A crime novelist whose research on Victorian serial killers has turned him into a paranoid wreck must confront his worst fears when a film executive takes a sudden interest in his movie scri... Read allA crime novelist whose research on Victorian serial killers has turned him into a paranoid wreck must confront his worst fears when a film executive takes a sudden interest in his movie script.A crime novelist whose research on Victorian serial killers has turned him into a paranoid wreck must confront his worst fears when a film executive takes a sudden interest in his movie script.
- Awards
- 1 win & 4 nominations total
Elliot Greene
- Biggie
- (as Elliot Green)
Pamela Cundell
- Irene
- (as Pam Cundell)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Simon Pegg stars as a paranoid crime writer haunted by a fear of being murdered as well as launderettes. This is a wonderfully surreal film and a welcome change from the usual bland 'comedies' churned out ten to the dozen these days. The script is sharp and veers wildly through a number of weird and very funny scenarios which are milked brilliantly by Pegg.
This is a very British film and quirky film and therefore unlikely to find mass or foreign appeal. However for fans of Simon Pegg and his movies this will be a real treat.
Reading some of the previous reviews and looking at the rating I wasn't expecting to like this film quite as much as I did. Hopefully this film will become a cult classic as it really does stand out.
This is a very British film and quirky film and therefore unlikely to find mass or foreign appeal. However for fans of Simon Pegg and his movies this will be a real treat.
Reading some of the previous reviews and looking at the rating I wasn't expecting to like this film quite as much as I did. Hopefully this film will become a cult classic as it really does stand out.
This film will find its audience among fans of dark comedy. Don't expect the broad appeal of "Shaun of the Dead" or "Hot Fuzz", and comparisons to other Simon Pegg films miss the point. This is a film deserving attention, especially for writers and the "cult" audience who enjoy quirky, unique dark comedies/mysteries.
Reviewers forget that some films are not for everyone, and their opinion is worth nothing in the evaluation of such films. This one may be very much enjoyed by a smaller audience, even after several viewings. "Fantastic Fear" ranks among the "love it or leave it" types; you may find it annoying or too odd, like "Dark Shadows", or it's tremendous fun.
"Burke & Hare" also divided audiences, yet this film has more in common with murder-mysteries, like a cross between "Clue" and a spoofy take on say, the recent "The Raven (2012)". Better than both films, IMO, this will live on with DVD and Blu-ray releases, thankfully.
Box office numbers and critical "consensus" are ultimately short-lived, and very deceptive. Give this a chance if you like dark comedies. And it must be said that Simon Pegg's acting resume becomes increasingly impressive. Regardless of the final product, you have to give him props. And here, the final product is better than you might expect.
Reviewers forget that some films are not for everyone, and their opinion is worth nothing in the evaluation of such films. This one may be very much enjoyed by a smaller audience, even after several viewings. "Fantastic Fear" ranks among the "love it or leave it" types; you may find it annoying or too odd, like "Dark Shadows", or it's tremendous fun.
"Burke & Hare" also divided audiences, yet this film has more in common with murder-mysteries, like a cross between "Clue" and a spoofy take on say, the recent "The Raven (2012)". Better than both films, IMO, this will live on with DVD and Blu-ray releases, thankfully.
Box office numbers and critical "consensus" are ultimately short-lived, and very deceptive. Give this a chance if you like dark comedies. And it must be said that Simon Pegg's acting resume becomes increasingly impressive. Regardless of the final product, you have to give him props. And here, the final product is better than you might expect.
I was feeling very down one evening and wanted to watch something that would distract me from my thoughts. I went through a couple of lists of so-called "feel-good movies" but after realising that I can't take advice from anyone that finds the Hangover funny (no offence, just different tastes), I decided to see what Simon Pegg has been up to, as Shaun of the Dead is one of my biggest favourites.
This isn't Shaun of the Dead, and if you watch it expecting it to be, you will be bitterly disappointed, as others have said. However, the movie still has a certain dark humour, which I greatly enjoyed, and it carries a story, which for me was very meaningful.
The first half of the movie might seem a bit dragged-out (I enjoyed it though, perhaps because I know all too well how easy it is to think yourself crazy, so I was able to relate to some of what was going on on the screen), but the second half is truly excellent The negative reviews were a bit too harsh in my opinion and that was what prompted me to write one of my own. I'm not going to say you are guaranteed to like it, all I want to do is suggest you give this movie a chance, you might be pleasantly surprised.
This isn't Shaun of the Dead, and if you watch it expecting it to be, you will be bitterly disappointed, as others have said. However, the movie still has a certain dark humour, which I greatly enjoyed, and it carries a story, which for me was very meaningful.
The first half of the movie might seem a bit dragged-out (I enjoyed it though, perhaps because I know all too well how easy it is to think yourself crazy, so I was able to relate to some of what was going on on the screen), but the second half is truly excellent The negative reviews were a bit too harsh in my opinion and that was what prompted me to write one of my own. I'm not going to say you are guaranteed to like it, all I want to do is suggest you give this movie a chance, you might be pleasantly surprised.
I went to see A Fantastic Fear of Everything with no expectations as I hadn't read any reviews and had been underwhelmed by a couple of Simon Pegg's recent efforts. To use a crude rating system i'd say that this was marginally better than Paul and a lot better than Burke & Hare.
I liked the originality of the story and the journey the character took through the movie. It was frequently amusing without ever getting to real laugh-out-loud comedy levels. Silly humour mixed in with quite clever stuff. I'm not sure how it'll go down outside of the U.K. and indeed I felt that it was more suited to a television rather than big- screen format. It's the sort of film I think you could really appreciate if you put it on after coming home completely inebriated from the pub, although you'd probably have to shave 10-15 minutes off the running time in order to stay awake till the end.
I liked the originality of the story and the journey the character took through the movie. It was frequently amusing without ever getting to real laugh-out-loud comedy levels. Silly humour mixed in with quite clever stuff. I'm not sure how it'll go down outside of the U.K. and indeed I felt that it was more suited to a television rather than big- screen format. It's the sort of film I think you could really appreciate if you put it on after coming home completely inebriated from the pub, although you'd probably have to shave 10-15 minutes off the running time in order to stay awake till the end.
A Fantastic Fear of Everything is probably not what you're expecting from Simon Pegg. It's not horrifically funny like Sean of the Dead, as outright entertaining as Hot Fuzz and, mercifully, it's not as tepid as Run Fatboy Run or as stagnant as Paul or Burke and Hare. Actually, it's not very funny at all to start with.
So what is it? Well, it's a journey and if you decide to embark upon it you'll need to see it through to the end to decide if it was worthwhile. It begins with an engaging, gentle, animated title sequence before introducing us to Jack (Pegg) a flailing children's author engulfed by his research into Victorian murders for a prospective TV series that nobody wants. We quickly discover he has an all-consuming paranoia of being murdered. How do we know this? Because he tells us. And that's when it starts to go downhill.
It's a steep decline that director Crispian Mills (yes it is, but more about him in a minute) seems incapable of avoiding. He seems unaware of any filmic devices to portray the protagonist's thoughts and emotions without resorting to plodding, turgid exposition and painfully obvious statements. It's part way down this terrible slope that you'll feel the urge to pick up your coat, head for the exit and sneak into the screen next door even if it is only Top Cat: The Movie.
Don't! Stick with it. Somewhere around the halfway point the decline into cinema hell slows, stops and gradually heads up to a satisfying peak via some strange and thoroughly enjoyable scenery. For the patient and slightly off-kilter, it's a very satisfying escapade indeed.
At some point you'll discover that it's evolved into a most amusing and very dark trip through a world inhabited by the likes of Tim Burton (when on form), Wes Anderson, Dr. Seuss and Roald Dahl. It's a world I feel very comfortable in but doesn't suit every reader of my blog. There's murder in mind, paranoia at large and animation sequences akin to Fantastic Mr Fox and The Nightmare Before Christmas on LSD.
Cast-wise there's nothing remarkable on display; Pegg is good but ill served by the stodgy first act and Amara Karan as Sangeet occasionally forgets how to act but gives enough to be enjoyable if not memorable. The absolute star of A Fantastic Fear of Everything is Crispian Mills and it has nothing to do with him being son of Hayley, grandson of Sir John, nephew of Maxwell Caulfield or lead singer of Kula Shaker, although it's all interesting trivia.
No, he's a star because this is his directorial debut. And his first outing as producer. And the first screenplay he's written. As debuts go, it's not up there with Duncan Jones' Moon but it's one heck of a start and he's the star because he's dared to be both dark and different at a time when Hollywood is determined to be predictable and repetitively upbeat.
A Fantastic Fear of Everything is far from being a perfect movie but it's a solid, enthralling film that hints at the possibility of Crispian Mills becoming a very fine filmmaker indeed and a hero of the off-kilter cinephiles who are tired of Tim Burton's ever-downward spiral and in need of someone new to rely on for their fix of surrealism.
So what is it? Well, it's a journey and if you decide to embark upon it you'll need to see it through to the end to decide if it was worthwhile. It begins with an engaging, gentle, animated title sequence before introducing us to Jack (Pegg) a flailing children's author engulfed by his research into Victorian murders for a prospective TV series that nobody wants. We quickly discover he has an all-consuming paranoia of being murdered. How do we know this? Because he tells us. And that's when it starts to go downhill.
It's a steep decline that director Crispian Mills (yes it is, but more about him in a minute) seems incapable of avoiding. He seems unaware of any filmic devices to portray the protagonist's thoughts and emotions without resorting to plodding, turgid exposition and painfully obvious statements. It's part way down this terrible slope that you'll feel the urge to pick up your coat, head for the exit and sneak into the screen next door even if it is only Top Cat: The Movie.
Don't! Stick with it. Somewhere around the halfway point the decline into cinema hell slows, stops and gradually heads up to a satisfying peak via some strange and thoroughly enjoyable scenery. For the patient and slightly off-kilter, it's a very satisfying escapade indeed.
At some point you'll discover that it's evolved into a most amusing and very dark trip through a world inhabited by the likes of Tim Burton (when on form), Wes Anderson, Dr. Seuss and Roald Dahl. It's a world I feel very comfortable in but doesn't suit every reader of my blog. There's murder in mind, paranoia at large and animation sequences akin to Fantastic Mr Fox and The Nightmare Before Christmas on LSD.
Cast-wise there's nothing remarkable on display; Pegg is good but ill served by the stodgy first act and Amara Karan as Sangeet occasionally forgets how to act but gives enough to be enjoyable if not memorable. The absolute star of A Fantastic Fear of Everything is Crispian Mills and it has nothing to do with him being son of Hayley, grandson of Sir John, nephew of Maxwell Caulfield or lead singer of Kula Shaker, although it's all interesting trivia.
No, he's a star because this is his directorial debut. And his first outing as producer. And the first screenplay he's written. As debuts go, it's not up there with Duncan Jones' Moon but it's one heck of a start and he's the star because he's dared to be both dark and different at a time when Hollywood is determined to be predictable and repetitively upbeat.
A Fantastic Fear of Everything is far from being a perfect movie but it's a solid, enthralling film that hints at the possibility of Crispian Mills becoming a very fine filmmaker indeed and a hero of the off-kilter cinephiles who are tired of Tim Burton's ever-downward spiral and in need of someone new to rely on for their fix of surrealism.
Did you know
- TriviaThe first film backed by Pinewood Studios' initiative to support low-budget British filmmaking.
- GoofsDuring the restaurant scene, the black man sitting behind Jack disappears & reappears as the shot changes.
- ConnectionsFeatured in WatchMojo: Top 10 Paranoid Movie Characters (2015)
- SoundtracksI See You
Written by Phil May (as May), John Povey (as Povey), Dick Taylor (as Taylor' and Wally Waller (as Waller)
Performed by The Pretty Things
courtesy of De Wolfe Ltd.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Ảo Giác Ma Quái
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £1,500,000 (estimated)
- Gross worldwide
- $96,948
- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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