IMDb RATING
6.2/10
7.6K
YOUR RATING
A love story centering on the connection between music and memory and how they transport us, sometimes literally.A love story centering on the connection between music and memory and how they transport us, sometimes literally.A love story centering on the connection between music and memory and how they transport us, sometimes literally.
- Awards
- 2 wins & 2 nominations total
Thomas Ochoa
- Dru
- (as Pocket Turlington)
T.J. Keanu Tario
- Very Pretty Man in Drag
- (as Laritza LaBouche)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This film was so well pieced together from start to finish. From the tiny details like the timeless timepiece on her wrist to the editing with the memory flashes. The acting was so much more realistic than typical movies these days. The dialogue felt natural and not forced or scripted. And the storytelling itself was just excellent! I was so impressed with this film. I was in a similar scenario as her and I have certainly been transported by music when it comes to certain songs tied to certain memories. For me, this film was like a daydream fantasy of mine that I'd give anything to be able to experience in real life. Absolutely fantastic from start to finish. 10/10.
Everybody has songs which bring them back to specific times in their lives. For Harriet Gibbons (Lucy Boynton), it happens literally as she travels back in time. She is trying to save her boyfriend Max Enders (David Corenswet) from a deadly crash. She meets David Park (Justin H. Min) at her self-help group.
This has an intriguing elevator pitch from filmmaker Ned Benson. He has a few good ideas in this movie, but the premise needs more work. There are basic problems stemming from the concept. First, she needs to keep going back to the death moment. It only makes sense. It also doesn't help that Max is forced by the story to dismiss her at every turn. It makes him look bad as a boyfriend. The whole movie gets dragged down by many minor issues.
This has an intriguing elevator pitch from filmmaker Ned Benson. He has a few good ideas in this movie, but the premise needs more work. There are basic problems stemming from the concept. First, she needs to keep going back to the death moment. It only makes sense. It also doesn't help that Max is forced by the story to dismiss her at every turn. It makes him look bad as a boyfriend. The whole movie gets dragged down by many minor issues.
This film has taken a good idea already used in Press Play and made an awful film. I watched them promote this on The One Show who clearly didn't do any research as they said what a great unique idea! The music used which is supposed to be the greatest hits are bad in my opinion. It feels like you never care about the main female character as it always feels like the film starts half way through which means you never care about any of the characters or the relationship with the dead boyfriend which you know nothing about. Watch Press Play it's loads better I actually read a review that said the opposite which I clearly don't agree with.
The Greatest Hits is an emotional comedy, drama, and fantasy film that highlights the impact of music. The cute yet sentimental storyline is unique, and I especially love how this film uses music as a metaphor to depict grief, and the stages people go through processing it.
The film introduces Harriet (Lucy Boynton) who loses her boyfriend in a car accident. The tragedy leaves Harriet with trauma and also the ability to go back in time. When she hears a song that's connected with a memory, the ability to time travel is triggered, and Harriet goes back to that time. Harriet tries to bring Max back, and faces many life-challenge obstacles that don't allow her to recover from his death. Two years later, Harriet remembers the accident like it happened yesterday-she visits a support group where she meets David (Justin H. Min). And so Harriet must "face the music" and make some very tough decisions.
This film is authentic, heartbreaking, and very relatable. I love the soundtrack and connected with it so much as I constantly listen to music, and I love how music symbolizes different stages of life. Throughout the film, Harriet is desperately looking for ways to bring Max back. While this makes Harriet relatable, I also found this to be the film's biggest flaw. That being said I did find the plot to be very cute and romantic. The story is about overcoming grief, and I like how the film represents what that means to Harriet. However, the acting and script aren't as strong as I wished. Lucy Boynton does deliver a very good performance as she shows how grief can harshly impact one's life. And I liked Austin Crute's performance as Harriet's best friend-their chemistry is refreshing as he supports Harriet through her grieving process. Finally, I enjoy the aesthetic of this film-the warm cinematography is pleasing to the eye.
The message of this film is that sometimes we need to let go of the past to move forward with the present.
I give The Greatest Hits 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Zoe C., KIDS FIRST!
The film introduces Harriet (Lucy Boynton) who loses her boyfriend in a car accident. The tragedy leaves Harriet with trauma and also the ability to go back in time. When she hears a song that's connected with a memory, the ability to time travel is triggered, and Harriet goes back to that time. Harriet tries to bring Max back, and faces many life-challenge obstacles that don't allow her to recover from his death. Two years later, Harriet remembers the accident like it happened yesterday-she visits a support group where she meets David (Justin H. Min). And so Harriet must "face the music" and make some very tough decisions.
This film is authentic, heartbreaking, and very relatable. I love the soundtrack and connected with it so much as I constantly listen to music, and I love how music symbolizes different stages of life. Throughout the film, Harriet is desperately looking for ways to bring Max back. While this makes Harriet relatable, I also found this to be the film's biggest flaw. That being said I did find the plot to be very cute and romantic. The story is about overcoming grief, and I like how the film represents what that means to Harriet. However, the acting and script aren't as strong as I wished. Lucy Boynton does deliver a very good performance as she shows how grief can harshly impact one's life. And I liked Austin Crute's performance as Harriet's best friend-their chemistry is refreshing as he supports Harriet through her grieving process. Finally, I enjoy the aesthetic of this film-the warm cinematography is pleasing to the eye.
The message of this film is that sometimes we need to let go of the past to move forward with the present.
I give The Greatest Hits 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Zoe C., KIDS FIRST!
Directed by Ned Benson and starring Lucy Boynton, David Corenswet and Justin H. Min.
Synopsis
Young Harriet discovers that art imitates life when she discovers that certain songs can literally transport her back in time. But as she relives the past through the romantic memories of her old boyfriend, her time travel collides with a new romantic adventure in her present. And so, on her journey through the hypnotic connection between music and memory, Harriet wonders if, even if she could change the past, she should.
The new romantic drama that Fox Searchlight brings us has interesting things that make you stay hooked on its story and at the same time it also has other moments where everything that makes the film not completely complete does not end up meshing. A love story about destiny and being connected that is mixed with science fiction overtones that allow the film to have various angles to engage you as a viewer, although that mix does not end up being completely well achieved.
It's not that it is a bad film, on the contrary, it is quite pleasant and can be seen without major difficulties, but its defects are felt in the shallowness of its characters, which prevents us from connecting in a unique way with its protagonists. . The interpretations of Lucy Boynton, David Corenswet and Justin H. Min are correct and do their best to give life to their characters who unfortunately lack a bit of deeper personality, it is a trio of characters that superficially fulfills, but does not satisfy to give more consistency to the story, even if there is chemistry between everyone.
A direction in line with what his script proposes, which has no greater ambitions than to give us a romantic drama to satisfy the most fans of the genre and perhaps also give a small tribute to those songs that always end up marking our lives.
A story that takes us through true love, loss, overcoming and renewal, a story that builds a journey to melancholy about the price of nostalgia. Also saying that we find an abuse of sentimentalism and little reflection, but it is also its most powerful weapon because it will make two audiences automatically connect with what those who enjoy music and those who will feel identified with those painful breakups are seeing. Loving.
Synopsis
Young Harriet discovers that art imitates life when she discovers that certain songs can literally transport her back in time. But as she relives the past through the romantic memories of her old boyfriend, her time travel collides with a new romantic adventure in her present. And so, on her journey through the hypnotic connection between music and memory, Harriet wonders if, even if she could change the past, she should.
The new romantic drama that Fox Searchlight brings us has interesting things that make you stay hooked on its story and at the same time it also has other moments where everything that makes the film not completely complete does not end up meshing. A love story about destiny and being connected that is mixed with science fiction overtones that allow the film to have various angles to engage you as a viewer, although that mix does not end up being completely well achieved.
It's not that it is a bad film, on the contrary, it is quite pleasant and can be seen without major difficulties, but its defects are felt in the shallowness of its characters, which prevents us from connecting in a unique way with its protagonists. . The interpretations of Lucy Boynton, David Corenswet and Justin H. Min are correct and do their best to give life to their characters who unfortunately lack a bit of deeper personality, it is a trio of characters that superficially fulfills, but does not satisfy to give more consistency to the story, even if there is chemistry between everyone.
A direction in line with what his script proposes, which has no greater ambitions than to give us a romantic drama to satisfy the most fans of the genre and perhaps also give a small tribute to those songs that always end up marking our lives.
A story that takes us through true love, loss, overcoming and renewal, a story that builds a journey to melancholy about the price of nostalgia. Also saying that we find an abuse of sentimentalism and little reflection, but it is also its most powerful weapon because it will make two audiences automatically connect with what those who enjoy music and those who will feel identified with those painful breakups are seeing. Loving.
Did you know
- TriviaWhen Harriet sits in the chair to listen to music, the setup is an homage to the Maxell cassette tape ads from the 1970s.
- Quotes
Dr. Evelyn Bartlett: My husband, before he died, said this thing that stuck with me.He said, "Live your dash." On his tombstone is the date of his birth and the date of his death.And in between is the dash. I don't know, maybe it's a little NutraSweet but, I always thought there were pretty decent words to live by.
- ConnectionsReferences Mad Max (1979)
- Soundtracks405
Written by DJ Harvey (as Harvey Bassett)
Performed by Wildest Dreams
Courtesy of Harvey's General Store Recordings
Details
- Runtime1 hour 34 minutes
- Color
- Sound mix
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