The 33

I enjoyed watching this true story about 33 Chilean miners trapped in a mine. It was a good story about resilience, the human spirit, and working together. I also loved the Elvis impersonator. Even though I knew they were going to be rescued, the story still kept me on the edge of my seat. The cast worked well together, and everything about this movie was well done. The mine scenes were riveting.

*** out of ****.

Based on the true story of 33 miners who go into a mine in Chile to have a big rock get in-between them and the surface, and they have to survive long enough to be rescued.

I thought the movie was very detailed and complete about what the miners and their families went through during this ordeal. I never felt I missed any part of it.

It was never boring, always interesting, which I did not expect, but a lot went on in those three mouths and it was captured wonderfully on the screen.

Antonio Banderas was great as Mario, who kept the men together long enough to survive.

And even though I knew the outcome, the 33 makes you feel for each character, which allows suspense.

Well done and heartwarming, hitting on the rights spots and leaving me all filled up inside.

Mining is a dangerous business. Going deep underground to dig minerals out of the earth means subjecting yourself to extreme heat, back-breaking work and the inhalation of dust that can lead to the pulmonary disease of silicosis. If none of these kill you slowly, the mine itself can kill you quickly and without warning. Miners die from accidents caused by their equipment, gas leaks and explosions and, of course, sudden collapses of the rock surrounding them. All told, this difficult work kills thousands of miners every year (as many as 12,000 by one count). These facts and statistics are brought to life in the true story of the 2010 Chilean copper-gold mine collapse portrayed in the drama "The 33" (PG-13, 2:07).

The film opens with a retirement party for one miner who is about to complete 45 years of service to the private company that owns and operates the San José mine near Copiapó, Chile. Several of his long-time co-workers are at the party with their families. Their is shift foreman Luis "Don Lucho" Urzúa (Lou Diamond Phillips), experienced miner and natural leader Mario Sepúlveda (Antonio Banderas), father-to-be Álex Vega (Mario Casas) and Elvis Presley-loving miner Edison Peña (Jacob Vargas), among others.

On the morning of August 5, 2010, these men took the long and winding truck ride three miles into the mine, completely unaware that they were about to become victims of one of the worst mining disasters in Chile's history. Luis saw it coming, but the safety concerns that he expressed to the mine's manager went unheeded. That afternoon, a rock the height of the Empire State Building and the width of two of them fell into the mine, trapping 33 men inside. Seeing the devastating cave-in and its effects on the men and their surroundings, it seems like a miracle that none of the 33 died in the initial collapse. Although some would say that the real miracle would be if no one died in mining accidents, or at least if this collapse had occurred during off-duty hours, rather than the miners having to get trapped and suffer, while their families waited in agony for news about the fate of their loved ones.

It was those families who became the impetus for a full-on rescue attempt. Although Chile's President (Bob Gunton) is reluctant to get his government involved with an accident at a privately-owned mine, his new Minister of Mining, Laurence Golborne (Rodrigo Santoro) convinces President Piñera to let him go to the site and see what he can do. The families, led by María Segovia (Juliette Binoche), the estranged sister of trapped miner Darío Segovia (Juan Pablo Raba), had gathered outside the locked gates of the mining complex. These siblings, wives, mothers, fathers and friends demanded action, and action they got. In spite of the prevailing opinion that the miners were probably dead or would die long before they could be rescued, Minister Golborne brings in heavy-duty drills and works with renowned mining expert André Sougarret (Gabriel Byrne) to try and reach the miners before it's too late. Meanwhile, the miners ration food and try to keep each other's spirits up, even as several of them fight and suffer from various medical conditions, as hope fades that they will ever see their families again.

"The 33" is exceptional. Based on the book "Deep Down Dark" by Héctor Tobar, the film version takes few liberties with the facts and fashions a very compelling narrative. The screenplay succinctly, but effectively sets the stage and develops its characters – both above and below ground. We feel the desperation of both the miners and their families. As the miners' story unfolds, concurrently with that of their families and those attempting to rescue them, Patricia Riggens directs with great pacing (which is helped by nearly perfect editing). She also gets great performances from her cast and blends the talents and experience of well-known and little-known actors wonderfully. Although the movie did drag a little as it neared its dramatic conclusion, this is a film which tells its story with drama, sensitivity and even some humor and makes it relatable to anyone who ever came to the aid of someone in trouble. "A"

I just saw this at Twin Cities Film Fest this weekend. The 33 chronicled the event that gripped the international community when 33 Chilean miners were buried under 100- year-old gold and copper mine and trapped for 69 days.

Director Patricia Riggen did a phenomenal job telling a compelling story of human resilience and the courage of both the miners and their families above ground who refused to give up. Great ensemble cast featuring Antonio Banderas, Juliette Binoche, Lou Diamond Philips, Rodrigo Santoro, and Gabriel Byrne. It was exquisitely shot by Checco Varese, which was shot on location in two different mines in Bolivia, Colombia. It certainly looked authentic as the environment of the set made the actors felt as if they were real miners for a while. The 33 miners were also consulted for the film.

There were moments that might have felt too 'Hollywoodized' but overall the film didn't feel emotionally manipulated. The genuinely stirring score came from the late James Horner, which the film paid tribute in the end. It's not a perfect film but I think the film was respectful to the subject matter and did the story and those miners justice.

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In this true-life story, the title relates to the number of miners trapped in a copper mine in Chile, in 2010. It's a compelling premise. We feel for the miners in their small, claustrophobic hole some two thousand feet below the surface. And we empathize with anxious family and friends above ground who desperately want the men rescued.

Based on the follow-up book "Deep Down Dark", the script has some problems. Characterization is minimal. Barely twenty minutes in, the mine's collapse supersedes characterization. If you're not familiar with the people by then, too bad; miners and their family members tend to take on a stick figure quality, one character pretty much blends in with some other character.

English dialogue in a Spanish speaking country comes across as unrealistic. But much worse is the stilted, contrived nature of the chat; overwrought drama, anguish, arguing, and outward display of emotions reek of Hollywood talking, not the people who experienced this event. Despite the overly Hollywood feel to the script, the final twenty minutes are compelling and inspiring.

Casting and acting are generally acceptable, except for the presence of Antonio Banderas in the lead role. As happens so often, Hollywood inserts big name actors into lead roles, which accentuates the Hollywood feel of a film, rendering the movie contrived. I would have preferred a lesser known actor.

Background music consists of Spanish songs, which is nice. Color cinematography does a nice job in a low-light environment. Some segments in Act II could have been excised or shortened, as they either slow down the plot or they convey the impression of filler.

The main reason to see this film is because of its real-life premise. The event really happened. How that event was handled by different characters, and the emotions it evoked during a span of many days is what gives the film its potency, a flawed movie script notwithstanding.