An aspiring model, Jesse, is new to Los Angeles. However, her beauty and youth, which generate intense fascination and jealousy within the fashion industry, may prove themselves sinister.An aspiring model, Jesse, is new to Los Angeles. However, her beauty and youth, which generate intense fascination and jealousy within the fashion industry, may prove themselves sinister.An aspiring model, Jesse, is new to Los Angeles. However, her beauty and youth, which generate intense fascination and jealousy within the fashion industry, may prove themselves sinister.
- Awards
- 18 wins & 39 nominations total
Rachel Dik Dukes
- Carrie
- (as Rachel Dik)
Featured reviews
It was a colorful, but brutal story of a woman who wants to be a model and stage actress, but is constantly bullied by three women who are jealous of her beauty and wish to be her by any means necessary. I would've liked it more it the final 20 minutes wasn't so nasty. It was a gruesome finale, but it was mostly suspenseful and entertaining.
Okay, the story isn't much. There is a story for sure but it's very straightforward, fashion industry is cruel. It shows how models can go above and beyond to be successful or keep on being successful and looks isn't a mirror to what's inside. Although people may understand many things or nothing from this movie but that is how I perceived it.
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You will find many bad reviews about this simply because people chose to watch a movie that they expected differently in my opinion. This movie doesn't sell itself to be a story driven thriller whatsoever, or action movie. This movie is a movie that is made purely to achieve outstanding, gorgeous visuals that will make your eyes bleed from beauty. It's one mesmerising shot after one.
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There is bit of gore, disturbing scenes that includes cannibalism, necrophilia and fetishism. I definitely would define this movie as an erotica alongside with thriller. Erothriler? I personally love these movies, I'd put it in the same category with Raw and Dogtooth, which I loved. Weirdly and disturbing with a touch of ero.
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~This type of movie kind of reminds me of old Giallo movies like Profondo Rosso (1975) and Suspiria (1977), which is getting a remake!!!!, so if you're into those movies that has lots of colour and eroticism and gore, I definitely recommend this movie.
Having seen previous films by Nicolas Winding Refn and consider Drive to be a masterpiece, had little expectations for this film. There is certainly some influences within Drive in the Neon Demon but this film is closer to Only God Forgives in terms of quality.
Now his films are certain art house pieces and we can see as to why many people would dislike this film. It is most certainly for an acquired taste and not for everyone.
As the film, well done visuals and the camera angles and set pieces are nice to look at but after a while the story line becomes predictable and cliche. There are some intrigue at first then suddenly flares off a little. There are certainly several bizarre and more disturbing scenes towards the end which stand out.
This film isn't perfect, yet isn't completely awful. It is a step up from OGF but not on the level of Drive.
Now his films are certain art house pieces and we can see as to why many people would dislike this film. It is most certainly for an acquired taste and not for everyone.
As the film, well done visuals and the camera angles and set pieces are nice to look at but after a while the story line becomes predictable and cliche. There are some intrigue at first then suddenly flares off a little. There are certainly several bizarre and more disturbing scenes towards the end which stand out.
This film isn't perfect, yet isn't completely awful. It is a step up from OGF but not on the level of Drive.
This film tells the story of a sixteen years old girl who moves to Los Angeles to pursue her modeling dream. She knows that she's beautiful, and quickly establishes herself in the modeling world. Jealousy from other models quickly ensue, with undesirable results.
The beginning of "The Neon Demon" looks quite promising, as it retains the beautiful visuals that Nicholas Winding Refn is known for, but is upbeat because of the electronic music. The plot looks quite interesting as it tells the story of jealous, backstabbing models. Then, the story is interspersed between many visually stunning but purposeless scenes. The ending of the film becomes really bizarre, I got so lost and just could not believe what I was watching. I don't even know what the second half of the film is about, except that it wants to be very provocative. If the film could be consistently like the first half, I would actually have liked it.
The beginning of "The Neon Demon" looks quite promising, as it retains the beautiful visuals that Nicholas Winding Refn is known for, but is upbeat because of the electronic music. The plot looks quite interesting as it tells the story of jealous, backstabbing models. Then, the story is interspersed between many visually stunning but purposeless scenes. The ending of the film becomes really bizarre, I got so lost and just could not believe what I was watching. I don't even know what the second half of the film is about, except that it wants to be very provocative. If the film could be consistently like the first half, I would actually have liked it.
Going into this film, I didn't truly know what to expect. All I knew was that the promotional images really captured my attention, due to the pretty colors, with up-and-coming actress, Elle Fanning in the center. A "nymphet" Tumblr blog I follow also re-blogged images from this. It's some kind of horror (I read the sex/nudity descriptions in the parental guidance section here prior to viewing) that has very mixed reviews.
Much of the the first two acts is relatively slow and realistic. It's got great visuals, despite two scenes with annoying flashing lights. The trip-hop soundtrack by Cliff Martinez is also ear-catching. But, boy, was I not expecting such a final act! Thinking back on it, there's a decent amount of foreshadowing leading up to it. As the track titled, "Are We Having a Party" played over, my eyes were widened as I realized what had happened to Jesse (Fanning). In spite of its disturbing aspects (notably, a scene involving necrophilia), I ended up really liking The Neon Demon. I appreciate how it chose to make audiences uncomfortable rather than the usual "lesbianism is hot~" excuse (ie Birdman). There are critics who hate and/or have called this misogynistic, and I can completely understand why; but that doesn't wane my enjoyment of it.
On the official movie discussion on Reddit, users have called this "David Lynch meets Black Swan," which I also happen to agree with.
It was great to see Abbey Kershaw on-screen again after her debut in Mad Max: Fury Road - also kind of funny her playing an aspiring model, considering she already works as one in real-life; can't wait to see what else she and Fanning have to offer in future projects!
Learning that the director, Nicholas Refn, was born colorblind is very surprising, since his movies are so awashed with vivid colors. I'm planning on watching Only God Forgives and Drive next (the latter generally being considered his best work).
Much of the the first two acts is relatively slow and realistic. It's got great visuals, despite two scenes with annoying flashing lights. The trip-hop soundtrack by Cliff Martinez is also ear-catching. But, boy, was I not expecting such a final act! Thinking back on it, there's a decent amount of foreshadowing leading up to it. As the track titled, "Are We Having a Party" played over, my eyes were widened as I realized what had happened to Jesse (Fanning). In spite of its disturbing aspects (notably, a scene involving necrophilia), I ended up really liking The Neon Demon. I appreciate how it chose to make audiences uncomfortable rather than the usual "lesbianism is hot~" excuse (ie Birdman). There are critics who hate and/or have called this misogynistic, and I can completely understand why; but that doesn't wane my enjoyment of it.
On the official movie discussion on Reddit, users have called this "David Lynch meets Black Swan," which I also happen to agree with.
It was great to see Abbey Kershaw on-screen again after her debut in Mad Max: Fury Road - also kind of funny her playing an aspiring model, considering she already works as one in real-life; can't wait to see what else she and Fanning have to offer in future projects!
Learning that the director, Nicholas Refn, was born colorblind is very surprising, since his movies are so awashed with vivid colors. I'm planning on watching Only God Forgives and Drive next (the latter generally being considered his best work).
Did you know
- TriviaThe film was shot in chronological order, and the ending was created and improvised on-set, according to Elle Fanning.
- GoofsWhen Jesse locks her motel room door about halfway through the movie, the deadbolt goes from locked to unlocked and back to locked between shots.
- Alternate versionsThe theatrical R-rated version and unrated version are different only in the second morgue scene as follows: (A) Female genital nudity is depicted 1 hour 29 minutes and 0 seconds into the film. In the R rated version (which played in US theaters), when Ruby was kissing the corpse (played by a female actress), the bottom of the frame showed the upper half of the vulva (inclusive of somewhat blurred labia, due to the camera focus on the kissing). In the "unrated" version (NOT the theatrical version or the director's narrative - which both emulate the R rated version seen in US theaters), that same moment depicts VERY clear labial exposure (as in medical clarity, yet artistically depicted). (B) Note that the unrated version also shows Ruby's hand brush along the genitalia as it sweeps up to the left breast (R rated version prolongs the cut-away to the Jessie fantasy shot), and also depicts Ruby bouncing on the corpse as she reaches orgasm (while the R rated version shows only the close up of her face). The foley work and soundtrack during the unrated morgue scene are subtly but noticeably different. In short, the unrated cut sounds a lot more "squishy" with ample "smacking" sounds. The uncut version appears to be available through iTunes only, despite being an Amazon production,which you can find here: https://itunes.apple.com/mt/movie/the-neon-demon/id1129719992 (That means if you want to watch it on a TV you'll need an AppleTV to play it).
- SoundtracksNeon Demon
Composed by Cliff Martinez and Peter Adams
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- El demonio neón
- Filming locations
- Canfield-Moreno Estate - 1923 Micheltorena Street, Silver Lake, Los Angeles, California, USA(Outdoor scenes in and around the swimming pool.)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $1,333,124
- Opening weekend US & Canada
- $589,014
- Jun 26, 2016
- Gross worldwide
- $3,073,700
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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