Vlaznost

Worst movie I ever watched.... worst worst worst.....

Sadly, this movie is filmed in my country. Looks like some kind of "artistic attempt" which failed in so many aspects. Script is so thin with no real idea where it is going, story is is non existent and confusing with no real questions nor answers. Photography is intentionally dark and depressing... Directing is, lets just say odd, sex scenes are obviously aimed to shock and totally unnecessary (old cliché)

One of those movies which make you ask yourself "who ...... gave money to film this movie?" and "how did we ended watching this?" I cant imagine someone actually going to the theater watching this.

I have to say that Milos played magically, and if Mina is the main theme, I would say that Milos pulled out an average with his good role and acting. I must say that some frames are too long, and some even boring. The fact is that Mina disappeared, but the end could have a clearer conclusion. Is it up to us to consider whether he contributed to a bad marriage or she? At first, he did not seem insincere and she acted as a victim, in fact, he was eager for her attention, and realized that he had lost her. The consistency is "Already seen"

Nothing to add. The movie is, simply put, extremely boring and without any point or actual subject what so ever. Woah.. I'm just sad I didn't walk away from it and went to sleep earlier.

I gave two stars just because of Timotijevic and his performance in this movie. I'm sad to see him in such a lame movie, but I hope he will get more chances based on this showcase.

Good luck guys, take care :)

This film reminded me of a cult classic "La notte" by Antonioni. "Vlaznost", like "La notte", portrays a high class woman that has lost her love for her husband and is seeking escape from him. But this film, on the other hand, focuses on the husband. We don't see where the wife goes, but it does not matter.

This is a story about a man, in a city, alone.

Does this gives him freedom?

It tells the universal story about capitalism, alienation, patriarchy, and false illusions about family. All through a dreamy like manner by using dissolve transitions, relative slow pace, and cuts to a car POV at a random highway at night, that keeps going and going... Not sure if the latter makes sense but you'll see. The film at moments gives out a poetic vibe, which suits it very nicely.

Its a good film from a country that does not often shine on the map in a film sense, and that's why it deserves to be viewed.

It's worth it.