Shehar Lakhot

Do not let the negative reviews fool you into not watching this masterpiece. For those coming from dysfunctional homes, who have had aspirations and dreams in their childhood, this movie hits home hard.

There not a single flaw that I can find in the plot. The first two episodes may seem a bit of a drag but you end up realising that they were necessary to set tone and introduce characters.

Almost all actors have lived the characters they played, with the male lead and the quirky villain's side-kick Bhi, taking a leaf out of golden chops book.

The entire police, government and business nexus is shown wonderfully. Decadence in society, insecurities of the younger brother, women's dilemmas and the yearn for freedom is portrayed wonderfully in small video bites, where expressions, actings and settings say more than words can portray. The dark ambience of the entire series gives it a 'morose home town' vibe, which is apt for a plot like this.

Do not miss this for the world! It's wonderfully shot and presented, and the story and characters will stay with you for a long time after you've completed the series.

Sometimes, the newer Indian series can be very good, especially if they tackle social issues in a changing India. This unfortunately is not in that category. The writing and narrative for the story is terrible, made worse by the ridiculous way the series is edited with never ending flashbacks that only worsen the viewer's ability to understand how it relates to the characters. There is little in the way of story continuity, character context or development. It makes the assumption that the intended audience already understands the caste system, and justice process in India, hence it really has no global appeal at all. As the series progresses, very little happens, and the plot just seems to go nowhere. Gave up after the third episode.

Watching the first episode and it's trying too hard to be quirky but the story isn't going anywhere. Too slow and boring. The first episode has the younger son returning to a small town and going around from place to place doing nothing in particular. One character breaks a guy's hand and 2 scenes later another character, acting over the top, kills an injured dog. The fat cop keeps on pulling his crotch in every scene and bows down on front of the dog killer. What are these scenes? Is this the best that can be done to introduce characters? Why and how such shows are greenlight, I wonder. They think violence, nasty and brooding characters, abuses is creativity. EDGY is the word used in the industry. Unfortunately they are wrong. They are all rejected film scripts turned into bad webseries.

The first 3-4 episodes are very slow, they feel very dragged and it is hard to be invested as the series doesn't make it apparent as to what it is actually about. The show could have definitely been shortened. It is not super unique but definitely worth a watch. The different storylines and characters seem random at first, and there is no real crime or crisis for viewers to care about.

It gradually becomes more engaging as the real plot uncovers. The characters are quite interesting, but tragic. It's a very hopeless melancholic story but with lighthearted, real and funny moments in between which feels refreshing.

Step into the mesmerizing world of Shehar Lakhot, a groundbreaking series that not only echoes the grandeur of "Game of Thrones" but emerges as India's very own masterpiece. This magnum opus, rich in narrative tapestry and visual splendor, effortlessly earns a flawless 10 out of 10.

From the very first frame, SL weaves an intricate narrative that transcends the ordinary. The plot, akin to a chessboard with characters as strategic pieces, unfolds with a brilliance that keeps you on the edge of your seat. Every episode is a rollercoaster of suspense, betrayal, and unforeseen alliances, reminiscent of the unparalleled intrigue that characterized "Game of Thrones."

The character development is a symphony of emotions and complexities. Each character is a universe in themselves, evolving through the series with arcs that are as unpredictable as they are poignant. The ensemble cast delivers stellar performances, bringing to life a diverse array of characters that linger in your thoughts long after the credits roll.

Visually, to me it is a feast for the eyes. The cinematography is nothing short of breathtaking, with sweeping landscapes and meticulous attention to detail that transports you to the heart of the story. The production quality rivals international standards, setting a new benchmark for Indian television.

In a landscape filled with good series, SL stands tall as a shining beacon of excellence. It not only lives up to the legacy of "Game of Thrones" but establishes itself as a unique and indispensable addition to the world of television. A perfect 10 out of 10, SL is a triumph that will resonate with audiences globally, showcasing the brilliance of Indian storytelling on a grand scale. Prepare to be spellbound, for this is not just a series; it's a cinematic odyssey.

Loved editing and efforts of editor Suvir Nath.