Forst

I thought my eyes would roll out of my head 10 minutes in, and it just kept getting worse.

Tries way too hard to be gritty and atmospheric with every scene, no matter how pedestrian, framed (and scored) to feel like the pivotal moment in a thriller where Our Hero goes into the serial killer's lair. If you tried to turn this into a drinking game where you had to take a shot every time it copied a better writer/director, you'd need your stomach pumped halfway through the first episode.

I'm a native Polish speaker, so nothing was lost in translation.

Honestly deserves a lower rating, in purely objective terms, but compared to the state of television today, a five feels fair.

I liked the look on this one so I decided to watch it and give it a go.

What I got after the series had ended was a slow burner which is fine if the story goes well, but this one wasn't as good as I thought it was going to be so each episode went awfully slow.

Next was the story line, Forst who is the main character was bedding every woman that looked at him, really were all those women that desperate to sleep with an ordinary looking guy?

This side of the story had me rolling my eyes and asking myself really, which made me laugh out loud.

Then there were the awful, tiresome sex scenes just to show how much of a stud the hero was.

When it came to conclusion, I knew who the main bad guy was halfway through the series.

If Netflix have another one of these Forst series, I will not be watching it.

Do yourself a favour and give this a miss.

I read the books a while back and remember them being pompously written, with repetitive descriptions, and the characters' main personality traits being what they wore, the kind of chewing gum they liked and how much they swore. The series has similar 'depth' and it's over reliant on you having to fill in the gaps in the plot.

The choice of the main actor was also quite predictable, although personally I imagined Forst differently, but thats only a personal opinion.

You get to see the beauty of the Polish mountains though, and if you're not too fussed about things making sense then give it a go.

Our Polish cinematography is always behind - 20 years after the world discovered romantic comedies, we were making romantic comedies, and now, 10 years after the world discovered serial killer series, we are making serial killer series. And each one is identical. Every dark Polish series is a mishmash of Swedish series. There's a detective with a past, who has issues with his superior, there's a rebellious journalist, there's a psychopathic killer performing rituals. How many times have you seen this? So this one is for connoisseurs - those who don't have enough yet. The actors are good, the cinematography is good, but there's too much repetition and too many stereotypes. Not great directorial work.

The Poles know how to make quality, dark crime thrillers and dramas. That's why it was a pity that this was not one of them. The series starts promisingly, but by the third episode at the latest, the downward spiral begins. The series becomes more and more implausible and illogical. At the same time, the number of clichés increases. Not even the twist at the end saves the series. That in itself is very unfortunate. The beginning seemed promising, the series was well made, shot and staged. The landscapes were on the one hand starkly beautiful and on the other hopeless. This was a missed opportunity.