Banshee Chapter

I'm not a fan of jump scares. I think they're cheap, sometimes manipulative, and they rarely imbue dread. Rather, they can ruin a movie's atmosphere if used incorrectly. Having said that, The Banshee Chapter has the best use of jump scares I've seen in a long, long time. You can sense them coming from a mile away, yet they can still make you crap your pants. I credit this to the director who clearly has a grasp on how to utilize atmosphere and build-ups effectively. These scares don't seem cheap; well, some of them do, but the tone is set by the creepy music, the static, and the robotic voices which really holds the movie together. And the imagery itself is creepy. If I saw one of those things near me, I would freak the f*** out too.

Now, you probably noticed by now that I haven't even hinted at a narrative in this movie, and that's because it's so flimsy it's hardly worth mentioning. It's basically about MK Ultra and the government testing drugs on people, then things start to go horribly wrong. The premise is good, but the actual story - the execution - is hollow and lazy. I didn't care what has happening half the time. I was too busy peeking through my eyes (kidding, but not really) waiting for the damn thing to come out from somewhere. Almost every scene is crafted this way - light on substance, heavy on scares.

Thankfully, horror is about the scares so I have to give The Banshee Chapter credit. Even though it stands for everything I hate in horror movies, this one actually gets it right, and for that alone, bravo.

I really wanted to like this film. But there was so many things being thrown in the mix it's was just too much to take. Number stations, mk ultra, drugs, government conspiracies, and a barrage of scenes which never really give the viewer time to build up to a feeling of dread. They're just delivered to you in a quick fire fashion and even the "face at the window" shots are so quick you can't define them sometimes. I have to say I liked the Ted Levine character Blackburn as he played it with gusto right to the end. But apart from the outlandish story there are many plot holes and the ending just wasn't that satisfying for me. Still, I respect any new director trying something a little different.

While i recommend this for viewing, it does have some issues. Shot like a f.f. Movie, but the last half there doesnt seem to be a person behind the camera, but it is still filmed as such. Strange. There are some other things that bothered me, but i will let you judge for yourself. Overall this is a very decent horror film that made me creeped out a few times. Thats hard to do.

Just watched this and was pleasantly surprised. Especially after seeing the IMDb page and checking out the HORRIBLE poster and low rating.

Essentially a tale about government chemical mind control experiments, with a mix of a scary shortwave radio transmission and some super cool Lovecraftian elements a la From Beyond, it is done in a scary manner, with a mix of found footage, real and faked news clips, and sometimes just plain old standard filmed storytelling.

The flashlight, a common horror cliché, is also used to great effect here. I can see some people not liking this one and it being a polarizing movie but I enjoyed it very much. It also boasts a great performance by Ted Levine, who freaked us out as Rusty Nail in "Joyride." This is the first scary movie I've seen in a while. The last thing I can say is it's a mix of originality, cliché, and "borrowing", but what movie today isn't?

Journalist Anne Roland explores the disturbing links behind her friend's sudden disappearance, an ominous government research chemical, and a disturbing radio broadcast of unknown origin.

This film has some good things going for it. With using MK-ULTRA as the background, they are able to blend fact and fiction, and certainly horror stories resulting from government experiments exist. This was a clever idea, even if not always done to its full potential.

There is also a very clear reference to Hunter S. Thompson, and that will make lots of people smile. Perhaps actually making the character Thompson and having this re-imagined as a bizarre pseudo-historical film might have helped.