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The film offers a fresh and nuanced perspective on the complexities of identity, home, and emotional upheaval. The central character's multi-year quest to return to her place of birth serves as an intense focal point for exploring the intricate emotions and challenges related to adoption and self-discovery. However, a minor drawback lies in the occasional reliance on clichés, which briefly detract from the otherwise innovative approach.

The narrative structure stands out for its inventiveness, seamlessly weaving multiple timelines in a way that enriches the emotional landscape. The fragmented narrative is both audacious and purposeful, reflecting the protagonist's evolving inner world.

Beyond visual appeal, the film's cinematography serves as a narrative tool, adding layers of meaning to characters and themes. The score acts as the emotional backbone, elevating key moments and offering another layer to the viewer's experience.

In summary, the film emerges as a deeply affecting and intellectually stimulating exploration of identity, adoption, and the pursuit of true belonging. With its compelling storytelling, captivating performances, and visually arresting cinematography, it provides not just entertainment but a profound cinematic experience.

I could not watch this film without any expectation or prejudice, as I know someone who has a sibling that is an adopted Korean child. However I still tried to keep an open mind, and I think the film is executed well.

Freddie is the only character that is really fleshed out and I think that's right. There are several other characters, notably Freddie's father, that are treated with respect by the film but they are not given a lot of depth. But since it's not their story that is being told they all have to take a back seat to the little girl that it's all about.

After watching this I did a little digging and I found that adoption, foreign or not, is culturally, politically and therefore historically laden in South Korea. You have to want to go looking for it as the film does not push the subject too heavily, but it certainly has several scenes referring to this subject from the institutional rather than the personal viewpoint.

I do think the film has some problems in finding the right tone and there are segments that do not help progress the story. The whole birthday party segment might be nicely shot but does not really add anything.

All in all it's a good film and it triggered me to learning a bit more about its subject matter.

Inspired by the life of Laure Badufle, the screen-writer, "Return To Seoul" takes us on a journey of regret, anger, sorrow and wondering what could have been. This film puts an exciting spin on the "adoptee wants to find their biological parents" genre with its depiction of all of the stages Freddie, the protagonist, goes through on her journey of reconciling with her biological parents and also finding her own identity. Davy Chou, the director, captures incredibly Freddie's stance on reuniting with her father, which shows that she is torn between wanting to meet him and being angry with him for giving her up in the first place - this ambivalence keeps the whole narrative thrilling in an otherwise slow pace/slow burn picture like this. What I must appreciate is the truly realistic approach to the legislative side of how adoptees can find their parents, that helps the film being believable. Also I completely admired the striking performance of Park Ji-min in the titular role and I couldn't believe that this was actually her first film ever.

Return to Seoul: A stranger in a strange land, adopted as a bay from South Korea and raised in France, 25 year old Freddie (Ji-Min Park) returns. It is a bit of a culture shock but she quickly makes friends. She is persuaded to contact her birth parents through the adoption agency and eventually her father responds. All does not go swimmingly especially as Freddie's free spirit clashes with Korean reticence and patriarchal norms. Freddie herself however is self-centred and even cruel to friends and family. The film captures snapshots her life for her first two weeks as an returnee in Korea, two years later, five years after that and finally a year later, eight years since her first return visit. She develops in some ways, degenerates in others. An interesting tale of loss, acceptance, search for identity and longing on the part of Freddie. Directed and written by Davy Chou. 8/10.

As an audience member, films that cover the topic of adoption, there are expected themes of identity involved. But instead we get more of a random style of set-pieces within the conventional moments that represented identity in a unique way.

For the most part, it worked for the character and the story. But there were some that I just couldn't get on board with and some were even so random they were unforgivable.

I really liked Park Ji-Min's performance. I enjoyed the attitude that she gave to the leading character and the spontaneous moments that she orchestrated were largely memorable and one of the strongest parts of the film.

I liked the overall look. It was able to give us some effective imagery in different environments and never feel like different films.

The pacing was gentle. There were some purposeful lingering shots which worked well for the most part. Also, the camerawork was respectful with its wide shots as it let the pictures do the talking instead of taking over and turning it into something that wasn't intended.

As mentioned, I wasn't invested with every decision made. Some of the choices in the narrative in the second half made no sense to me. There were others I appreciated, but just wasn't a fan of them.

Despite that, I thought this was still a good enough drama that was worth my time. It's got a solid leading performance that you're willing to invest in. It also poses some interesting representations on the themes of identity that I've not seen before.

I cannot forgive some of the random moments in the second half. But nevertheless, there was enough engrossing moments to keep me guessing how this would end.