La passion de Dodin Bouffant

Greetings again from the darkness. I do not cook and have never had an interest in learning to. Still, I do understand how some are drawn to it as an art form ... creating new dishes and new flavors, while generating such pleasurable sensations across the palettes of others. It's a passion like many professions (or hobbies), and it's one that is best shared with others.

This is the first film from writer-director Anh Hung Tron since 2016, and he has adapted the popular novel, "The Passionate Epicure" by Marcel Rouff. An extended opening scene (30 plus minutes) features a camera weaving in and around the activities in a kitchen where a gourmet meal is being prepared. Chit-chat does not occur. These people know their work and go about preparing multiple dishes precisely, meticulously, and expertly. Specific timing is the only thing requiring spoken language. Despite this, we learn much about these folks.

Juliette Binoche (Oscar winner, THE ENGLISH PATIENT, 1996) portrays Eugenie, the cook to gourmet chef Dodin, played by Benoit Magimel. Dodin periodically takes leave to mingle with guests, while Eugenie finds pure joy in her task at hand. Two assistants Violette (Galatea Bellugi) and Pauline (Bonnie Chagneau-Ravoire) work efficiently and quickly. Pauline is young and relatively new to the kitchen, yet she possesses a preternatural taste palette and flavor instincts, while Violette is a long-trusted staffer. As viewers, we are in awe of the precision and coordinated efforts that go into preparing world class dishes.

As the film progresses, we learn Dodin has proposed marriage to Eugenie many times over the years. She has always turned him down, choosing instead their kitchen partnership as well as occasional evening soirees in her room (when the door is unlocked). This arrangement works for her and has made him famous in the culinary world. Love and respect exists between the two, and he worries about her too-frequent fainting spells and light-hearted moments. Their conversation one evening after work tells us all we (and they) need to know. As for their backstory, given Eugenie's mentorship of Pauline, we can't help but wonder if maybe Dodin had once recognized such rare talent in Eugenie some twenty years past.

This is a film, and these are performances, meant to be savored every bit as much as the dishes we see prepared and the garden Eugenie tends. It's a delicate world that requires precise movements and commitment ... just as any relationship. We can all strive to find the joy and satisfaction on display here, despite knowing that these types of connections will at some point lead to loss.

In theaters on February 14, 2024.

"Dodin" (Benoît Magimel) and "Eugénie" (Juliette Binoche) have a synergy in the kitchen that creates mouthwatering and innovative culinary treats for their friends. She does the cooking, he more the design; she shuns the limelight, he is more gregarious - but it's a professional relationship that has worked well for the last two decades. It's probably fair to say that they are both a bit slow off the mark, but gradually now their relationship begins to become one of a more personal, intimate, nature but she is still uncertain. How to win her round? Well he starts to prepare delicacies to tempt both her palate and her heart. The path of truth love never runs smooth, though, and soon their dynamic is facing a testing time that will likely see unwelcome change for all concerned. What I actually liked about this film is that there's not a great deal of dialogue. It looks great and the two actors genuinely convince as they prepare their gourmet dishes using ingredients and techniques that are way more fascinating than the unfolding drama between their characters. You can almost smell the food! It also doesn't shy away from some of the culinary curiosities of rustic French cuisine, so be prepared for a few dishes that might not do for your appetite what they do for those on screen, but by two hours in I found myself genuinely invested in what I was watching - and very glad I'd eaten first. Cooking is an art form; so is good cinema - we get both here in abundance.

A beautifully shot movie with excellent attention to sound and atmosphere. If you have an interest in cuisine I mean really strong interest and get joy out seeing the process of the making of haute French dishes then this is the movie for you. If not then it's a bit of a drag with more care put into these (very beautifully shot) scenes of plate after plate being prepared and enjoyed than actual story to be told. It's a frustrating film as there is a story underneath and when we are taken to that story on occasion it's full of potential and some well crafted monologue but it's too rarely visited to feel satisfied with this meal. There are some wonderful tender moments that are memorable but are drowned in one of the many sauces that the story puts ahead in priority. The story feels as though it ends before it really began and even with the ending being a sweet look at the past and what it means to love, it doesn't feel fully baked enough for that message to really mean much.

Why dont they make movies like this anymore? The beauty of the food, people and surroundings take you away on a sensory trip. I also miss this idealized depiction of love. Everything is so delikate and Beautiful. I recommend you to what this if you respect and appreciate the art of food preparations and the beauty of a life Long romance. The asthetic is so pleasing, everthing from birds chirping in an early morning vegetable garden, the Sound of the food simmering, all the fine pressed linen clothing, the coiffed hair, the reflection of warm sunlight on the Walls and copper pots, the wind in the flowers on the forest floor. Exquisite!

I am, I admit, a Crocodile Dundee cook - you can live on it, but it tastes like s*** Nevertheless, I revere those who are masters in the gastronomic arts.

Set in the 1870's, this film is a hymn to the pleasures of the table. The camera lingers lovingly over every pot and pan, every ingredient, every procedure, to the extent that it would have been wrong for the film to have been in any language but French. Anyone who can watch this film without salivating has no soul.

The plot is secondary to the food. Dodin (Benoit Magimel) is an expert, though amateur cook, whose hobby is hosting dinner-parties for a group of friends. For twenty years, Dodin has employed Eugenie (Juliette Binoche) as his cook, though she's far more than that. They sleep together, though she repeatedly declines his offers of marriage. Both performances are nigh-on perfect. There's also a young girl, the daughter of a neighbour, who has superlative taste-buds, and who wants to be taken on as an apprentice.

There's a bit more plot than that, including a comic dig at those who equate excess with excellence, but everything is subordinate to cooking and eating - and the actors do actually eat the food. One thing that grates with me is films where people don't actually eat the food in front of them.

I left the cinema hungry, and wishing that I had the patience and the dedication (and the time) to cook like that.

Oh, and though I grudgingly accept that, with the possible exception of the Chinese, the French are the finest cooks on Earth, I draw the line at ortolan.