IMDb RATING
2.7/10
1.6K
YOUR RATING
Jack and Melissa are frightened by their son's bizarre and violent behavior; they soon learn that he is the gateway to the Apocalypse, and it will happen on his birthday, 11-11-11.Jack and Melissa are frightened by their son's bizarre and violent behavior; they soon learn that he is the gateway to the Apocalypse, and it will happen on his birthday, 11-11-11.Jack and Melissa are frightened by their son's bizarre and violent behavior; they soon learn that he is the gateway to the Apocalypse, and it will happen on his birthday, 11-11-11.
Tracy Winters
- Janice
- (as Tracy J. Pulliam)
Madonna Young Magee
- Annie
- (as Lena La Fratta)
Rebecca Light
- Sara
- (as Rebecca Sigl)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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It is really difficult to make such a bad movie as this one, picking scenes and pieces from other better movies and putting them together in such a talentless way must have been a very hard work. I started to watch the movie with some expectation and interest thinking that at some point I was going to be grabbed by the mystery or the action, but the truth is that after the first ten minutes I already realized that I was watching one of the worst movies I have seen. The actors are bad amateurs that do not even manage to make one credible dialogue. The film is inspired in so many old topics and scenes from previously released films that it is not even surprising in any way...the whole thing stinks. Horrible experience. In that sense it is really a horror movie.
Jack and Mellisa Vales soon suspect that the 'spooky' coincidences that occur at their new house could have to do with their son, who also might happen to be Satan. Or the person that founded the Asylum movie company, they're pretty indistinguishable from each other.
It's an Asylum film, so telling you that it's cheap, badly acted, or obscenely tedious would be an exercise in redundancy. To be perfectly blunt, I no longer really blame them for releasing an unending putrid stream of cinematic atrocities. They must make money from some gullible sap out there. Having instant Netflix,however, I don't waste my money, just my time (which is also a travesty in its own way)
My Grade: F+
It's an Asylum film, so telling you that it's cheap, badly acted, or obscenely tedious would be an exercise in redundancy. To be perfectly blunt, I no longer really blame them for releasing an unending putrid stream of cinematic atrocities. They must make money from some gullible sap out there. Having instant Netflix,however, I don't waste my money, just my time (which is also a travesty in its own way)
My Grade: F+
I don't usually mind movies being a little rough around the edges but this one was just terrible. I felt like the producers just said "meh, that will do." and released it without any thought about detail or quality. The visual effects were not just poor but offensive, the plot had huge holes in it (more holes than plot) and the choices made during the story were just insane by any standards. The most annoying part about the whole thing is the ending - or lack of one. The story wasn't wrapped up, we have no idea what happened to 90% of the characters in the movie, and it just plain made no sense. In short I would not recommend this train wreck of a move to anyone.
I started watching this mess and soon found myself rolling my eyes. As a serious horror movie, 11/11/11 undoubtedly fails. The story about a boy being possessed is old hat. The script is amateurishly stupid. By the time of the second death scene I was about to hit the back button and end this madness of a so called movie. A funny thing happened. My wife started laughing. I asked if she was laughing because the movie was so bad. She said she was laughing because the movie was intentionally bad and she found the silliness clever and amusing,
As a camp movie, I think 11/11/11, works..., for awhile. Aurelia Scheppers steals the show as a twisted nanny. The problem is I don't think 11/11/11 is intended to be humorous. The last half an hour is played straight and returns to being a mundane tale about satan worship. The father is on screen the most and his performance is as flat as the sidewalk.
Despite it's obvious flaws, the pace of the movie is fast. There are enough laughs in the middle to make it watchable..., if you view it with tongue firmly in cheek.
As a camp movie, I think 11/11/11, works..., for awhile. Aurelia Scheppers steals the show as a twisted nanny. The problem is I don't think 11/11/11 is intended to be humorous. The last half an hour is played straight and returns to being a mundane tale about satan worship. The father is on screen the most and his performance is as flat as the sidewalk.
Despite it's obvious flaws, the pace of the movie is fast. There are enough laughs in the middle to make it watchable..., if you view it with tongue firmly in cheek.
I'll try be brief. And I think I can do that.
There was some moments I liked, but most of the movie was just copy of many cliché. We've seen that types of Satan sect/legend stories many times, so, I thought, maybe this could be something else. It was, actually. But in wrong way.
It has some good ideas, but all those failed at realization, just before they could be expanded more. Characters were interesting, and actors played them well, but their screenplay decisions couldn't make me believe that person could act this way. Not mention disbelieving CG effects and action scenes. Ending could be interesting even more, but it has something in itself.
Sorry, but we need something better than this adaptation of Satan-revival story.
There was some moments I liked, but most of the movie was just copy of many cliché. We've seen that types of Satan sect/legend stories many times, so, I thought, maybe this could be something else. It was, actually. But in wrong way.
It has some good ideas, but all those failed at realization, just before they could be expanded more. Characters were interesting, and actors played them well, but their screenplay decisions couldn't make me believe that person could act this way. Not mention disbelieving CG effects and action scenes. Ending could be interesting even more, but it has something in itself.
Sorry, but we need something better than this adaptation of Satan-revival story.
Did you know
- Goofs(at around 1h 6 mins) When Denise (the nanny) escapes from the police car, she simply opens the door and walks away. Rear doors on patrol cars do not open from the inside, they must be opened from the outside.
- ConnectionsFollowed by 12/12/12 (2012)
- SoundtracksJazz Party
Written and Performed by Yoshi Miyamoto
Details
- Release date
- Country of origin
- Language
- Also known as
- 11/11/11 - Das Omen kehrt zurück
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 27m(87 min)
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1 / (high definition)
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