Une vie simple

Ann Hui's "A Simple Life" is a poignant and melancholic film about the relationship between an old servant and her companion, a successful film producer to whose family the servant had been in service with. It is a beautiful, touching, and, more importantly, human film. It lives and breathes its own life with the help of the cast and crew involved.

The performances by Andy Lau as Roger the man and especially Deannie Yip as Ah Tao complement the movie's atmosphere as a whole. It is a warm, homely and crystal-clear one – subtly quiet, slightly louder when there's more people around. This film's screenplay relies more on the look on the actors' faces rather than relying on dialogue. This is a good thing. It allows the audience to focus on the performances in rapt attention. Relying on dialogue/subtitles more than often will distract from the movie. This is one movie which follows my rule for any great movie: subtlety is key. In many dramatic Chinese movies, the piano is a must for every music score, and it is overdone cheesily at many times. For this movie, however, composer Law Wing-Fai knows crucial music timing - the music is not overdone, yet not too minimal, and it knows when to appear at the right time. Correct.

Hui's focused yet calm, serene direction basically drives Susan Chan's screenplay right at home. Hui seems to have learned a thing or two about human drama from greats like Yasujiro Ozu and Akira Kurosawa – it is put into terrific use here. But Yip's performance as the altruistic Ah Tao is simply wonderful; her face and body language speak more than herself, her vocal qualities ranging from sharp balking to solemn calm. She is the heart of the movie, alive, beating and like her, moving quietly along as her life goes by. Lau is also very good here, being more stoic than usual but hiding uneasiness within his eyes.

There is no great story without good characters, and "A Simple Life" has two great characters that drives the movie. Roger is a successful film producer, his whole family has migrated to America, and he's seemingly living the high life with his wealthy friends (featuring many non- intrusive cameos by Chinese celebrities including humorous ones by Sammo Hung, Tsui Hark and Anthony Wong) and yet he is more concerned with Ah Tao than everyone else. Ah Tao is an orphan since World War II and has since been serving Roger's family for four generations without expecting any sort of compensation in return. Roger doesn't mind taking care of Ah Tao as everyone else progresses around him – the same way Ah Tao doesn't mind living her life on her own at an old folks' home without Roger to help her around after a stroke attack – she feels guilty if he did that. The two characters are bonded, play with, even depend on each other as if they're the only two people who understand each other. A sort of mother-son love, but more powerful. Compare with later scenes with Roger and his real mother and you'll see the difference. I'm not implying Roger's real mother is a morally bad character, far from it. The relationship between them is more real and human than I had expected.

Some will call this tedious and pretentious; others will call it pointless. I'm not sure, but I'd love to see movies like this where the characters unwrap the story around them as life progresses with its ups and downs. Sure, there are a few bits and pieces that did not really relate to the main character's story – but they make up the story and the characters as a whole – shaping this narrative up. It is a thing of beauty. So is life. So is this film - one of the year's best.

Overall rating: 88%

This film is about a maid who is forced to retire after a stroke. Her life and the relationships around her change drastically.

"A Simple Life" is a touching story about a maid who has served a family for 60 years. She was seen as a servant in the beginning of the film, with her employers having no emotional attachment whatsoever. It saddens me to see how Ah Tao was treated with little respect. As the story progresses, the emotional connections and the direction of servitude turn 180 degrees, making a heartwarming and satisfactory change.

The environment in the old age home is strikingly authentic as well, from the residents, staff, the relationships between residents and relationships between residents and their children. How they care for each other is touching to say the least.

There are many effective and powerful scenes. The very brief 5 second scene of the old man walking in an alley with a young woman has so much emotion in it, I felt this spectrum of feelings towards this old man, from shame to anger. The numerous scenes with Ah Tao's humble personality are also very moving. A picture is really worth more than a thousand words.

It is also striking to see how the old age home manager speaks accented Cantonese, something that is very usual among old age home staff. This adds to the authenticity of the film. Another striking thing is that she is just 5 months younger than the actress playing Ah Tao. Who would have guessed!

In short, "A Simple Life" tells a heartwarming story of a humble, dedicated and selfless maid. The plot is so strong, that it moves people without the need of special effects or fancy sets. "A Simple Life" is a refreshing change for theHong Kong cinema, as it finally churns out a quality drama.

Ah Tao, an old maid in Hong Kong who have served Roger's family for four generations suffering stroke that make her deciding to retire and move into old people's place. She recover her stroke there, learns many thing and also is treated well. Every once a week, her master Roger visits her and accompanies her to take a walk. Sometimes, Roger's mom also comes to visit Ah Tao and bring her many useful things. Roger's family really love Ah Tao and feel thankful after what she has done for them about 60 years long by taking care of their family.

'A Simple Life' have shown that a simple story could give good impression and enjoyable to watch. The storyline is not complicated at all, the movie goes on slowly and very detail. Ann Hui as a director tries to make it safe and straight without any meaningful conflicts which sometimes could make audience feels bored watching it. The relationship between Roger and Ah Tao built really well, it shows how they support and take care one another even sometimes telling jokes. Credits should be given to Andy Lau and Deannie Yip, their acting is so natural as two characters who has known each other for a long time. Overall, 'A Simple Life' is a memorable Chinese movie I've seen recently. Actually I felt exhausted during watching 'A Simple Life' because of it's slow plot but when I rewind what I just saw, the movie isn't bad at all and has so much lesson to be learned from it. It teaches audience to respect and appreciate people who has done good things in lives and not forgetting their merit.

I saw this film as part of the Rotterdam Film Festival 2012. Relatively long with nearly 2 hours running time, but not long winded at all. How does this film maker achieve that?? Carefully filmed, very nearby the two main characters. At the same time it showed an inside view in a retirement home, and a small view over the fence into the film industry.

The retirement home at hand may look different from similar institutions in our own country, but that is only the surface. Like here in The Netherlands, it is a small population with very different people who did not choose each other, many of them leading vegetative lives. Our first main character (the "amah", a lifelong help) is still relatively active, in spite of her stroke. Being moved to the retirement home was her explicit wish, unwilling to become a burden for the family she served for 60 years. This particular situation is something we cannot imagine in our own world, but apparently it exists there.

The other main characters is the last living son of the family. Though not being blood relatives, we see the two main characters behave like mother and son. To the outside world they explain their relationship as mother and godson, or alternatively as aunt and nephew, whatever fits the situation best. Her position as an "amah" is not known to others than the immediate family members, who all seem to care for her.

The inside view in the film industry is less extensive and mostly concentrated in the beginning, with a hefty meeting about an ever growing budget that some film maker needed, and a subsequent meeting with a bank manager about the fine print in a contract that was ignored by the bank. It merely serves to portray the "son" part in the story, and to explain why he is abroad for longer periods and cannot always find time to visit the retirement home. This has the definite purpose to prevent putting him on display as someone not caring. We see the fact that he really cares confirmed in the way he brings her along to a industry screening of this newly produced film, presenting her as his aunt.

I seriously do not know why it took this movie so long to be in the cinemas. It is one of the defining works of the year and essentially a simple movie about simple and unexplored characters of Hong Kong people. Ms Ann Hui is truly at her very best once again. After winning awards for The Way We Were, Hui strikes the cord to the highest potential by casting Andy Lau and former box office queen of 80s Deanie Ip whose chemistry dates back to almost 23 years old in their last corroboration. It is truly a delight to sit through a movie like this and while this being one Hui's most accepted work to the general public; she never strays away from her principles and values. At its core, it is a film about human interactions, feelings, relationships and old age. One day, we will die and old age is a burning topic for the baby boomer's generation.

Deanie Ip puts in a career defining performance and as she puts it, acting as an old lady is not difficult at all, as she is just playing herself. The manner she manages to make the audience enjoy her character the Chinese servant of Hong Kong family for 3 generations is impressive to say the least. Life is never easy and sometimes, we just tend to forget those people who work their life within behind the scene, with heart, soul and pure dedication. These are people who gave up on having a family of their own and instead spend their whole life raising other people's families. Nowadays, the loyalty and the servant and master relationships are a lot more different. As mentioned before, Ip's characters work so well because there is an underlying chemistry between Andy Lau and her. Lau puts in an underrated performance that doesn't allow him to overshadow the main character. It is a compliment that it is because of the understated manner Lau manages to approach his character that allows Deanie Ip's the spotlight and attention.

A Simple Life has already won a lot of awards and not to mention plenty of admiration from a new league of fans young and old. Hui has been around a long time and has never strayed from the commercialism of Hong Kong cinema. To finally witness an Ann Hui film making splash at the box office is really as a good a feeling as watching a fine piece of cinema. In many ways this is a true and realistic look at simple aspects of life, characters and old age. It is this simplistic that makes Hui's films so different, enjoyable and ultimately touching. All in all, A Simple Life is a Hong Kong movie and more importantly a movie that takes us along the ride, respects those around us and allows the audience to reflect upon their own lives. Movies like these only comes along once in a generation and while this may not be Hui's best work, but in terms of balancing the needs of the Hong Kong people and her own vision, it is certainly the most accessible of her works. A fine piece of cinematic experience…

Neo rates it 9/10

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