me." Charles Swan III (Sheen) is having a bad day. His girlfriend just broke up with him and he has a near death experience. When he wakes up in the hospital he begins to go over what happened. This is a very hard movie to review. It was very bizarre but OK. The only real way to review this is that the movie was written and directed by Roman Coppola. While this is his first real movie he has directed he helped to write Moonrise Kingdom and Darjeeling Limited. The movie has a type of a Wes Anderson feel to it so if you like his type of comedy then you will like this. If you don't get or don't like his humor then I would avoid this. That is really the only thing I can say about this movie. Overall, not bad but really made for a specific audience. I give it a B-.

I have to agree with much of what (but not all) critics said about this film. Yes, many of the things they say are true. However, I also agree with what Hoop posted here about this film. There is a 70s kind of scattered filmmaking feel to it that has appeal in the format of this type of film.

It's one of those films I rate lower than how much I kind of liked it. It's not a brilliant work flawlessly executed, but it has a glisten to it in places, that kind of odd appeal that makes it worth having done it. You see, some projects I feel just had to be done so then we can move on. It's not that it shouldn't ever have been done, but that it allows for an entertaining time and it is merely what it was perhaps meant to be (which I'll leave to the viewer's POV).

I just kept thinking, wondering, while watching it (knowing it was probably slammed by the critics which I know now, it was) that it is going to be one of those films someday, slammed at release and yet rediscovered and rethought later, and more appreciated then perhaps in historical ignorance as happens. But through that objective hindsight kind of way that allows us to, at some point many years later, appreciate the currently appreciable. Cheers!