Touristes

Ben Wheatley provides one of the year's darkest and funniest comedies in this tale of true love, caravans and dead bodies.

Ever since her terrier Poppy died in a bizarre knitting accident, Tina (Darkplace's Alice Lowe) has lived a sheltered life with her mother. New boyfriend Chris (Steve Oram) decides to show her his world and takes her on a self-proclaimed "erotic odyssey" in his caravan to such wonders as the Crich Tramway Museum, Ribblehead Viaduct and, of course, Keswick Pencil Museum. But with litterbug, National Trust snobs and feral youths running rampant, Tina and Chris inadvertently leave a trail of dead bodies in their wake, as their holiday continues to spiral out of control.

Steve Oram heads up the fantastic cast as the muted, yet brutal, Chris, complementing Alice Lowe's awkward, yet creepy, Tina perfectly. However, the real star is the special effects, which provide some of the most realistic and memorable on screen deaths of the year. The unsettling, albeit hilarious, performances of the two leads is mirrored in the soundtrack, a mix of cheery '80s pop songs and a haunting minimalist score.

Shot in the beautiful Lake District, director Ben Wheatley uses lingering shots and slow-mo in an innovative way, making his comedy edgy whilst poignant. No doubt, this is a very British black comedy. Wheatley shows directorial flair, but reigns it in from his previous work Kill List, leading to a much tighter film, with a concentration on the biting wit of the script.

Sightseers, overall, plays out like a cross between Bonnie & Clyde and In Bruges, leading to a perfect pitch-black comedy that's not for the faint hearted.

What happens when 2 un-complimentary psychopaths go on a holiday caravan adventure together? A whole lot of murder, apparently.

What starts off as an innocent vacation between two social outcasts- Chris & Tina- quickly takes a darker turn when it becomes clear that Chris is not only a manipulative psychopath, but someone who will resort to murder over the most petty of concerns.

Basically he'll murder anyone who annoys him. But he's gotten quite good at covering up his work and throwing the dogs off his scent.

After witnessing one of these outbursts first hand, Tina comes around and begins to embrace the ethos of her beloved. And once she pops her murder cherry, she starts to realize that she can use random violence and murder to manipulate others- particularly Chris- with the best of 'em, if not better.

This drives Chris mad. He thinks she's too chaotic- a liability even. She murders randomly, without the structured justification on which he bases his code. Though, really, she just murders anyone who crosses her, or whoever might arbitrarily be in the vicinity when she gets upset.

Like she did before him, though, Chris eventually comes around to accept Tina's new-found tendencies toward murder.

But it becomes ultimately clear that Tina has taken the upper hand when she discovers Chris' deepest, darkest fantasies- inevitably leading to the conclusion of the film.

Sightseers is another brilliant black comedy-horror concoction from the twisted mind of Ben Wheatley- who is proving himself to be one of the most exciting new director's out there (especially after his $30,000 masterpiece- A Field In England). This film is much in the same vein of his previous two features: Down Terrace and Kill List- though each are original in their own ways. There are some interesting sequences which reference satanism and dark shamans, that will have you pondering on the symbolic meaning. And I do believe I detected some Vertigo influences spun in there. When all is said and done, Sightseers is a darkly hilarious film that is definitely worth a watch.

6 out of 10.

Sightseers is a black comedy that favours a few really good and highly quotable jokes over a constant stream of them. It's a suitably bleak depiction of a caravan holiday that goes wrong with a story of tainted love at its centre revolving around two people who truly bring out the worst in each other.

Alice Lowe and Steve Oram are a wonderful pairing as they constantly switch from being madly in love to literally at each other's throats. It's really impressive how quickly they can switch between the two and Alice Lowe in particular, is amazing at using a childlike innocence to hide the fact that she's got a real darkness inside.

Ben Wheatley's direction makes everything look bleak whilst still finding time for some more surreal dream sequences that fit in naturally. All the kills are executed in an unflinching fashion as they happen quickly and without warning, plus the soundtrack is surprisingly good with the songs employed in the most twisted ways.

I'd love to go to a pencil museum! Even with a bearded ginger bloke dealing with some serious anger issues. Although I'd draw the line at wearing knitted undies including split-crotch panties. That's obviously more appropriate for the Tate Modern.

The mature part of me sympathises with the erstwhile Robin from Marian & Her Merry Men (bit of a niche reference there) getting his head smashed in for complaining about their leaving dog poo behind. As a responsible dog walker I loathe people who don't clean up after their Woofs.

The film nerd in me spots the similarity with Steve Oram brutally wielding a hefty stick and the early ape-man making a huge leap forwards in 2001: A Space Odyssey. "He's not a person, he's a Daily Mail reader." Chris justifying his oh-so-English brand of vigilantism.

I was glad that booking this hilarious black comedy at the Melbourne International Film Festival was so worth it.

The story is centered around an odd couple; Chris (Steve Oram); who takes his girlfriend Tina (Alice Lowe) around the British towns of rural England for inspiration for a book he's writing, However their circumstances take unusual turns until things go horribly wrong.

I may of heard about director Ben Weatley's earlier films' but haven't caught up yet. This film however show he's a skilled filmmaker able to bring a promising film like this to viewers of adult comedy.

Sightseers is woefully original, full of witty dialouge, charming characters and some of the best British Black Humour I have seen in a long time if not ever. There's so many laugh out loud moments I just really feel that this film should be given a limited release in Australia. Its was such a great surprise, by far my favourite film of the Melbourne Intrnational Film Festival.

I do highly recommend this gem of recent British cinema.

4/5