Fascinated by an enigmatic woman who steals his attention, an ordinary man whose life is marked by monotony finds himself immersed in an intense romance that drags him into an unpredictable ... Read allFascinated by an enigmatic woman who steals his attention, an ordinary man whose life is marked by monotony finds himself immersed in an intense romance that drags him into an unpredictable journey.Fascinated by an enigmatic woman who steals his attention, an ordinary man whose life is marked by monotony finds himself immersed in an intense romance that drags him into an unpredictable journey.
Sean Zerbe
- Rookie Cop
- (as Sean C. Zerbe)
Brandon Delsid
- Las Vegas Hotel Receptionist
- (as a different name)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I read the title from song review once and it stuck to my mind. Now it's appropriate time to use it. The June character reminds me of Leeloo from 5th Element and theme is similar "love conquers all". Luc Besson wrote 5th Element as a teenager. I don't know when he wrote this story but it certainly feels like a work of teenager. Perhaps I'm just too old but this is very juvenile and unoriginal fairy-tale full of cliches.
The biggest problem however is that it does not really touch or raise any emotions other than cringe. I don't know if it works better when you are teenager watching it with your first date. I was just left wondering did teenage-Luc have some real-life free spirited girl he adored from distance and later used in this Leeloo / June character?
The biggest problem however is that it does not really touch or raise any emotions other than cringe. I don't know if it works better when you are teenager watching it with your first date. I was just left wondering did teenage-Luc have some real-life free spirited girl he adored from distance and later used in this Leeloo / June character?
First of all "Stand in the sun with me" what a great song by Alexiane.
Story is farfetched but it's the journey not the destination that matters and Luc Besson took me on a trip I didn't realised I needed. Do we do everything with our lives that's available to us or are we just existing for the sake of existence. That's a question everyone will have to answer themselves. Sure movie looks amateurish at times. But that's were it charm lays. I would say give it a go. Not everyone does jumping without a parachute. But sometimes that's what you need to do... Ps. I will never look at tree hugging with confusion again.
Story is farfetched but it's the journey not the destination that matters and Luc Besson took me on a trip I didn't realised I needed. Do we do everything with our lives that's available to us or are we just existing for the sake of existence. That's a question everyone will have to answer themselves. Sure movie looks amateurish at times. But that's were it charm lays. I would say give it a go. Not everyone does jumping without a parachute. But sometimes that's what you need to do... Ps. I will never look at tree hugging with confusion again.
"June and John" is an anarchic fable disguised as a love story, a small bomb thrown into the heart of post-industrial bourgeois, politically correct values. Watching it feels like being pulled by the hand into a dream where the rules of work, family, legality-even sanity-begin to dissolve, and what remains is a raw, poetic urge for freedom.
June isn't just a character; she's a spark-wild, intuitive, dangerously alive. John, her opposite, starts as a prisoner of routine, almost a parody of the modern man: alienated, passive, half-asleep. Their encounter is explosive. They don't "fall in love" in any traditional sense-they ignite, and with them, the film burns down the empty temples of productivity, respectability, and all the tired ideals of a society obsessed with stability.
There's something utopian and childish in their rebellion, as if they were trying to live a life no one dares to even imagine anymore. It's not about crime or politics-it's about refusing to live according to someone else's script. The film doesn't preach, but it seduces you into wondering what would happen if you stopped obeying.
More than a story, June and John is a provocation: gentle, surreal, but with teeth. It reminded me that under the skin of our neatly arranged lives, something wild and urgent still pulses. Not everything in it works, but maybe that's the point. It's a mess you don't want to clean up.
June isn't just a character; she's a spark-wild, intuitive, dangerously alive. John, her opposite, starts as a prisoner of routine, almost a parody of the modern man: alienated, passive, half-asleep. Their encounter is explosive. They don't "fall in love" in any traditional sense-they ignite, and with them, the film burns down the empty temples of productivity, respectability, and all the tired ideals of a society obsessed with stability.
There's something utopian and childish in their rebellion, as if they were trying to live a life no one dares to even imagine anymore. It's not about crime or politics-it's about refusing to live according to someone else's script. The film doesn't preach, but it seduces you into wondering what would happen if you stopped obeying.
More than a story, June and John is a provocation: gentle, surreal, but with teeth. It reminded me that under the skin of our neatly arranged lives, something wild and urgent still pulses. Not everything in it works, but maybe that's the point. It's a mess you don't want to clean up.
The "manic pixie dream girl" trope has been dissected to death, and I get it. But I'm not one of those people. I actually love the trope when it's handled with care and creativity. We've probably seen hundreds of films that play with some variation of it. Some are good, some are great, and some are downright terrible.
This film falls squarely in the terrible category.
Nothing works here. The acting is wooden, the story is painfully bland, and the direction is as uninspired as the atrocious dialogue. It feels like a soulless attempt to cash in on a trope without understanding what makes it compelling in the first place.
Compare this to Marmalade (2024), which came out just last year. That film completely reinvented the trope, giving it a fresh, meaningful twist that actually made it interesting again. This one? It's just a lazy mess.
This film falls squarely in the terrible category.
Nothing works here. The acting is wooden, the story is painfully bland, and the direction is as uninspired as the atrocious dialogue. It feels like a soulless attempt to cash in on a trope without understanding what makes it compelling in the first place.
Compare this to Marmalade (2024), which came out just last year. That film completely reinvented the trope, giving it a fresh, meaningful twist that actually made it interesting again. This one? It's just a lazy mess.
No pun intended - as in life or live ... or both. Luc Besson is at it again and as a friend noticed, he casts the female role the way you'd expect him to. And you probably are not off guessing that he might see himself in the male protagonist ... being swept away ... by this woman who is quite enticing to say the least ... but also really crazy ... and someone you can have adventures with.
Now this can be one of those don't try this at home cases ... but suspension of disbelief is a big thing. Obviously you are not supposed to literally do everything the characters are doing - but you may take a positive message out of the movie ... and live ... not the as if it's your last day ... just live ... just love and just be your best self! Well if that is what you get here - that'd be awesome for sure.
Now this can be one of those don't try this at home cases ... but suspension of disbelief is a big thing. Obviously you are not supposed to literally do everything the characters are doing - but you may take a positive message out of the movie ... and live ... not the as if it's your last day ... just live ... just love and just be your best self! Well if that is what you get here - that'd be awesome for sure.
Did you know
- TriviaThe movie was filmed with a mobile phone
- SoundtracksOsez Joséphine
Music by Alain Bashung
Lyrics by Alain Bashung and Jean Fauque
Performed by Alain Bashung
- How long is June and John?Powered by Alexa
Details
Box office
- Gross worldwide
- $252,785
- Runtime1 hour 32 minutes
- Color
- Aspect ratio
- 2.35 : 1
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