The Grill

Pretentious BS. There, I said it. That ending solidified it. Ending on that silly green ray thing. And why are you giving me black and white when you're not showing me anything beautiful here? What is the point. Pretentious BS is what it is. Strong colours would have made this even more powerful.

The only thing this movie is doing to me is make me want to avoid restaurants. Cause I do not want to eat food from those people. Such a collection of a-holes. Pedro belongs in an institution. Any kind of institution will do, as long as he is not out into the world, among people. He is toxic, I don't care about his sob immigrant story. They all got sob stories. Doesn't justify anything. I for one took to the Moroccan lady. Or Nonzo. Raton? Yuck. The chef? A tyrant. The Latino lovers OMG. The sexism, the racism, the reverse racism. The funny thing is this movie is not making me empathize with their struggle and there clearly is a lot of struggle but they're so scummy that they do not deserve my pity. Julia, girl, what is wrong with you? Where your head at? I can say one thing though, I did not recognize Rooney Mara. If I hadn't seen her name in the opening credits I wouldn't have identified her. Well into the movie.

Sure took a lot of me to finish it. I mean I finished it in one go but I struggled to do so. This could have been a much better movie, I don't understand what it's trying to tell me or do to me cause it only put me in a bad mood.

Also, are there no food safety standards in the US or what? How can that happen? Also, I don't think I've ever seen more than 5 servers in any average sized restaurant. How big is this place that it needs a dozen servers or even more? Doesn't look that big to me. I know the turnaround is big there, but still... Just watch Boiling Point.

Half a star more only for the actors' effort.

Unpopular opinion: not every movie needs a 2.5-hour runtime. "La Cocina" (who I've been wanting to watch since its "Sundance" premiere) is a perfect example of this, feeling unnecessarily drawn out and lacking depth. While the film has its strengths-like its exploration of multiculturalism in a Manhattan restaurant-too much of it feels disjointed and unfocused. The narrative tries to juggle too many elements, resulting in a plot that feels messy and uneven. At times, it almost feels like it would have worked better as a play rather than a movie.

That said, there are parts of "La Cocina" that truly stand out. The multicultural dynamics in the restaurant setting are fascinating, and I wish they had been explored more deeply. The cinematography is stunning, especially with its black-and-white visuals that add a striking, artistic flair. But despite these highlights, the film's ambition ultimately outweighs its execution, leaving it feeling more like a missed opportunity than a compelling watch.

The movie is trying to immerse the audience into the microcosm of a major restaurant kitchen in New York. Great acting by many of the cast. However, 3 hours are too long for getting the story across. Some elements don't make sense at all and some characters are not getting the focus they deserve. Overall the topic of diverse cultures by migrants and their personal dreams of life are a crucial topic. I would have wished to allow this in a form that would focus on few and with a deeper vertical story line. Raul and Rooney Mara are amazing in their performances. We watched it at the world premiere and the audience was very receptive to the premiere.

Transposed from 1950s London to a contemporary midtown NYC diner, Arnold Wesker's play 'The Kitchen' shows its subject matter still possesses vitality and relevance despite the passing of almost seventy years. Major plot points have been altered but the general theme remains the same as overworked restaurant staff go through their daily grind to put food on the table for demanding customers.

At the outset of 'La Cocina' $800 has gone missing from the till, resulting in an internal investigation which causes additional stress for employees. Meanwhile one of the cooks Pedro attempts to persuade his waitress lover not to abort their child. Many of the workers are immigrants, and the atmosphere is raucous, profane, coarse and combative. The B&W cinematography, flamboyant direction and astonishing acting capture these elements in a fantastic display of film-making pyrotechnics that leave one open-mouthed in admiration.

The screenplay's self-indulgent 140 minute length turns out to be the project's weak link. Several scenes go on too long - an interlude between the lunch and dinner service drags somewhat - and although Raul Briones' delivers a breathtaking performance, Pedro's histrionics become tiresome some time before the end. It's a pity, because there's so much to admire here.

This is the first film by this incredible director that I've watched, and in the last 20 minutes of the movie, I found myself unable to stop the tears from flowing. As I sat in the cinema seat, I felt every emotion he was conveying. It was truly a masterpiece.

Two days later, I find myself still thinking about the movie. I might even dare to say that it has touched something deep within me, something that had been quietly waiting for me to discover. I look forward to exploring more of Alonso's films soon, and I truly believe I will enjoy them as well.

I Can only say that I highly recommend this movie to anyone seeking a genuine glimpse into the real world.