What Happens Later

Meg Ryan and David Duchovny are both about 23 white lines deep, at the same play in New York. During intermission, they run into each other while smoking a cigarette. It's fate! They must make this movie together! They skip the rest of the play and have a snowball fight instead. This movie is the result.

Now, none of this probably happened. But, while watching the movie, you feel how this should have been a two-person play. The exchange of dialogue screams the blow is good. Both actors over worked and stretch face pallets make you wish you could have downloaded this in 480p. But you can't turn it off because you love the actors, and you give it 2 stars above what it deserves for the same reason.

Greetings again from the darkness. Meg Ryan will forever be linked to her popular and beloved romantic comedies, WHEN HARRY MET SALLY (1989) and SLEEPLESS IN SEATTLE (1989). She wore the crown of "America's Sweetheart" for years, and then after years of hard work, she pumped the breaks on her acting career, resurfacing periodically for a TV or film role, often in support. In 2015 she took her first shot at directing with ITHACA, in which she also starred, and now after an 8 year big screen absence, she's back as writer-director-producer and star of a film that harkens back much closer to her rom-com roots.

A massive winter storm rolls in - a Bomb Cyclone with Snow Thunder. This grounds all planes at a regional airport (it was filmed at the airport near Bentonville, Arkansas) where ex-lovers Willa (Meg Ryan) and Bill (David Duchovny) bump into each other for the first time since they broke up twenty-five years ago. Initial awkward small talk soon transitions into 'large' talk, and the two fall into rhythmic banter befitting of two who were at one time very close. He's a stockbroker on the way to Austin to meet with his demanding, much younger boss, and she's a wellness practitioner on her way to Boston. For emphasis, he wears a dark business suit and necktie, while she sports clunky boots and bouncy hair.

What follows is a passive-aggressive twist on Richard Linklater's "Before" trilogy. In the industry, this is called a two-hander, as there are only two speaking parts - not counting the slyly intrusive airport PA announcer (credited as Hal Liggett?) - and the two characters carry on a conversation for most of the run time. Ms. Ryan wrote the script with Steven Dietz and Kirk Lynn and based it on Dietz's play, "Shooting Star." It's a dialogue heavy approach designed to let us get to know the characters, but also allow Willa and Bill to catch up as they re-live moments from the past. Some of this is painful for them, and some of it provides previously lacking clarity. Memories and quirks pop up, and the manner in which they are addressed speaks volumes to how close these two once were. We learn their secrets as they each peel back layers.

Tom Petty's lyrics, "Most of the things I worry about never happen anyway" are utilized to effect here, and missed connections has multiple meanings. With Meg Ryan and David Duchovny past the 60 year mark, this isn't one of the cutesy rom-coms we've grown accustomed to with twenty-somethings. These are grown-ups who once shared dreams and are now taking stock of life and reality. Even the commentary on society is head-on rather than cleverly disguised as is common for this genre. Director Ryan and cinematographer Bartosz Nalazek insert more than a few falling snowflake shots, and the point is driven home about just how much has occurred since these two became a couple while attending the University of Wisconsin. As a writer, director, and actor, Meg Ryan certainly is in her wheelhouse here, and fittingly, she ends with a "For Nora" tribute to her late friend and mentor, Nora Ephron.

Opens in theaters on November 3, 2023.

This move was excellent for people who grew up with Meg being America's sweetheart. It is a romantic fantasy for grown people with nearly grown children. NOBODY has approached life with children who are on the cusp of making their own defining life choices and not looked back at their own formative years and ask "what if?" It isn't a regret. It's just another part of growing as a human being and this movie captures it in a fun and beautiful way. It's not life changing stuff, it's just growing and empathizing with someone else's different experience than your's was. Particularly someone who was close to you and then drifted away. I can't even tell you how many people in my past I wish I could have an encounter like this. Trust me. If you're Genx and are a parent, this is a must see.

Long story short, this is entertainment for adults in a world run by children.

This movie is advertised as a rom-com-it's not! Unfortunately, in What Happens Later, there was constant, tiresome dialogue, comprised of mostly sad revelations, sarcasm and arguing, and not much comedy.

Besides some comic relief, I think viewers were hoping for the answer to the question that the title suggests-What Happens Later? But that's not what we were given.

I felt like the writers weren't really sure where they were taking the characters or the plot. Too bad! The movie had a lot of potential, appealing characters, talented actors, and good acting. It was engaging at times, but overall, for me at least, it didn't deliver.

I just came here to laugh at the person who gave the movie a bad rating because "Airport announcements are nothing at all like that".

This is a rom-com, folks. It didn't break any new ground in its story. The two characters, all dialogue, has been done before and in some cases better (Before Sunrise ). The long lost lovers has been done before in some cases better (Before Sunset..lol) . The fantastical theme has been done before, sometimes better, and I won't name them all.

However, this was a good example of all of those, and if you didn't like it, I'd venture to say you are not a fan of those themes in general.

Duchovny did well, but Meg Ryan showed she still owns the rom-com genre. And to all the people who say they had no chemistry; I don't think you paid much attention. No, it was no Ryan/Hanks fare, but if you paid attention the whole point is that they were meant to act awkwardly towards each other for a lot of the movie. Once they finally broke down their walls and addressed their past mistakes and feeling, the characters grew closer and the chemistry came out. Even at the end, they were still unsure of themselves around each other and if there was any possible future.

This movie was fun, and I think both leads did a very good job of doing something difficult in carrying a movie where they were the only two characters, on the screen almost 1005 of the time, in a small setting.