A disturbed, delusional high-school student with aspirations of a career in medicine goes to extremes to earn the approval of her controlling mother.A disturbed, delusional high-school student with aspirations of a career in medicine goes to extremes to earn the approval of her controlling mother.A disturbed, delusional high-school student with aspirations of a career in medicine goes to extremes to earn the approval of her controlling mother.
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In Excision, a high school misfit goes to great lengths to win over her domineering, conservative mother. Although it's presented as a horror film - and opened the Spooky Movie International Horror Film Festival - it's a psychosexual thriller, rife with imagery set against a pastiche of normative teenage angst and desperation. It is a brilliant, provocative, unsettling film.
Pauline (AnnaLynne McCord) is the misfit. Scarred with acne and and overall unkempt look and poor posture, she is the poster child for unpopularity. But, like many cinematic rebels before her, she looks upon the idea of being liked almost with disdain. The opinions of others don't influence her.
Pauline aspires to be a doctor, but she is anything but a model student. She challenges her teachers and plays her classmates against each other for her own gain. She has no friends, and her therapy consists of visits to the local priest, whereupon she notes the hypocrisy of his understanding her moral issues when he's by definition pretty repressed himself.
She's part of a nuclear family. Dad Bob (Roger Bart) is a success at something, but he's under the thumb of his controlling wife Phyllis (Traci Lords). Sister Grace is the favorite of the family, partly because she's so nice and good and sweet but also because she is suffering from cystic fibrosis.
Of all the people with whom Pauline interacts on a regular basis, she cares only for Grace. She despairs of her sister's imminent death and wishes the same on her mother. Typical for a teenager, to an extreme perhaps.
Throughout the movie, Pauline sets particular goals for herself and then completes them, in opposition to her attitude toward school and life in general. When her mother forces her to be (at an advanced age) part of a cotillion, Pauline understandably ruins the affair. But when she wants to pursue a career in medicine, she goes to the library (cutting school) and researches her sister's condition.
You may well ask what the title implies. Something is being excised. We've already established that Pauline wants to be a doctor, but what is to be excised is something I cannot reveal here. On a less literal front, Pauline wants to excise her mother's influence from her own life and the pain and suffering from that of her sister.
This is not a movie for the faint of heart. It is not dripping with blood and contains no projectile vomiting, but Pauline's dreams - which include impromptu surgeries that equate to intercourse in her mind - are erotic, disturbing, grisly, and symbolic.
McCord nails the role of Pauline. Dolled up for the cotillion, she looks almost presentable, but even when she's her slovenly self you can see her beauty - eyes, wit, intelligence, smile - even if no one else in the movie can. McCord sells the film by subtly morphing Pauline from an outcast to a sociopath; at first, you take her for just another weird kid in the hall, but over time you see her as clearly losing her grip on reality.
And I didn't think I'd say this, but Lords is really good - in an ironic role - as the pushy, moralizing mom. Traci, you've come a long way, baby.
It's very hard to believe this is writer/director Richard Bates Jr.'s first film, feature or otherwise. The writing is tight, and he gets a lot out of his cast - which includes John Waters and Malcolm McDowell. It's a stunning debut.
I wasn't sure how the movie was going to end, although it was clear I was being led in a particular direction. I wasn't misled, but the conclusion is still a knockout; leaving just enough unresolved to be satisfying.
Excision is thrilling, a movie that will resonate with anyone who's felt unloved and with anyone who likes tales of revenge and redemption. It wisely picks a course and never goes too over the top with its set pieces. It's not a mild-mannered film, but it's also not an overwrought, ham-fisted gorefest. It's cleverly nuanced, achingly acted, and a mind- blowing masterpiece.
Pauline (AnnaLynne McCord) is the misfit. Scarred with acne and and overall unkempt look and poor posture, she is the poster child for unpopularity. But, like many cinematic rebels before her, she looks upon the idea of being liked almost with disdain. The opinions of others don't influence her.
Pauline aspires to be a doctor, but she is anything but a model student. She challenges her teachers and plays her classmates against each other for her own gain. She has no friends, and her therapy consists of visits to the local priest, whereupon she notes the hypocrisy of his understanding her moral issues when he's by definition pretty repressed himself.
She's part of a nuclear family. Dad Bob (Roger Bart) is a success at something, but he's under the thumb of his controlling wife Phyllis (Traci Lords). Sister Grace is the favorite of the family, partly because she's so nice and good and sweet but also because she is suffering from cystic fibrosis.
Of all the people with whom Pauline interacts on a regular basis, she cares only for Grace. She despairs of her sister's imminent death and wishes the same on her mother. Typical for a teenager, to an extreme perhaps.
Throughout the movie, Pauline sets particular goals for herself and then completes them, in opposition to her attitude toward school and life in general. When her mother forces her to be (at an advanced age) part of a cotillion, Pauline understandably ruins the affair. But when she wants to pursue a career in medicine, she goes to the library (cutting school) and researches her sister's condition.
You may well ask what the title implies. Something is being excised. We've already established that Pauline wants to be a doctor, but what is to be excised is something I cannot reveal here. On a less literal front, Pauline wants to excise her mother's influence from her own life and the pain and suffering from that of her sister.
This is not a movie for the faint of heart. It is not dripping with blood and contains no projectile vomiting, but Pauline's dreams - which include impromptu surgeries that equate to intercourse in her mind - are erotic, disturbing, grisly, and symbolic.
McCord nails the role of Pauline. Dolled up for the cotillion, she looks almost presentable, but even when she's her slovenly self you can see her beauty - eyes, wit, intelligence, smile - even if no one else in the movie can. McCord sells the film by subtly morphing Pauline from an outcast to a sociopath; at first, you take her for just another weird kid in the hall, but over time you see her as clearly losing her grip on reality.
And I didn't think I'd say this, but Lords is really good - in an ironic role - as the pushy, moralizing mom. Traci, you've come a long way, baby.
It's very hard to believe this is writer/director Richard Bates Jr.'s first film, feature or otherwise. The writing is tight, and he gets a lot out of his cast - which includes John Waters and Malcolm McDowell. It's a stunning debut.
I wasn't sure how the movie was going to end, although it was clear I was being led in a particular direction. I wasn't misled, but the conclusion is still a knockout; leaving just enough unresolved to be satisfying.
Excision is thrilling, a movie that will resonate with anyone who's felt unloved and with anyone who likes tales of revenge and redemption. It wisely picks a course and never goes too over the top with its set pieces. It's not a mild-mannered film, but it's also not an overwrought, ham-fisted gorefest. It's cleverly nuanced, achingly acted, and a mind- blowing masterpiece.
Overall i thought this film was superb! The acting was outstanding by AnnaLynne Mccord and Traci Lords who made the film well worth a watch. If you like your strange/obscene movies this is one definitely to watch. There are bound to be some negative reviews of this movie but trust me when i say this take no notice. If there is one criticism it would have to be the ending of the movie but i wont go into detail as don't want to spoil it for potential viewers. The director of the movie has made a fantastic movie especially for his debut and this will hopefully not be his only movie, i cant wait for the next movie of his! Overall strange, weird, exciting movie so give it a watch.
This film played as part of the 2012 Sydney Film Festival's "Freak Me Out" section. Director, Richard Bates Jr, set out to make a movie that he and his friends would have loved to watch in high school. This he's achieved and so much more.
From the outset, Excision seizes your attention, with its deliciously macabre imagery and malevolent audio track. Unfolding amidst the perfect banality of middle class suburbia, the stage is set for a savage assault on your sensibilities.
Annalynne McCord is fantastic as Pauline - the slouched, ragged, blemished, sociopathic, vexed atheist, sangrephile*, virgin with surgical aspirations and necrophilic fantasies.
In fairness, the entire cast is impressive. You need to keep in mind that this film is the debut feature for a 25 y/o and he claims that persistence worked a charm in signing the talent -- including an Academy Award Winner!
But it's the fantasy sequences that will leave you truly in awe of Excision. Pauline's dreams are tantalisingly lurid, so utterly vile -- yet shot so beautifully. Luminous and vibrant, these scenes impact and leave a stain that won't come out in a cold wash. In fact, at least one person passed out at the screening I attended -- for real.
Far from wallowing in this depravity, Excision succeeds in exploring complex relationships, themes of religious zealotry and how problematic being a self-taught expert can be. All this and a killer soundtrack to boot.
I have to add that I had the extraordinary privilege of enjoying the greatest Q&A session in Sydney Film Festival history! Richard Bates was "slightly intoxicated" and proceeded to share some outrageous stories with us all. It caused a slight scandal, but, given the content of the film we all came to watch, his conduct was completely acceptable. Moreover, it was rare to see a person be so genuine and hysterically funny.
With his next project in the works, Richard Bates Jr just might be a name to keep an eye out for. I mean, if Peter Jackson can start with Bad Taste...I'm just sayin'... ;)
More importantly, for those of you with a taste for twisted film making - Excision is a must see.
*sangrephile - I made this up because I couldn't find a word for someone who loves blood & isn't a vampire!
From the outset, Excision seizes your attention, with its deliciously macabre imagery and malevolent audio track. Unfolding amidst the perfect banality of middle class suburbia, the stage is set for a savage assault on your sensibilities.
Annalynne McCord is fantastic as Pauline - the slouched, ragged, blemished, sociopathic, vexed atheist, sangrephile*, virgin with surgical aspirations and necrophilic fantasies.
In fairness, the entire cast is impressive. You need to keep in mind that this film is the debut feature for a 25 y/o and he claims that persistence worked a charm in signing the talent -- including an Academy Award Winner!
But it's the fantasy sequences that will leave you truly in awe of Excision. Pauline's dreams are tantalisingly lurid, so utterly vile -- yet shot so beautifully. Luminous and vibrant, these scenes impact and leave a stain that won't come out in a cold wash. In fact, at least one person passed out at the screening I attended -- for real.
Far from wallowing in this depravity, Excision succeeds in exploring complex relationships, themes of religious zealotry and how problematic being a self-taught expert can be. All this and a killer soundtrack to boot.
I have to add that I had the extraordinary privilege of enjoying the greatest Q&A session in Sydney Film Festival history! Richard Bates was "slightly intoxicated" and proceeded to share some outrageous stories with us all. It caused a slight scandal, but, given the content of the film we all came to watch, his conduct was completely acceptable. Moreover, it was rare to see a person be so genuine and hysterically funny.
With his next project in the works, Richard Bates Jr just might be a name to keep an eye out for. I mean, if Peter Jackson can start with Bad Taste...I'm just sayin'... ;)
More importantly, for those of you with a taste for twisted film making - Excision is a must see.
*sangrephile - I made this up because I couldn't find a word for someone who loves blood & isn't a vampire!
A paradoxical myriad of influences and styles runs through Excision, the feature debut from NYU graduate Richard Bates Jr. A development of his 18 minute short which played the festival circuit in 2008, the film charts a brief spell in the life of Pauline (AnnaLynne McCord), one of the most dysfunctional teenagers to hit the screen since Todd Solondz's Welcome to the Dollhouse (1995). Far less fetishized than Terry Zwigoff's teenage female outcasts, Pauline is the epitome of awkward. Her gait eschews any form of grace, leaving her a hunched over, lumbering mess. Even keeping her mouth closed appears, at times, to be too much effort. In short, she's the perfect representation of the unfathomable levels of apathy and brooding that exist within the mind of the troubled teen.
McCord, better known to television viewers as the star of shows such as Nip/Tuck and 90210, is almost unrecognisable as the scowling girl with greasy hair and bad skin. It was not, however, an easy part for her to attain. In a recent interview both Bates Jr. and McCord stated that it was a difficult process. From the offset, the director refused to entertain McCord's persistent applications to be associated with the feature. Luckily for us her tenacity paid off and she was granted an audition. Bates' scepticism continued until the young actress showed her commitment to the feature by responding to the statement that she would have to cut her hair for the role by hacking at her locks right there and then. Seeing more of Pauline in the glamorous actress than he could ever have imagined, the partnership was made and the process began.
One of the aforementioned paradoxes within the film is the drafting in of a delightful range of the Hollywood bad boys (and girls); Traci Lords, John Walters, Malcolm McDowell and Ray Wise all appear. All of these characters could have been utilised as the outsiders and freaks of the movie with whom Pauline connects and finds solace, yet in a clever play against type, it is this motley crew who comprise the upstanding, conservative and unprogressive adults in the movie. Lords plays Pauline's God-fearing mother Phyllis with her trademark vigour and wit, clearly loving the experience of taking the moral high ground over the rebellious youth. Waters plays a chaplain and Wise and McDowell both work at the school as headmaster and teacher respectively.
Pauline aspires to one day become a successful surgeon, something which is greatly hindered by her lack of academic capability. Experimenting on roadkill and dreamily pondering over medical textbooks culminates in bizarre fantasies which range from brutal eviscerations to necrophilia.
All of this is heavily coincides with the social dilemmas which she faces on a daily basis (ranging from puberty to friends and relationships). Modern Family's Ariel Winter plays Grace, Pauline's younger sister, who is suffering from Cystic Fibrosis. The strain which her illness puts upon the family often trivialises the nature of Pauline's growing pains. This parallel makes for one of the most interesting aspects of the movie, alluding to the insular and self- absorbed nature of the teen mind.
There is a great deal of dark humour on display in Excision. Humour as pitch black as coal and as sharp as surgical steel. The nightmarish surrealism which is achieved will resonate for days afterwards. A well written and enjoyable debut which manages to balance a sinister side with a tender character study, resulting in an exceptionally strong feature, Excision is well deserving of the praise which it is currently receiving.
Excision is available now through Monster Pictures UK. You can find out more about the movie on the Official Website, Twitter or Facebook.
Colin McCracken writes extensively for zombiehamster.com as well as a number of genre publications. He can be found on Twitter as @zombiehamster
McCord, better known to television viewers as the star of shows such as Nip/Tuck and 90210, is almost unrecognisable as the scowling girl with greasy hair and bad skin. It was not, however, an easy part for her to attain. In a recent interview both Bates Jr. and McCord stated that it was a difficult process. From the offset, the director refused to entertain McCord's persistent applications to be associated with the feature. Luckily for us her tenacity paid off and she was granted an audition. Bates' scepticism continued until the young actress showed her commitment to the feature by responding to the statement that she would have to cut her hair for the role by hacking at her locks right there and then. Seeing more of Pauline in the glamorous actress than he could ever have imagined, the partnership was made and the process began.
One of the aforementioned paradoxes within the film is the drafting in of a delightful range of the Hollywood bad boys (and girls); Traci Lords, John Walters, Malcolm McDowell and Ray Wise all appear. All of these characters could have been utilised as the outsiders and freaks of the movie with whom Pauline connects and finds solace, yet in a clever play against type, it is this motley crew who comprise the upstanding, conservative and unprogressive adults in the movie. Lords plays Pauline's God-fearing mother Phyllis with her trademark vigour and wit, clearly loving the experience of taking the moral high ground over the rebellious youth. Waters plays a chaplain and Wise and McDowell both work at the school as headmaster and teacher respectively.
Pauline aspires to one day become a successful surgeon, something which is greatly hindered by her lack of academic capability. Experimenting on roadkill and dreamily pondering over medical textbooks culminates in bizarre fantasies which range from brutal eviscerations to necrophilia.
All of this is heavily coincides with the social dilemmas which she faces on a daily basis (ranging from puberty to friends and relationships). Modern Family's Ariel Winter plays Grace, Pauline's younger sister, who is suffering from Cystic Fibrosis. The strain which her illness puts upon the family often trivialises the nature of Pauline's growing pains. This parallel makes for one of the most interesting aspects of the movie, alluding to the insular and self- absorbed nature of the teen mind.
There is a great deal of dark humour on display in Excision. Humour as pitch black as coal and as sharp as surgical steel. The nightmarish surrealism which is achieved will resonate for days afterwards. A well written and enjoyable debut which manages to balance a sinister side with a tender character study, resulting in an exceptionally strong feature, Excision is well deserving of the praise which it is currently receiving.
Excision is available now through Monster Pictures UK. You can find out more about the movie on the Official Website, Twitter or Facebook.
Colin McCracken writes extensively for zombiehamster.com as well as a number of genre publications. He can be found on Twitter as @zombiehamster
First I thought this movie would be purely splatter and gore but it turned out to be quite good yet tragic film. AnnaLynne McCord and Traci Lords gave strong performances that really carried the movie, particularly Lords who successfully left the Adult Industry and became a credible actress. I mentioned it was tragic as I really felt for the family struggling with a delusional elder daughter and a dying younger one. Kudos to the makeup artist(s) who worked on McCord making her character (Pauline) look like a really out-of-sorts teenager. There were scenes (in the Unrated version) where a lot of blood was involved coupled with some perverted scenes, but it worked in looking inside the mind of Pauline.
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- TriviaFilmed in 28 days.
- ConnectionsFeatured in Half in the Bag: Django Unchained and 2012 Recap (2012)
Details
Box office
- Gross worldwide
- $2,757
- Runtime1 hour 21 minutes
- Color
- Aspect ratio
- 2.35 : 1
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