A trio of bodybuilders in Florida get caught up in an extortion ring and a kidnapping scheme that goes terribly wrong.A trio of bodybuilders in Florida get caught up in an extortion ring and a kidnapping scheme that goes terribly wrong.A trio of bodybuilders in Florida get caught up in an extortion ring and a kidnapping scheme that goes terribly wrong.
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- 4 nominations total
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I wasn't thrilled with the movie, but that doesn't mean it was not good. Actually, I think this film had incredible substance, due particularly in part to the casting. I would have given it 7 stars, but the length of the film took it down a notch (they could have knocked off 14-19 minutes worth of unnecessary, and sometimes boring footage).
The film started off with Wahlberg seeming to be just like Wahlberg. But, long story short, he and the film evolved to a character that fit him (and vice versa). Based upon the plot, I think it was a good match.
Dwayne Johnson is not brand new to drama, but this was a different kind of role nonetheless. I don't feel he was 100% there, but his likable character makes you just ignore it. I think with a few more roles like this, he'll be better.
I'm not that familiar with Mackie, but he did a great job in his role. Apart from Shalhoub, he was probably one of the most believable characters. He made me think of a subdued and more serious version of Mike Epps.
Shalhoub....well, what can you say about this guy? He was awesome in Monk, and his style is always great. He is a talented actor and the casting of him was a solid choice. He has that goof look to him, yet his face can show some noteworthy seriousness. This was no Giamatti being cast as a thug...Shalhoub can pull off a "tough guy" pretty well.
I've always been fond of Ed Harris, but his role was insignificant. Same for Corddry.
All in all, this was a well-made film deserving to be watched. I doubt I would ever watch it again due to it's slow development at times, but I'm glad I did see it. The casting was unexpected and unique.
The film started off with Wahlberg seeming to be just like Wahlberg. But, long story short, he and the film evolved to a character that fit him (and vice versa). Based upon the plot, I think it was a good match.
Dwayne Johnson is not brand new to drama, but this was a different kind of role nonetheless. I don't feel he was 100% there, but his likable character makes you just ignore it. I think with a few more roles like this, he'll be better.
I'm not that familiar with Mackie, but he did a great job in his role. Apart from Shalhoub, he was probably one of the most believable characters. He made me think of a subdued and more serious version of Mike Epps.
Shalhoub....well, what can you say about this guy? He was awesome in Monk, and his style is always great. He is a talented actor and the casting of him was a solid choice. He has that goof look to him, yet his face can show some noteworthy seriousness. This was no Giamatti being cast as a thug...Shalhoub can pull off a "tough guy" pretty well.
I've always been fond of Ed Harris, but his role was insignificant. Same for Corddry.
All in all, this was a well-made film deserving to be watched. I doubt I would ever watch it again due to it's slow development at times, but I'm glad I did see it. The casting was unexpected and unique.
Michael Bay's "Pain and Gain" is a very bleak, very dark comedy about three knucklehead bodybuilders in pursuit of their own American dream, even if the road there is paved with sex, drugs, torture, humiliation, and even murder.
Bay is shamelessly reputed for huge explosions, choppy editing, excessively flashy/glitzy cinematography, sexy women, fancy cars and (recently) giant robots. With "Pain and Gain" he returns to low-budget territory since his debut "Bad Boys" in 1995. The result - the film is a debauchery in style - it's all over the film. Although Bay cuts back on the explosions and robots (mercifully), everything else has Bay written all over it, and considering how morbidly ridiculous the film's subject matter is, Bay tackles it in such a head-on and energetic manner that the audience is whisked off for the insane ride ahead.
For this movie, he has assembled together Mark Wahlberg, Dwayne Johnson and Anthony Mackie as the three bumble-heads who have their hearts set in the right goal but clearly lack the intellect to do so. All three men look jacked up, and play their parts as ridiculous as the part goes for it, especially Johnson, who clearly is having a blast showing off a completely different side of him as opposed to what we've been seeing him of late. Wahlberg plays a character so dangerously goofy and dumb one will wonder whether such a person exists in real life. Tony Shalhoub's unfortunate but still jerk-ish character sets the tone for most of the movie as his predicament grows from one spectrum of ridiculousness to another. By the time we've reached sexy Bar Paly's and hilarious Rebel Wilson's love interest characters, the audience have probably seen enough.
Then in comes Ed Harris as Detective Du Bois. Just when I thought the film was about to careen off the rails into insanity. He's the only sane person in the whole movie, and his presence helps bring balance and clarity to what was a ludicrous first half.
Comic relief is key in Bay's action films, but here he's going all out at comedy, and he sure does pull of the stops. The film is simply put, hysterical. The fact that it was indeed a true story makes it all the more hilarious to watch, who honestly can think of some story like this and pull if off straight?
I am aware that since this is a film, some liberties had to be made to the story and characters. Some scenes were undoubtedly exaggerated, but which one? Every scene looked and felt so surreal, every major character ridiculous, every line of dialogue inducing a chortle from the audience. But it was a dementedly fun ride, and Bay, after making two bloated sequels about giant robots, finally returns to his stride.
Bay is shamelessly reputed for huge explosions, choppy editing, excessively flashy/glitzy cinematography, sexy women, fancy cars and (recently) giant robots. With "Pain and Gain" he returns to low-budget territory since his debut "Bad Boys" in 1995. The result - the film is a debauchery in style - it's all over the film. Although Bay cuts back on the explosions and robots (mercifully), everything else has Bay written all over it, and considering how morbidly ridiculous the film's subject matter is, Bay tackles it in such a head-on and energetic manner that the audience is whisked off for the insane ride ahead.
For this movie, he has assembled together Mark Wahlberg, Dwayne Johnson and Anthony Mackie as the three bumble-heads who have their hearts set in the right goal but clearly lack the intellect to do so. All three men look jacked up, and play their parts as ridiculous as the part goes for it, especially Johnson, who clearly is having a blast showing off a completely different side of him as opposed to what we've been seeing him of late. Wahlberg plays a character so dangerously goofy and dumb one will wonder whether such a person exists in real life. Tony Shalhoub's unfortunate but still jerk-ish character sets the tone for most of the movie as his predicament grows from one spectrum of ridiculousness to another. By the time we've reached sexy Bar Paly's and hilarious Rebel Wilson's love interest characters, the audience have probably seen enough.
Then in comes Ed Harris as Detective Du Bois. Just when I thought the film was about to careen off the rails into insanity. He's the only sane person in the whole movie, and his presence helps bring balance and clarity to what was a ludicrous first half.
Comic relief is key in Bay's action films, but here he's going all out at comedy, and he sure does pull of the stops. The film is simply put, hysterical. The fact that it was indeed a true story makes it all the more hilarious to watch, who honestly can think of some story like this and pull if off straight?
I am aware that since this is a film, some liberties had to be made to the story and characters. Some scenes were undoubtedly exaggerated, but which one? Every scene looked and felt so surreal, every major character ridiculous, every line of dialogue inducing a chortle from the audience. But it was a dementedly fun ride, and Bay, after making two bloated sequels about giant robots, finally returns to his stride.
The overwhelming sense I get from all the negative reviews on here is that the comedy in this true story is irresponsible and wrong. Well I think that's just a couple prunes trying to ruin a really good movie. I don't think Michael Bay set out or achieved any disrespect towards the victims. The absurd details of this case mixed with the excellent acting of the principal three actors create an extremely enjoyable movie with some laughs here and there. The editing is excellent and this movie should be rated at least a 7.1
One of the best if not the best movie Mr. Michael Bay has made. It deserves more credit.
This black comedy is inspired by real events... but isn't as truthful as it claims. Daniel Lugo is a body builder works at a Miami gym as a personal trainer. He believes in the American dream and decides that if he can't earn the money to buy the things he wants he will steal it. His target is wealthy client Victor Kershaw, who Lugo suspects got his wealth illegally. He recruits fellow body builders Adrian Doorbal and Paul Doyle and set out his plan... they will kidnap Kershaw and force him to sign over all his possessions to them. Once they have him things don't go to plan.
Since this is a Michael Bay film one might expect lots of explosions but there are none here; there is still his usual style of direction. In some of the more comedic scenes this is effective but felt uncomfortable when things get nasty. Like most films that claim to be true it deviates from the facts of the real case. This serves to make our protagonists more sympathetic. From the start we can see that these aren't the smartest characters in town. On the plus side I did find myself laughing more than I expected and the cast does a solid job; most notably Mark Wahlberg, Dwayne Johnson and Anthony Mackie as Lugo, Doyle and Doorbal respectively; I particularly liked Johnson's performance as a coke-addled bible-basher. Tony Shalhoub impressed as Kershaw and Ed Wood but in a suitably restrained performance as ex-cop private investigator Ed Du Bois, III who investigates to case and is the film's most 'normal' character. There are some decent action scenes as well as a few disturbing moments involving the dismemberment of two bodies. Overall I'd say that I enjoyed this more than expected; worth a watch if you are an adult fan of any of the stars... it's not for children!
Since this is a Michael Bay film one might expect lots of explosions but there are none here; there is still his usual style of direction. In some of the more comedic scenes this is effective but felt uncomfortable when things get nasty. Like most films that claim to be true it deviates from the facts of the real case. This serves to make our protagonists more sympathetic. From the start we can see that these aren't the smartest characters in town. On the plus side I did find myself laughing more than I expected and the cast does a solid job; most notably Mark Wahlberg, Dwayne Johnson and Anthony Mackie as Lugo, Doyle and Doorbal respectively; I particularly liked Johnson's performance as a coke-addled bible-basher. Tony Shalhoub impressed as Kershaw and Ed Wood but in a suitably restrained performance as ex-cop private investigator Ed Du Bois, III who investigates to case and is the film's most 'normal' character. There are some decent action scenes as well as a few disturbing moments involving the dismemberment of two bodies. Overall I'd say that I enjoyed this more than expected; worth a watch if you are an adult fan of any of the stars... it's not for children!
Let me start this out by saying I hate Michael Bay. I hate Michael Bay. OK, OK, he's not the worst director in Hollywood. He's got his s**t together, and people are willing to pay him to glue together the worst movie ideas and turn them into a semi-watchable blockbuster. However, Pain & Gain isn't one of these movies.
"Wait, how does that make it good?" You ask? Well, my position is that Bay actually cared about this movie. He pitched this movie for years, even when he was a more struggling director, and nobody would buy it. Eventually, this movie was made on a measly budget of $26 million. Not exactly peanuts, but nowhere near the budget Bay is used to. I believe this encouraged him to put some real thought into it.
First of all, this is a dark, dark comedy at its core. It's Fargo ramped up to eleven and edited into the pace of a 2-hour-long seat-edging action thriller. The movie manages to go from serious, to gory, to slapstick all in a matter of minutes, and somehow still manages to work. It'll be impossible to keep yourself from cracking out in laughter, even though all of the characters are completely unlikable and self-absorbed. The movie constantly mocks gym jocks, self-help optimism, and class privilege. The acting is superb. All of the cast was well chosen, from Dwayne to Shalhoub and especially Wahlberg. And that shocking fridge horror moment comes with the realization that it all actually happened. Yes, unlike Fargo, that disclaimer at the beginning of the movie is an honest one, and the actual events are even more outrageous than this movie itself.
Most of the criticism seems to come from this movie being made as humor deriving from a true event, but I don't think it could have been done better any differently. All of the changes made to the events were understandable in order to make it watchable as a movie; Adding extra humor in order to balance the absurdity, merging a few characters into one much larger one, or even actually *toning down* a few parts to make them more believable. There are so many memorable moments that are permanently affixed to my brain, unlike other Bay films which are utterly forgettable. That makes this a cult classic, and easily one of my favorite movies.
"Wait, how does that make it good?" You ask? Well, my position is that Bay actually cared about this movie. He pitched this movie for years, even when he was a more struggling director, and nobody would buy it. Eventually, this movie was made on a measly budget of $26 million. Not exactly peanuts, but nowhere near the budget Bay is used to. I believe this encouraged him to put some real thought into it.
First of all, this is a dark, dark comedy at its core. It's Fargo ramped up to eleven and edited into the pace of a 2-hour-long seat-edging action thriller. The movie manages to go from serious, to gory, to slapstick all in a matter of minutes, and somehow still manages to work. It'll be impossible to keep yourself from cracking out in laughter, even though all of the characters are completely unlikable and self-absorbed. The movie constantly mocks gym jocks, self-help optimism, and class privilege. The acting is superb. All of the cast was well chosen, from Dwayne to Shalhoub and especially Wahlberg. And that shocking fridge horror moment comes with the realization that it all actually happened. Yes, unlike Fargo, that disclaimer at the beginning of the movie is an honest one, and the actual events are even more outrageous than this movie itself.
Most of the criticism seems to come from this movie being made as humor deriving from a true event, but I don't think it could have been done better any differently. All of the changes made to the events were understandable in order to make it watchable as a movie; Adding extra humor in order to balance the absurdity, merging a few characters into one much larger one, or even actually *toning down* a few parts to make them more believable. There are so many memorable moments that are permanently affixed to my brain, unlike other Bay films which are utterly forgettable. That makes this a cult classic, and easily one of my favorite movies.
Rock On: The Life and Times of Dwayne Johnson
Rock On: The Life and Times of Dwayne Johnson
Take a look back at The Rock's career in photos.
Did you know
- TriviaKurt Angle: the popular wrestler had another go with his old WWE opponent, Dwayne Johnson, in the prison brawl scene at the beginning of the film.
- GoofsWhen the crew propose an investment scheme to Frank Griga and Krisztina Furton at Doorbal's home, a Nintendo Gamecube controller can be seen. This device was not available until 2001.
- Quotes
[from trailer]
Daniel Lugo: [to a little boy] Don't eyeball me! I've seen your mother driving up and down these streets looking at me! I'll be your stepfather in about a week!
- Crazy creditsThe end credits are interspersed with photos of the real people the story is based on, as well as the sentences they received; crime scene photos; mugshots; evidence; coroner's findings; newspaper articles; and court photos.
- ConnectionsEdited from Bad Boys II (2003)
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Sangre, sudor y gloria
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $26,000,000 (estimated)
- Gross US & Canada
- $49,875,291
- Opening weekend US & Canada
- $20,244,505
- Apr 28, 2013
- Gross worldwide
- $87,305,549
- Runtime
- 2h 9m(129 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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