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Loved every bit of it! It is an addicting show, you can't just Watch one episode, It leaves you wanting more! In my opinion one of the best portuguese shows, portuguese ficcion is outdated to say the least, these guys did an amazing job! Seen some people complain about "excessive swearing" well as a portuguese the swearing felt very normal (unless you're from Lisbon and it scares you😂) portuguese people swear a lot, sorry!! Loved the actors performance even tho I didn't know one or two.

Regarding not using the accent from Azores people really need to understand that not even continentals can understand it, so it kinda makes sense for it to not be predominat with the main characters ( even tho they acc try to say some words) but most of the secondary characters and extras do have the accent ;)

Amazing story, photography, writing, landscapes, actors and director. I have no words to describe such a great job!!

I feel that Turn of the tide is much more than a story that happened in Azores, Portugal. It could have happened anywhere. Only that it didn't. A group of friends, full of dreams with a lousy life. Improving their lives using all means they can.

In my opinion this is really a good series. The actors are great and the director did an amazing job!

Turn of the Tide is for sure something we will remember many years from now. I strongly recommend seeing it!

Looking forward to season 2!!

This is an amazing show-a tour de force of writing, acting, directing, filming, story-telling. The plotting is remarkable, in that it unfolds as it must have had to, but is surprising at every turn. It is a series fully aware of itself in the history of such movies as it mentions-Dirty Harry, Carlito's Way, even Matrix-but never derivatively. It's rammed with life, history, local and world culture. It's wicked and delightful all along, and every single performance, every line of dialogue and voiceover narration, hits home with the viewer and with the characters in the action. It's themes of poverty, the will of God, and the motives that animate the human condition suffuse every scene and shot and situation. Great too is the the use of language-Portuguese, Italian, English-and of the actors who move in and out of them as they work out their fates.

A top-notch cast, brilliant plot, excellent realization. Finally a Portuguese product of such quality. All those involved deserve congratulations and it's a giant step forward for Portuguese television.

Pepe Rapazote proved once again to be a high-flying actor and made the series even more interesting when he started to appear. José Condessa played the role of the protagonist excellently. The entire cast was very well chosen, and well played in having given the Italian role to Marcantonio Del Carlo.

The town of Rabo de Peixe is very well represented and makes you want to visit the filming locations. The whole island was very well used for the filming. I can't wait for the second season.

A couple of actors are really good in their roles in just the right balance between caricature and naturalism. Namely Rodrigo Tomas. Others, like Afonso Pimentel, are over-the-top and right down unbelievable, playing characters that behave as randomly as being catholic in one scene and muslim in the next. But the worst part is that some of the options taken by the directors are simply in poor taste: the cringe voice-over by Pepe Rapazote, the extended disco scenes, the exhausting drone shots, the fact that no-one so poor would look as fit and groomed as Jose Condessa or Helena Caldeira, the fact that almost nobody in the cast has the unmistakable accent of that particular island. In fact they mostly speak in a very metropolitan central-Portuguese accent. Moreover, the difference in quality between the episodes directed by Augusto Fraga and the ones directed by Patricia Sequeira is ENORMOUS, with her episodes very often lacking in ideas, structure (her cutting is absolutely random whereas Fraga's is almost cinematic), or rhythm. It doesn't help that she also gets the least eventful episodes, but still, what she chooses the do with them seems devoid of purpose and often borderlines the telenovela.