IMDb RATING
5.6/10
7.3K
YOUR RATING
Tired of their mother's alcoholism and a string of her abusive boyfriends, two sisters plot to kill her.Tired of their mother's alcoholism and a string of her abusive boyfriends, two sisters plot to kill her.Tired of their mother's alcoholism and a string of her abusive boyfriends, two sisters plot to kill her.
- Director
- Writers
- Stars
- Awards
- 2 wins total
Jeffrey Ballard
- Justin
- (as Jeff C. Ballard)
Edward Sutton
- Prosecutor
- (as Ed Sutton)
Marina Stephenson Kerr
- Sheila
- (as Maria Stephenson Kerr)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Missed this title when released, but glad I found it.
Abigail Breslin was always a favorite child ctress of mine, and this performance shows that she has progressed to a very dynamic adullt actress.
Abigail Breslin was always a favorite child ctress of mine, and this performance shows that she has progressed to a very dynamic adullt actress.
Inspired by a real case. it is the basic support for a film who has potential to be interesting but remains expression of good intentions. because Mena Suvari is reduced in the cage of cliches. because the universe of teenagers is just a sketch. because it could be a real good drama but the director has not the courage to explore in deep sense the Andersen sisters drama. something missing. this is the word after its end.
I was looking for some gripping, even chilling story about dysfunctional teenagers. Like what we saw in "Thirteen", which was a great movie, but now with a - true - crime story. Nah.
The director has been a producer for over 30 years and got some famous people to act in it. The actresses (the three of them) are really good. However, the direction takes a completely wrong turn, trying to make it a "dark teen fantasy-comedy-thriller-drama" salad. For instance, you start to wonder how two young girl plan the murders and... you have four teenagers enacting fantasies about murder. That's so not the thing this film should portray.
All the intentions to connect with teenagers were completely flawed. Bad soundtrack, TERRIBLE montage effects, ludicrous mixture of genres, awful cinematography work. It's like parents using slang. All the attempts to highlight the medium -- divided screen, special lights, accelerated camera -- are pathetic and would not even work in an MTV show in 1997. It's not a film for teenagers -- and if it was supposed to be, it didn't work either.
There are scenes that people's faces are covered by SOMEONE'S HEAD -- and not intentionally! Unbelievable. If you are a director making a debut, be humble and let a competent cinematographer AND editor do their jobs. How beautiful this film would
On the top of that, a voice-over starts giving ANOTHER angle on the film -- those films about bitchy teenagers obsessed with fame, kind of like To Die For from Gus Van Sant -- only to forget about it minutes later and never coming back to that.
Anyways. I was interested in the story, and through all the amateur work I could grasp something from it. The two girls are great actresses, and Mira Sorvino portrays precisely the thin line between a likable weak person and a wreck that screws up their children.
Somewhere I heard this: some people don't have to work their way into the center of the stage. They can pull strings and buy themselves into it. Question is: are they ready for it?
The director has been a producer for over 30 years and got some famous people to act in it. The actresses (the three of them) are really good. However, the direction takes a completely wrong turn, trying to make it a "dark teen fantasy-comedy-thriller-drama" salad. For instance, you start to wonder how two young girl plan the murders and... you have four teenagers enacting fantasies about murder. That's so not the thing this film should portray.
All the intentions to connect with teenagers were completely flawed. Bad soundtrack, TERRIBLE montage effects, ludicrous mixture of genres, awful cinematography work. It's like parents using slang. All the attempts to highlight the medium -- divided screen, special lights, accelerated camera -- are pathetic and would not even work in an MTV show in 1997. It's not a film for teenagers -- and if it was supposed to be, it didn't work either.
There are scenes that people's faces are covered by SOMEONE'S HEAD -- and not intentionally! Unbelievable. If you are a director making a debut, be humble and let a competent cinematographer AND editor do their jobs. How beautiful this film would
On the top of that, a voice-over starts giving ANOTHER angle on the film -- those films about bitchy teenagers obsessed with fame, kind of like To Die For from Gus Van Sant -- only to forget about it minutes later and never coming back to that.
Anyways. I was interested in the story, and through all the amateur work I could grasp something from it. The two girls are great actresses, and Mira Sorvino portrays precisely the thin line between a likable weak person and a wreck that screws up their children.
Somewhere I heard this: some people don't have to work their way into the center of the stage. They can pull strings and buy themselves into it. Question is: are they ready for it?
Sandra Anderson (Abigail Breslin) has her older sister Beth (Georgie Henley) as her best friend. Their alcoholic partying mother Linda (Mira Sorvino) moves the family once again into another lower class neighborhood. Linda loses her job and can't keep her sobriety. Her mother's boyfriend is abusive. Nobody is willing or able to help. So the sisters and their friends plan to kill the mother for the insurance money. It's loosely based on a true story in Toronto.
It's an amateurish attempt from producer turn director Stanley M. Brooks. The girls are reasonable but it doesn't rise any higher than a TV melodrama. The story gets a little bit interesting as the kids plan the murder. The dialog is pretty bland bordering on awkward with some weak narration from Breslin at the start. Another problem is the lack of interesting style from the movie. Obviously they're using Breslin's star power to sell this but she can't save this project.
It's an amateurish attempt from producer turn director Stanley M. Brooks. The girls are reasonable but it doesn't rise any higher than a TV melodrama. The story gets a little bit interesting as the kids plan the murder. The dialog is pretty bland bordering on awkward with some weak narration from Breslin at the start. Another problem is the lack of interesting style from the movie. Obviously they're using Breslin's star power to sell this but she can't save this project.
Inseparable sisters, Sandra and Beth Anderson (Abigail Breslin and Georgie Henley) have had a hard life. Their mother (Mira Sorvino) is a hopeless alcoholic, dragging her kids through her world of blackouts and chronic unemployment.
Mum is a truly maddening individual, especially when it comes to her disregard for the welfare of her children, leading to violence and sexual abuse by her idiot boyfriends.
When things finally reach a breaking point, Sandra and Beth decide to take drastic, irreversible measures to remedy the situation.
PERFECT SISTERS is a mostly grim, sometimes humorous movie, loosely based on true events. It goes to great lengths to show not only their mother's outrageous behavior and inability to control / live her own life, but also the cold, heartless attitude of the sisters themselves. Their friends are equally disengaged from humanity, choosing to help with the scheme for "fun".
Picture the girls from HEAVENLY CREATURES, merged with the sisters from GINGER SNAPS, hanging out with the kids from RIVER'S EDGE, and that comes close to this film's overall atmosphere.
The ironic ending will probably pi$$ off many viewers! Others will be moved by it...
Mum is a truly maddening individual, especially when it comes to her disregard for the welfare of her children, leading to violence and sexual abuse by her idiot boyfriends.
When things finally reach a breaking point, Sandra and Beth decide to take drastic, irreversible measures to remedy the situation.
PERFECT SISTERS is a mostly grim, sometimes humorous movie, loosely based on true events. It goes to great lengths to show not only their mother's outrageous behavior and inability to control / live her own life, but also the cold, heartless attitude of the sisters themselves. Their friends are equally disengaged from humanity, choosing to help with the scheme for "fun".
Picture the girls from HEAVENLY CREATURES, merged with the sisters from GINGER SNAPS, hanging out with the kids from RIVER'S EDGE, and that comes close to this film's overall atmosphere.
The ironic ending will probably pi$$ off many viewers! Others will be moved by it...
Did you know
- TriviaSince the real sisters and their friends are protected by Canadian law and their information is sealed, there was no way of knowing who they were as people. Director Stan Brooks then made everyone in the young cast go home and write an essay about their character - what their favorite music was, their favorite food, and so on. Zoe Belkin wrote that Ashley is anorexic, doesn't eat and has body issues. If you watch the movie there's a cafeteria scene were she chooses Jell-O and the entire meal cuts out but she never eats any.
- GoofsDuring the main titles, while pulling the U-Haul trailer, the family passes the Atlas Pawn Shop twice, going in different directions.
- Quotes
Beth Anderson: We lied about killing our mom. We like to mess with people a lot.
Detective Santiago Gates: That's a pretty sick thing to be telling people.
Beth Anderson: Well, what can I say? We're pretty messed up. But there is a big difference between being a pathological liar, and a murder.
- ConnectionsReferences Fatal Games (1989)
- SoundtracksNot Sorry
Written by Daniel Cooper
Performed by Downtown Struts
Courtesy of Pirates Press Records
- How long is Perfect Sisters?Powered by Alexa
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