Femme

I'd heard an interview with both George Mackay and Nathan Stuart-Jarrett about their experiences on set and during the filming of Femme, and was intrigued. Previously, Mackay has played pretty easy to like, or ar least average/'ordinary' character. He comes across as a,fairly gentle soul.

His performance in Femme is testament to his acting talent. He embodies a violent, intimidating man, who is almost unrecognisable from the actor as I'd had previously perceived him. When an actor can truly transform in the way he does, it is incredible to watch.

The film focuses on two main characters, one openly queer and immersed in the sphere of free expression of identity and gender and sexuality. The other, is caught up in a very toxic, aggressive, and closed minded circle, who are hostile to any 'non-traditional'/-patriarchal gender and sexual stereotypes. When these two characters collide, we witness devastating, moving and captivating consequences. Each is thrown into the other's completely foreign 'world', and the film explores how they navigate this- the impact it has upon their perceptions and relationships with themselves and those around them.

Nathan Stuart-Jarrett is lesser known than Mackay, but totally matches his skills at portraying a hugely complex character who is respond to life changing experiences. It is believable, tragic, beautiful, crushing and so so worthy of attention and praise.

Femme is a psychosexual thriller that's unbearably tense from the get go. A tale of revenge and repression that barely gives itself a minute to breathe. Every scenario and encounter is filled with a growing sense of dread which culminates in an explosive confrontation that's terrifying.

The power play between Nathan Stewart-Jarrett and George MacKay is incredible to witness. As it progresses Nathan Stewart-Jarrett goes from being uneasy and uncomfortable to having real power over George MacKay, who starts off absolutely terrifying and becomes more self conscious in the later moments.

Debuting directors and writers Sam H. Freeman & Ng Choon Ping announce themselves with a heavy film that depicts its violence in an unflinching fashion and has a power play that's suitably sexually charged. It's all helped by Adam Janota Bzowski's score which is always present at the right moment.

A revenge drama is a tricky business. You don't want it to be a too much of exploitation trash, but you don't want it to be too safe either. 'Femme' falls closer to 'playing it too safe' team.

I found the biggest issue was that the key moments didn't ring true. The assault scene, for example, is the basis of the rest of the ensuing drama. I wouldn't have expected it to be the level of 'Irreversible'... but it definitely relied too much on camera works and editing than the rawness of the violence, thus making Jules' resulting trauma less gripping to the audience.

The following key moments of shift also failed to be convincing. How Jules re-encounters Preston, how that chance encounter leads to hook up, how that again leads to a proper steak date... all seem to just happen for the convenience of the plot. Also Preston's changes as a character, namely how he develops deeper feeling towards Jules and admits his submissive side... all come along without much development (after literally one scene after another of him using Jules like a sex toy, that is).

Together with Jules' frankly flimsy plan of 'revenge' (why would he bring Preston back to his place and let his friends meet him if he truly was serious about his revenge?), the overall result is that it made it hard to take the whole thing rather seriously. A revenge drama that keeps you at the edge of the seat, 'Femme' is not.

One of the weaknesses was also Stewart-Jarrett playing Jules. His switch between feminine-masculine persona was impressive, but his display of tension/fear/emotional struggle was pretty mono-toned. Say, his fear before the assault should have a different colour to his fear when he later faces Preston's thug friends, for example. But to my eyes, it all felt pretty generic 'fear'.

Mackay's display of explosive temper and the contrasting soft/weak side is great, but even his great acting cannot quite make up (already mentioned) lack of convincing development.

I want to see more risk taking and raw approach when the film maker took up such a controversial subject to start with.

I sat watching this after a heavy meal in the evening and had been afraid I might have dropped off. Not a chance. The writing and direction, let alone the two main characters, kept the tension high all the time. An hour and forty minutes seemed to speed by.

I'd been worried that I might not get into the film as the world of drag and effeminacy is not mine. However the brilliance of the acting swept all such doubts aside as Jules and Preston developed their affair.

This isn't a simple revenge film. There's more to it than that and the film starts to delve into real feelings that the two lovers develop for each other.

The ending is bleak but leaves enough scope for hope. I recommend this film.

In a nutshutt, Femme is a story about the protagonist's power being stolen and their realization that the only way to get it back is to TAKE IT BACK. And the plan to do so is a story told in the narrative that is enticing, tension building and slow burn perfection.

Following an attack, Jules goes from a confident extrovert to a scared introvert. Months go by and all Jules can do is play street fighter on the couch (albeit well). Jules begrudgingly leaves their flat to go to a bath house. In doing so, a chance encounter with the attacker presents itself. Jules is curious.

Enter Preston... This is a guy who has bad tattoos and a bad attitude. But that doesn't stop Jules from being curious and that curiosity leads to a creative plan of revenge. Does Jules get their power back? You will need to watch this one to find out.

George Mackay and Nathan Stewart both execute phenomenal performances. If you're a fan on Nathan Stewart in this movie, see also the series Soulmates (Black Mirror style genre). I haven't come across George Mackay before, but equally impressed.