IMDb RATING
6.2/10
7.7K
YOUR RATING
A love story centering on the connection between music and memory and how they transport us, sometimes literally.A love story centering on the connection between music and memory and how they transport us, sometimes literally.A love story centering on the connection between music and memory and how they transport us, sometimes literally.
- Awards
- 2 wins & 2 nominations total
Thomas Ochoa
- Dru
- (as Pocket Turlington)
T.J. Keanu Tario
- Very Pretty Man in Drag
- (as Laritza LaBouche)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Its a intresting concept of travling through time due to certain music but this film does not deliver if you like the concept please watch press play 2022
this has tried coping the same storyline near enough with a few differances.
And as always the only 10/10 is a new account probably family members again even the 9/10 seems a bit suspect been a member 6 years and only ever reviewed this film.
Worth a watch if bored
Young Harriet discovers that art imitates life when she discovers that certain songs can literally transport her back in time. But as she relives the past through the romantic memories of her old boyfriend, her time travel collides with a new romantic adventure in her present. And so, on her journey through the hypnotic connection between music and memory, Harriet wonders if, even if she could change the past, she should.
And as always the only 10/10 is a new account probably family members again even the 9/10 seems a bit suspect been a member 6 years and only ever reviewed this film.
Worth a watch if bored
Young Harriet discovers that art imitates life when she discovers that certain songs can literally transport her back in time. But as she relives the past through the romantic memories of her old boyfriend, her time travel collides with a new romantic adventure in her present. And so, on her journey through the hypnotic connection between music and memory, Harriet wonders if, even if she could change the past, she should.
I thought the movie would have had a bit more adventure, as time travel was the main plot device. Over time the script became dull and a lot of the music was a distractor as opposed to tying in with the story. The writers needed to smooth out the rough edges on the script and simplify the story a bit. For example, the therapist, Harriet's best friend, and David's sister were useless characters who had nothing to contribute. I did appreciate the chemistry between David and Harriet, and that both characters suffered an immeasurable amount of grief.
If you're a record collector or someone who is a sucker for romantic movies that tug at your heart strings, you might like this. From my perspective, the fun moments were infrequent and forced. Think of the movie as a Powerpoint presentation that moves so quickly, that you don't have time to take in the details.
If you're a record collector or someone who is a sucker for romantic movies that tug at your heart strings, you might like this. From my perspective, the fun moments were infrequent and forced. Think of the movie as a Powerpoint presentation that moves so quickly, that you don't have time to take in the details.
The Greatest Hits is an emotional comedy, drama, and fantasy film that highlights the impact of music. The cute yet sentimental storyline is unique, and I especially love how this film uses music as a metaphor to depict grief, and the stages people go through processing it.
The film introduces Harriet (Lucy Boynton) who loses her boyfriend in a car accident. The tragedy leaves Harriet with trauma and also the ability to go back in time. When she hears a song that's connected with a memory, the ability to time travel is triggered, and Harriet goes back to that time. Harriet tries to bring Max back, and faces many life-challenge obstacles that don't allow her to recover from his death. Two years later, Harriet remembers the accident like it happened yesterday-she visits a support group where she meets David (Justin H. Min). And so Harriet must "face the music" and make some very tough decisions.
This film is authentic, heartbreaking, and very relatable. I love the soundtrack and connected with it so much as I constantly listen to music, and I love how music symbolizes different stages of life. Throughout the film, Harriet is desperately looking for ways to bring Max back. While this makes Harriet relatable, I also found this to be the film's biggest flaw. That being said I did find the plot to be very cute and romantic. The story is about overcoming grief, and I like how the film represents what that means to Harriet. However, the acting and script aren't as strong as I wished. Lucy Boynton does deliver a very good performance as she shows how grief can harshly impact one's life. And I liked Austin Crute's performance as Harriet's best friend-their chemistry is refreshing as he supports Harriet through her grieving process. Finally, I enjoy the aesthetic of this film-the warm cinematography is pleasing to the eye.
The message of this film is that sometimes we need to let go of the past to move forward with the present.
I give The Greatest Hits 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Zoe C., KIDS FIRST!
The film introduces Harriet (Lucy Boynton) who loses her boyfriend in a car accident. The tragedy leaves Harriet with trauma and also the ability to go back in time. When she hears a song that's connected with a memory, the ability to time travel is triggered, and Harriet goes back to that time. Harriet tries to bring Max back, and faces many life-challenge obstacles that don't allow her to recover from his death. Two years later, Harriet remembers the accident like it happened yesterday-she visits a support group where she meets David (Justin H. Min). And so Harriet must "face the music" and make some very tough decisions.
This film is authentic, heartbreaking, and very relatable. I love the soundtrack and connected with it so much as I constantly listen to music, and I love how music symbolizes different stages of life. Throughout the film, Harriet is desperately looking for ways to bring Max back. While this makes Harriet relatable, I also found this to be the film's biggest flaw. That being said I did find the plot to be very cute and romantic. The story is about overcoming grief, and I like how the film represents what that means to Harriet. However, the acting and script aren't as strong as I wished. Lucy Boynton does deliver a very good performance as she shows how grief can harshly impact one's life. And I liked Austin Crute's performance as Harriet's best friend-their chemistry is refreshing as he supports Harriet through her grieving process. Finally, I enjoy the aesthetic of this film-the warm cinematography is pleasing to the eye.
The message of this film is that sometimes we need to let go of the past to move forward with the present.
I give The Greatest Hits 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. By Zoe C., KIDS FIRST!
This film took a sci fi story and made it something we can relate to on grief, heartbreak, or simply getting trouble letting the past go. You can feel the character really struggling. Everybody has felt that in some level, with a friend, family or lover. The film takes it to a surreal level, but we all do that. Romanticizing on past experiences, remembering dates, smells, tastes...moments. Some people let those things go easily... some others cant, simply cant. I am one of those and this movie caught me of guard in that sense. It helped me get some perspective on things.i really enjoyed this simple but intense story.
Greetings again from the darkness. If you are one for whom hearing a particular song, no matter how many times over however many years, brings back vivid memories of a person close to you or a memorable event, then you will likely relate to Harriet, the lead character in this film from writer-director Ned Benson (THE DISAPPEARANCE OF ELEANOR RIGBY, 2014). Additionally, if you have tragically lost someone special to you and find yourself cloaked in unshakeable grief, then you will also likely find common ground with Harriet.
Harriet (Lucy Boynton, so good in SING STREET, 2016) wears noise-cancelling headphones whenever she is in public. She is so concerned with controlling the songs she hears, that she now works in a library for the serenity that silence brings. These steps are for a good reason ... they protect her from instantaneously being transported back in time to a specific moment with her beloved boyfriend Max (David Corenswet, "Hollywood" mini-series, and he's the new Superman). For Harriet, these aren't merely flashbacks or memories - she is physically transported back in time when she hears a song. Rather than HOT TUB TIME MACHINE, she's living "Hi-Fidelity Time Machine". Her trip only lasts as long as the song is playing, yet she has no control. Once back in real time, she is viewed as having had a seizure. It's frightening stuff for her. However, instead of being concerned about her health, she is intent on finding the song that takes her back to the moment she can change the past and prevent the accident that cost Max his life.
Harriet's BFF Morris (Austin Crute, BOOKSMART, 2019), a local DJ, has been very supportive of her grief, but it's been two years since Max died, and Morris wants his friend to move on with life. Hope springs when Harriet meets David (a terrific Justin Min, "Beef") at a grief counseling group event. The two are understandable tentative around each other, yet it's obvious David is a good dude with the necessary patience to allow her to work through her grief. Harriet's case of déjà vu with David comes full circle, and adds a nice touch to the delicate situation they find themselves locked in.
Wanting to change the past is something we have all thought of at one time or another, yet the physical transformations that Harriet experiences feel like something beyond science fiction, and bordering on psychological torture. Filmmaker Benson has delivered a film that is simultaneously relatable, while also landing pretty far outside the box. There is a throwback feeling here, despite the characters feeling very much of this day. As you might expect, the soundtrack is quite varied with some deep cuts ... with Roxy Music being a key. Although there may not be any big surprises in how the story unfolds, the characters are so relatable, and it's so well acted, that we find ourselves pulling for each of them to have a happy ending.
Opens in theaters beginning April 5, 2024.
Harriet (Lucy Boynton, so good in SING STREET, 2016) wears noise-cancelling headphones whenever she is in public. She is so concerned with controlling the songs she hears, that she now works in a library for the serenity that silence brings. These steps are for a good reason ... they protect her from instantaneously being transported back in time to a specific moment with her beloved boyfriend Max (David Corenswet, "Hollywood" mini-series, and he's the new Superman). For Harriet, these aren't merely flashbacks or memories - she is physically transported back in time when she hears a song. Rather than HOT TUB TIME MACHINE, she's living "Hi-Fidelity Time Machine". Her trip only lasts as long as the song is playing, yet she has no control. Once back in real time, she is viewed as having had a seizure. It's frightening stuff for her. However, instead of being concerned about her health, she is intent on finding the song that takes her back to the moment she can change the past and prevent the accident that cost Max his life.
Harriet's BFF Morris (Austin Crute, BOOKSMART, 2019), a local DJ, has been very supportive of her grief, but it's been two years since Max died, and Morris wants his friend to move on with life. Hope springs when Harriet meets David (a terrific Justin Min, "Beef") at a grief counseling group event. The two are understandable tentative around each other, yet it's obvious David is a good dude with the necessary patience to allow her to work through her grief. Harriet's case of déjà vu with David comes full circle, and adds a nice touch to the delicate situation they find themselves locked in.
Wanting to change the past is something we have all thought of at one time or another, yet the physical transformations that Harriet experiences feel like something beyond science fiction, and bordering on psychological torture. Filmmaker Benson has delivered a film that is simultaneously relatable, while also landing pretty far outside the box. There is a throwback feeling here, despite the characters feeling very much of this day. As you might expect, the soundtrack is quite varied with some deep cuts ... with Roxy Music being a key. Although there may not be any big surprises in how the story unfolds, the characters are so relatable, and it's so well acted, that we find ourselves pulling for each of them to have a happy ending.
Opens in theaters beginning April 5, 2024.
Did you know
- TriviaWhen Harriet sits in the chair to listen to music, the setup is an homage to the Maxell cassette tape ads from the 1970s.
- Quotes
Dr. Evelyn Bartlett: My husband, before he died, said this thing that stuck with me.He said, "Live your dash." On his tombstone is the date of his birth and the date of his death.And in between is the dash. I don't know, maybe it's a little NutraSweet but, I always thought there were pretty decent words to live by.
- ConnectionsReferences Mad Max (1979)
- Soundtracks405
Written by DJ Harvey (as Harvey Bassett)
Performed by Wildest Dreams
Courtesy of Harvey's General Store Recordings
Details
- Runtime1 hour 34 minutes
- Color
- Sound mix
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